REVIEW: Everything in the End (2021)

Stranded in a small Icelandic town, a young Portuguese man named Paulo (Hugo de Sousa) seeks out human connections and intimacy during the Earth’s final days.

Sometimes you watch a film at exactly the right time and it hits you in a way it probably wouldn’t at any other time. That’s how I felt about Everything in the End. It’s a film that was made pre-pandemic but is one that is strangely relevant to our times now.

It’s a film about loneliness and isolation but also making connections with other people. Everyone is just waiting for the world to end. How and why this is happening you don’t know, there’s just an acceptance of what is coming and Paulo and everyone else he meets is just in a strange limbo as they live out their final days. As Paulo meets different people, sometimes multiple times, others just in passing, it’s little moments of connection that often feel bigger because soon they are never going to meet someone new again.

There’s a sense of both longing and acceptance throughout Everything in the End. The longing for more time, to have done and seen more things in what time they were given. But also, the acceptance that they don’t have that time, this is where they have chosen to spend their last days, with these people. That Paulo decided to travel to rural Iceland where he knew no one isn’t easy for some characters to understand but they take him at face value because what harm can anyone do now when the world is ending?

The fact that there’s no subtitles when characters speak Icelandic or Portuguese is really effective. English is the mutual language (some characters speak it better than others) so when someone tries to talk to Paulo in Icelandic before realising he doesn’t understand you feel as lost as he does. Likewise in one emotional scene where Paulo is rambling in Portuguese you just have to listen to the emotions and while I didn’t understand what he was saying, I knew what he was talking about due to context clues in previous scenes.

Rural Iceland looks beautiful yet haunting and it feels like the perfect place to wait for the end of the world. There’s a lot of wide shots of Paulo walking through fields or sitting on the shore perfectly encapsulating the loneliness he feels. Having those times where Paulo is alone makes the moments where he is with others more impactful.

Everything in the End is a really impactful film full of longing and grief and though things are undoubtable terrible for Paulo and the rest of the world, there’s still small moments of joy to be found. It’s those little sparks of light and connection that pull us through tough times and even though Paulo’s fate is inevitable, those connections still having meaning.

Everything in the End is one of those films where I was impressed as I watched it but then it’s one that I’ve been unable to stop thinking about since. It’s so melancholy but almost hopeful at the same time. Like I said, I think living during a pandemic where there’s been times I’ve felt isolated from loved ones and adrift has made Everything in the End take on new meaning and become almost strangely comforting. 5/5.

REVIEW: The Amazing Spider-Man (2012)

After getting bitten by a genetically-engineered spider, Peter Parker (Andrew Garfield) finds himself with amazing new abilities. As Peter begins to look into the secrets of his father’s (Campbell Scott) past, he meets Dr Curt Connors (Rhys Ifans) whose own life-altering research turns him into something dangerous.

The Amazing Spider-Man sure had a lot to live up to in comparison to the (first two) Sam Raimi Spider-Man movies. It’s hard to not compare the two but I’ll try my best. The Amazing Spider-Man does have some of the same narrative beats but it’s impossible not to when you’re adapting the origin story of a character who has been around for decades.

Andrew Garfield’s Peter Parker is a different kind of nerdy kid compared to Tobey Maguire’s Peter. Because, as 21 Jump Street showed, what’s nerdy and cool changes over time. Things Peter may get picked on now is not what he’d get picked on ten years ago. Side note: the Tom Holland films continue this trend of what makes Peter nerdy/unpopular.

Peter is quiet and smart and a little awkward and when he suddenly gets superpowers, he is definitely not responsible with them to begin with. He has some power now and uses that to make him feel better and even embarrass those who used to bully him. You get to see Peter change and grow and he’s definitely more of an angsty teen and it’s totally un but is just as understandable why. The fact he feels abandoned by his parents (though naturally the focus is on his father) is a big part of this Peter’s personality. He is desperate for answers does some reckless things to get them.

Gwen Stacy (Emma Stone) is Peter’s love interest and the two of them are actually quite sweet and work well together. She’s smart and a bit awkward too but it just as smart as Peter, if not more so. Stone and Garfield have great chemistry and it’s nice for the romantic lead to know of Peter’s secret identity from the outset. Having that dynamic means that she can help him when he’s Spider-Man as well as when he’s Peter Parker.

It does feel like The Amazing Spider-Man has a wasted opportunity with the villain. Dr Connors/the Lizard is sort of a Dr Jekyll and Mr Hyde scenario but Dr Connors never gets enough character development for you to really care about him. He’s a guy in a lab coat and as the focus is more on Peter and his dad’s connection to Dr Connors’ research, you never really get to see more of him than the scientist part of his life.

Overall, the action sequences are pretty great and the moment in finale with building cranes is a nice touch of the support Spidey has from New Yorkers – because this Spider-Man has been on the job for a far shorter time when he has his big final battle than Maguire’s Spider-Man had in his first film.

Personally, I find The Amazing Spider-Man good but not outstanding or thrilling like most of the Raimi films were upon rewatch. I think my main problem with this film (and from the little I remember of it; I have a feeling it’ll be a bigger problem in The Amazing Spider-Man 2) is the focus on Peter’s dad and the secrets he had. While I admire them putting a different spin on the story (and maybe in the comics Peter’s dad was a man of mystery, I don’t know) it kinda makes Peter Parker/Spider-Man not so much of the focus of his own story anymore. Also, while I understood why Peter was acting as he was when avoiding his grief, I didn’t particularly like him then, and I never got as attached to him (or any of the other characters) as quickly as I did with the Raimi version – but then again, maybe that is nostalgia talking. 3/5.

REVIEW: The Eyes of Tammy Faye (2021)

In the 1970s and ‘80s, Tammy Faye Bakker (Jessica Chastain) and her husband Jim (Andrew Garfield), rise from humble beginnings to create the world’s largest religious broadcasting network and theme park. However, financial improprieties, scheming rivals and a scandal soon threaten to topple their carefully constructed empire.

Personally, I had never heard of evangelicals Tammy Faye and Jim Bakker before hearing about this film. It is about people and events that were before my time and I’m pretty sure we didn’t have any kind of religious broadcasting channels here in the UK – personally my family didn’t get Sky and therefore more than the standard four channels until I was about fourteen and that was in the mid-2000s. But I like Jessica Chastain a lot and got the chance to see The Eyes of Tammy Faye at a local film festival months before it’s released in the UK so thought why not.

I’m very glad I gave this film ago. It is a bit unsure at times whether it wants to be a standard biopic or lean into the over-the-top almost satire of these people’s situation but Chastain’s performance guides you through any shaky moments. It also works best when it leans into the absurdity.

The costumes are stunning and are so very ‘80s and it’s hard not to get swept up in the glamour of it all. The religious songs Chastain sings are also super catchy as well and the whole package that Tammy Faye presents to their audience is bold and energetic. How this then contrasts to her at home, when she feels neglected by her husband makes events even more affecting.

Truly Chastain is fantastic in The Eyes of Tammy Faye. Often, she’s unrecognisable thanks to the hair, makeup and prosthetic work she has going on but equally her performance is stunning too. Over the course of the film, she goes from being bubbly and full of life to disconnected and close to depressed as all her hopes and dreams come crashing down around her. She plays all the aspects of Tammy’s personality so well and it’s kind of sad sometimes because Tammy appears to be a woman who loves people, loves God, and to her detriment, loves her husband. She is full of love and is far more accepting than any other evangelical preacher seen in The Eyes of Tammy Faye – Vincent D’Onofrio plays Pastor Jerry Falwell who is the most pious of the religious figures that surround her.

While Chastain and Garfield are both great, Cherry Jones who plays Tammy’s mother Rachel steals just about every scene she’s in. Her scathing line delivery is hilarious and her presence is felt even when she’s not on screen. She’s the one person Tammy wants to impress and be proud of her, while Rachel is more suspicious of her daughter and son-in-law’s careers. Rachel is a religious woman but doesn’t see how people sending their money to the network is something God would condone.

Honestly Andrew Garfield is great as the weaselly Jim Bakker. He can be both cruel and charismatic and as the viewer you can see the things that Tammy is oblivious to and how while she did things with often the best intentions, he did them to further his life. Like honestly, the man was awful and both Garfield and Chastain did such good jobs in their roles that I was mad at him for hurting her – even though if she’d been a little more present in the running of the network, she wouldn’t have been so blindsided by her husband’s lies.

Speaking of Garfield, at the beginning in the 1960s when Jim and Tammy meet at college there is some weirdness going on with Andrew Garfield’s face. I’m not sure if it is the de-aging CGI that we’re often seeing in films nowadays, the makeup or a combination of the two but I’ve never seen a man with such a smooth face. He looked like a Ken doll in those scenes. Once the narrative had moved on so he was playing a Jim that was closer to his age (Garfield is 38) this stopped and he looked a lot more normal.

The Eyes of Tammy Faye is a funny and at times almost surreal biopic. The performances are all fantastic and it’s hard not to feel sympathy for Tammy Faye as it really does seem like she was an enthusiastic and caring woman. But, due to her trusting nature and her faith she was easily led and betrayed. 4/5.

REVIEW: Spider-Man 3 (2007)

I remembered very little of Spider-Man 3 going into it and what I did know/remember was more the general consensus of it rather than how I felt about it myself. Watching it now, about 15 years since I last saw it in its entirety, I can certainly say that Spider-Man 3 is a bit of a mess. There are some great action sequences and character moments but it’s all bogged down by trying to juggle too many characters.

Was Spider-Man 3 the origins of the “too many villains” flaw? Because I definitely feel like removing one of the villains and tweaking the script here and there would have solved a lot of the film’s problems. By having three villains as well as a lot of relationship drama between Peter (Tobey Maguire) and MJ (Kirsten Dunst) not enough time is really spent on any of them to flesh them out. Well Harry Osborn’s (James Franco) arc mostly works but that’s down to two prior films worth of character work.

Peter and MJ were having issues long before “Venom” became involved in Peter’s life so if that plot/villain was scrapped then there’d still be a lot of the conflict between the two of them and then more time could have been spent on the other villains – Sandman (Thomas Haden Church) and Harry Osborn’s descent into becoming the New Goblin as he’s called in this film. Peter and MJ are having issues because for the first time their fortunes are reversed.

In previous films Peter has been the loser, struggling to hold a job and be Spider-Man at the same time while MJ has been the popular, successful Broadway star with confidence in who she is and her dreams. In Spider-Man 3 you have a Peter Parker who is totally comfortable with his dual life and enjoys being Spider-Man and in some ways because of that becomes oblivious to MJ’s struggles. MJ on the other hand is now the one with a struggling career and is having knocks to her confidence at every turn, even by Peter though it’s not intentional on his part.

I’m pretty sure I’ve read over the years that it was studio interference that meant “Venom” had to be included in Spider-Man 3 but so much of the conflict that the symbiote exacerbated was already there, it just made Peter an asshole rather than a clueless idiot when it came to people in his life he’s supposed to care about.

The CGI in Spider-Man 3 is noticeably worse than in the previous two films. Scenes where Spider-Man is swinging through the city look weird and Spider-Man looks like a computer-generated character, all plasticky and not real. Also, maybe sand monsters never look great on camera as some of those sequences reminded me of The Mummy and not necessarily in a good way – a film with almost ten years-worth of special effects advancement shouldn’t look as good as and sometimes worse than a film from the 1990s.

The sequence where Harry first attacks Peter is pretty good though and is a personal highlight of the film. The way there’s longer shots and the camera swoops around following the two of them as they fly/swing through the city is genuinely engaging.

Like I said in my Spider-Man 2 review, I did not expect this revisit to the Raimi trilogy to have me loving Harry Osborn so much but that love is even more prevalent in Spider-Man 3. The ending of Spider-Man 3 is one of the few things I could really remember about this film going into it so when Harry with memory loss called MJ and Peter his best friends and he’d die for them it was just such sad foreshadowing. The three of them love each other so much that even the final scene where MJ and Peter are reunited, it’s not really a grand romantic moment! They don’t kiss, they just hold each other with tears in their eyes as they are the only person who understands the grief they are going through.

While obviously there was never a Spider-Man 4, it would have been interesting to see what this Peter and MJ would’ve been like without Harry. Because the three of them seemed to help each other in different ways and both Peter and MJ got something from their relationship with Harry that they didn’t necessarily get from each other.

Overall Spider-Man 3 is not great but it’s my love of the central trio and their relationship that makes me not hate it as much as some seem to. I guess Spider-Man 3 follows the pattern for me that if there’s characters that I like in a form of media, if I enjoy spending time with those characters the film/TV show around them could be terrible but I wont care too much if what’s happening in the plot doesn’t destroy the characters I love. Though Peter Parker certainly came close to falling down in my estimations a number of times in this film. 3/5.

READ THE WORLD – Saint Vincent and the Grenadines: Poetry by Debra Providence

As it was difficult to find induvial work by Debra Providence, or any writer from Saint Vincent and the Grenadines, I discovered Coming Up Hot: Eight New Poets from the Caribbean. A poetry collection featuring poems from eight poets who are from Trinidad & Tobago, Jamaica, Guyana, St Vincent and St Lucia. This “review” will solely be about Debra Providence’s work.

I liked the fact that before each poet’s work began, there was a photo of the poet and a short bio. These can add some context for the work you’re about to read and in Coming Up Hot there were eight poems by Debra Providence.

These poems are about women and rebirth and a few feature a lot of imagery around nature. The style of poems isn’t consistent. Some rhyme, some are four stanzas long, others have only a word or two per line, hammering the point of them home. It’s an interesting little collection as while the themes of the poems seem quite coherent and some even flow to create a story, the style of poetry varies.

My favourite in this short example of Providence’s work was “Opheliad”. It chronicles how young girls and boys play, how the boy is the aggressor, playing at shooting and killing the girl, and how that can translate to adult romantic relationships. It’s an interesting idea and there’s some effective lines about how girls just want to be loved no matter the potential cost.

I also enjoyed “The Un-Woman Chronicles” as that felt almost like a short story in poetry form. It’s the longest poem by Providence here at ten pages. Most of her other poems were only one or two pages long.

REVIEW: Harold & Kumar Go to White Castle (2004)

After getting high together, best friends Harold (John Cho) and Kumar (Kal Penn) embark on an epic quest to satisfy their desire for White Castle burgers.

I always thought that the Harold & Kumar films wouldn’t be for me as that kind of stoner American humour has never been my kind of thing. But I’ve been listening to You Can’t Be Serious, Kal Penn’s memoir, and the way he talks about these films, Harold & Kumar Go to White Castle especially, made me want to check them out. Sure, I had Penn’s love for them and his fun anecdotes about filming in mind when pressing play but he was right; Harold & Kumar Go to White Castle is something special and he has every right to be proud of it.

Harold & Kumar Go to White Castle is very funny. There are the stupid jokes that you can see coming from miles away but they still mostly land thanks to the two leads, but there are also jokes that play with racial stereotypes in a really fun and clever way. Even though Penn had talked about how much he liked the script and how it wasn’t anything he’d experienced before as an Asian American actor, I still wasn’t expecting the racial politics of a stoner comedy to be so perceptive and for it to still, for the most part, hold up seventeen years later.

With a tight 90-minute runtime, the jokes and the escapades never stop coming. Honestly, it’s impressive how there is never a dull moment. Things just keep happening to Harold and Kumar that stops them from getting to White Castle, instead they get a flat tyre or get carjacked or end up in hospital. Anything that could go wrong for them does and it manages to be funny and unrepetitive.

The chemistry between Cho and Penn is what helps elevate what could’ve been a generic stoner movie. The two of them bounce off one another perfectly, feel like real friends and the juxtaposition between straightlaced officer worker Harold and slacker Kumar works because it never goes too far in either direction. They both are funny and neither are vilified for caring about work or not caring about work.

Harold & Kumar Go to White Castle really was an unexpected delight. It’s laugh out loud funny and even when a joke doesn’t land or is too cringey for today’s standards, something else soon happens to make you forget any misfires. 4/5.

REVIEW: Spider-Man 2 (2004)

Spider-Man 2 is truly a fantastic film, never mind a fantastic superhero film. Upon rewatch after seeing so many other MCU and DCEU films (some of which I do generally love) it’s easy to see why Spider-Man 2 is still considered to be one of the best examples of a superhero film. It’s fun, the character work great, the “low stakes” relationship drama is just as compelling as the high stakes battles with the villains.

Spider-Man 2 builds on what was laid out in the first film with great success. Peter Parker (Tobey Maguire) is struggling to juggle life as Spider-Man while also going to college and holding a job. Meanwhile Harry Osborn (James Franco) is now the head of his father’s company and Mary Jane (Kirsten Dunst) has made it as an actor and has a starring role on stage and is dating an astronaut who happens to be J. Jonah Jameson’s (J.K. Simmons) son.

The idea of Peter losing his Spider-Man-abilities because he’s torn between two lives is a really interesting one. This is where this Peter Parker having organic webs shooting from his wrists rather than being something he built really works. He has no control as he’s becoming indecisive over what he wants, if he doesn’t want to be Spider-Man, he can’t be Spider-Man. Likewise, you get to see how good a person Peter Parker is even without the suit and the powers. He runs into a burning building to save a little girl because that’s the right thing to do and he can’t walk away. Side note: the moment where the little girl helps pull him up is one of the sweetest things ever.

Otto Octavius (Alfred Molina) is a brilliant villain because through one small dinner scene with him, his wife (Donna Murphy), and Peter you get to see the man who likes poetry and loves his wife and science. Having the robotic arms have powerful AI be part of the cause of his descent into villainy is a clever idea. He’s smart, perhaps too smart, and comes up with a failsafe to protect himself but when that fails and he sees the love of his life die in front of him, it’s easy to see how he’d be manipulated by AI that’s smarter than him to solely focus on redoing the experiment no matter the cost.

The action sequences in Spider-Man 2 are still some of the best in the superhero movie genre. They are shot so you know exactly where characters are in relation to one another and the majority of them happen in the daytime so that along with not being too heavily edited means you can see what’s happening. The bank sequence is a lot of fun and is a great prelude to Spider-Man and Doc Ock’s next confrontation. The train sequence is still something that stands out even after over 15 years or more superhero movies. It’s exciting and while it’s a fight between Peter and Doc Ock it’s also a fight for Spider-Man to save the passengers on the train. The New Yorker’s standing up for Spider-Man is something that still gets me in the feels. It shows the good of the average person and how while the Daily Bugle and others may hate Spider-Man, there’s still many who feel like he’s a hero.

One thing I didn’t expect to get from this film was how much I empathised with Harry Osborn. He’s constantly in people’s shadows and no wonder it makes him act out. First it was his father, never living up to his expectations and pleasing him, and then Peter, not being as smart as him or being the one that MJ wants out of the two of them. I’m looking forward to seeing what I make of Spider-Man 3 after not seeing it for so long as there’s so much good groundwork laid in this film for Harry’s arc. He feels lost and desperate after suddenly being thrust into the role of head of Oscorp and then finding out that his best friend is who is (supposedly) to blame for his father’s death. It’s a lot for him and while Harry’s plot is a minor part of Spider-Man 2, James Franco does a great job with what he’s given.

Spider-Man 2 is truly a brilliant film. Even after all this time it’s still the film other Spider-Man films aspire to be as great as. It’s the combination of Peter’s struggles with responsibility and the various relationships in his life, it’s the villain that can be very creepy and almost horrifying at times, and it’s just how there is still humour to be found even though Peter’s life really does suck the majority of the time. 5/5.

REVIEW: You Can’t Be Serious by Kal Penn

Audiobook narrated by the author.

Kal Penn is an actor and former White House staff member in the Barack Obama administration. I first saw him in the TV show House but knew little about him (except his character was written out of House so he could go work at the White House) so when I heard about his memoir and I had a free audible credit I thought I’d check it out.

I really enjoyed You Can’t Be Serious. It’s narrated by Penn (I always prefer to read memoirs narrated by the author, it just makes it feel more real and accessible) and he is a funny guy so there were many anecdotes that got me smiling or even laughing. Equally, he does a really good job of explaining things. Whether that’s what his job entailed in the White House or how the entertainment industry works and the difference between agents, publicists and managers.

I found it equal parts interesting, disappointing and hopeful hearing about how he broke into acting and the various racist things he encountered from the likes of casting agents along the way. Disappointing and sad because of how used he became to such things but then hopeful and inspiring because of the people he had around him and how other people of colour would give advice when they could and he learnt to do the same. There are instances where a producer thought that Asians don’t watch movies (because of shoddy data) or that white people won’t watch anything that doesn’t have white people in, and while Kal Penn was hearing this in the late 90s and early 2000s, they are unfortunately ideas that are still prevalent today – no matter how many box office success have proved people wrong.

Kal Penn covers a lot of things in his book. His childhood, university years and how he always wanted to be an actor and to do something in public service. How he got into campaigning for Obama in 2007 and then becoming part of his staff was compelling as it was clear to see his passion for what they were doing. I liked that fact that the audiobook actually had the audio from when Penn delivered a speech at the 2012 Democratic National Convention. It’s a great speech but actually hearing the crowd react to it makes you feel like you’re there with them.

What I wasn’t expecting from listening to You Can’t Be Serious was the urge to watch the Harold & Kumar films. Stoner comedies aren’t really my thing, plus I was a young teen when the first film came out, so they had passed me by. That is until listening to Penn talk about Harold & Kumar Go to White Castle. His love and affection for that film and how proud he was of it made me want to watch it (I now have and a review will be coming soon). Listening to him talk about the script and the fact two white guys wrote it specifically with two Asian American leads in mind just amazed him and he never thought it’d get made. But it did and the way he talked about the audition process and being in waiting rooms with people who looked like him rather than being the only Asian was really something.

You Can’t Be Serious is a really entertaining and interesting memoir. Naturally those who are fans of Kal Penn should like it but for people like me who only knew him from one TV show that’s 10 years old, I still found it very enjoyable. It’s both frustrating and inspiring to see the highs and lows of his acting career and he paints such a vivid picture of the people around him, friends, family, co-workers, that it feels like your listening to an old friend telling their story. You Can’t Be Serious is just a lot of fun and I think anyone who’s interested in the entertainment industry and how someone who isn’t white experiences it could get something out of it. There are passages in here I could see being very useful in Film Studies classes on how the industry works – or rather how it shouldn’t and needs to change. 5/5.

Plus, this this the first book I’ve managed to read in like a month so I’m very grateful for it hopefully helping me get out of my reading slump.

REVIEW: Eternals (2021)

The Eternals, a race of immortal and powerful beings, have lived on Earth for centuries. Their mission was to protect its people from creatures called Deviants but when a new danger threatens Earth and its people, they decide to take a stand to protect the place they’ve learnt to call home.

Eternals is the latest instalment in the Marvel Cinematic Universe and in some ways it’s different to what has come before, but in others it falls into the general tropes of the MCU. The scope of Eternals is huge and there’s a lot of information to take in about these characters and their history. They are all pretty much demigods with different powers and how they fight together, using those different powers is really fun to watch. And while they are all from the same place originally, they each have experienced different things in their thousands of years on Earth and that along with their general core beliefs make them different to one another.

There are ten Eternals so natural some characters get more development than others but each character gets at least one very cool moment, whether it’s a quiet, dramatic moment or something in a big fight scene. Sersi (Gemma Chan) could be considered the lead in this ensemble cast. She, along with Ikaris (Richard Madden) and Sprite (Lia McHugh), is the one who sets out to find the others and bring them all together to stop this new threat. Sersi is a character whose core values are really love and kindness. She’s always liked and cared for the people of Earth even when some of her companions thought them to be not worth saving or a danger to themselves.

A lot of the comedic moments come from Kingo (Kumail Nanjiani) and his human valet Karun (Harish Patel). With Karun, he could’ve easily become an annoying comedic side character but the film knows exactly when to use him to its advantage and he actually has a really heartfelt moment which I did not expect. Brian Tyree Henry’s Phastos also has some funny moments but his humour is a lot more subtle and dry and having that kind of humour balances out the more typical MCU-type humour which was nice.

The cast and the characters are what made Eternals for me. These characters have all lived different lives but they all still care about one another. They do often seem like a dysfunctional family and no dynamic between two characters is the same. There are friendships or maybe even romantic relationships between various characters that are stronger than between others but that’s true to life in any kind of friendship group or family. It doesn’t make any of the relationships lesser and instead adds something to the various characters motivations. The chemistry between certain actors was great if unexpected – Barry Keoghan’s Druig and Lauren Ridloff’s Makkari were a standout.

The cinematography in Eternals is often stunning and that has to be at least in part due to director Chloé Zhao and her love of natural lighting and filming in real locations. At times this does make the CGI a bit more noticeable when it is used as the blend of the real and computer-generated doesn’t always hit the mark.

Eternals is a bit more of a serious MCU film as it presents lofty ideas and themes about humanity and the value of life of one species vs another. It’s the kind of film where even though you see the worst of humanity, you can also see the best and its potential. But with all these serious discussions, there’s also spectacular fight sequences where it’s really fun to see these characters work together.

There’s a lot to take in, but overall Eternals manages to be an engaging and hopeful story with fun action sequences and a lot of mythology to get your teeth into – and there’s enough in the film itself and its two post-credit scenes to get you interested in a sequel. 4/5.

REVIEW: Spider-Man (2002)

As Spider-Man: No Way Home is being released next month and there’s talk of it including multiple universes and characters we’ve seen from past Spider-Man franchises (I watched the first trailer when it was released in August and have done by best to avoid everything Spider-Man-related ever since) I thought it was about time to revisit some of the previous iterations of Spider-Man. I’ve reviewed Spider-Man: Homecoming and Spider-Man: Far From Home but I’m pretty sure I’ve never reviewed the Tobey Maguire and Andrew Garfield films. Plus, I’ve not even seen many of those films in their entirety for years, or in some cases, since the cinema.

As these films are older and are rewatches there may be some vague spoilers in these reviews.

So to kick it off we go back to the beginning and to the Summer of 2002. I was 10 years old when Spider-Man came out and I distinctly remember seeing it in the cinema with my dad, my (much older) sister and her then-boyfriend. I know I enjoyed it then and on rewatch nearly 20 years later I still really enjoy it.

What director Sam Raimi did with Spider-Man is really help lay the blueprint of how brilliant a superhero movie could be. There are a lot of elements at play in this film with the different characters and relationships and Peter Parker (Tobey Maguire) doesn’t even get into his Spider-Man suit until practically half way through the film. But that doesn’t bother me because the things going on in Peter’s life are just as compelling as any Spidey-related adventure.

Spider-Man sets up the relationship/potential love triangle between Peter, his best friend Harry Osborn (James Franco) and the girl he’s been in love with forever Mary Jane Watson (Kirsten Dunst) so well. You get why Peter and Harry are friends even though they come from completely different worlds and you get why Mary Jane would be attracted to both Peter and Harry. All three of them have believable relationships with one another.

Willem Dafoe as Norman Osborn/Green Goblin is one of those instances of perfect casting. Ever since I saw him in Speed 2: Cruise Control Dafoe has been able to freak me out with just his eyes – he can put so much intensity/craziness in his eyes it’s almost concerning. How the Green Goblin toys with Peter is so good. He believes he knows what makes Spider-Man tick and once he figures out who Spider-Man is he’s even more certain of it. The scenes where it’s just Norman Osborn talking to the Green Goblin, either via the mask or a mirror are just captivating. They’re unsettling and show so much of the two sides of this character. Because really, while Norman Osborn may have pushed his son and his staff, he was also someone who wanted to succeed in their business ventures and wasn’t necessarily an inherently cruel person until he became the Green Goblin.

Some of the CGI may now look a bit dated but on the whole the action set pieces really hold up. The attack on the parade is fun with how Spider-Man bounces on the giant balloons and how he goes between fighting Green Goblin to rescuing bystanders shows what kind of a hero he is. The hand-to-hand fights with Green Goblin are pretty brutal and Peter Parker sure goes through a lot in this film. All the fight and action sequences are well shot and choregraphed and you know exactly where characters are in relation to one another.

I have to mention J.K. Simmons as J. Jonah Jameson – an actor who made the role his own that there was no way he could be played by anyone else in any of the other Spider-Man franchises. J. Jonah Jameson is loud and brash but he’s also quick-witted and all the scenes at the Daily Bugle are funny because of him and his various underlings. What really stood out to me (because I’d completely forgotten about it) is that that when he’s being threatened by the Green Goblin who wants to know who takes Spider-Man’s picture, James lies. He says he doesn’t know and they’re sent in the mail. He might be a mean and rude boss but it shows he does care about Peter Parker and the rest of his staff. He has a moral backbone and won’t sell out his staff. It’s little moments like that in Spider-Man that make a lot of the character work stand out.

Spider-Man is a very entertaining superhero film and is truly one of the great origin stories. It’s filled with drama and action and so many believable characters. Seeing Spider-Man swing through New York still looks fantastic and when that Spider-Man theme by Danny Elfman kicks in it’s hard not to get goosebumps. 5/5.