Denial is an engaging courtroom drama that respects the history it is debating. While it gives Irving the space to put across his views, it never says those views are right or fair. The film frames Lipstadt and her team of lawyers as the speakers of truth and rightly so.
The scenes set at Auschwitz concentration camp are very respectable. The actors’ reactions to the environment they’re in is visceral and nothing is over-played in these scenes. The shorts of the hundreds and thousands of suitcases and other belongings of the Jews who were there is haunting, and the film doesn’t flinch away from the cold, harsh truth of the place and its history.
The courtroom scenes are tense as Irving and Richard Rampton (Tom Wilkinson), Lipstadt’s lawyer, verbally spar over points of racism, anti-Semitism and what is fact and fiction. It’s touching how this case becomes so much to all of the defence team, Rampton can be blunt in his questions when investigation Auschwitz but it’s only so he can be best prepared.
There’s a few scenes between Lipstadt and a holocaust survivor (Harriet Walter) that are touching but almost feel like they are there to hammer home the point of getting some form of justice or closure for the victims and survivors, when it’s not really needed thanks to Weisz’s performance. Lipstadt is a Jew and that emotional connection can be found through her, and she acts as a voice for those who suffered.
Denial is a gripping true story. It’s a tough watch at times but great performances by all involved makes you root for those fighting for the truth in a very clever and complicated way, while Spall plays a man who you can’t quite believe is a real person, who apparently truly believed what he did. 4/5.