Nahid is a woman determined to go on a journey of self-discovery and understanding. She finds love and sex with novelist Omar, who is stuck in a loveless but marriage with volatile Maggie, while Nahid herself has chosen to keep up a facade of a marriage to Mustafa, a man she does not love for the sake of her middle-class family. This is Nahid’s story of discovery and self-love.
A Certain Woman is told not only from Nahid’s point of view but Omar’s, Maggie’s and Mustafa’s too. These changes in voice aren’t always obvious as there’s no clear signposts at the start of each subchapter who we’re now following. You have to figure out who’s head your now in through their conversations and wishes, sometimes it’s easier to figure out than others.
A Certain Woman is about Nahid’s quest for liberation. Not liberation from societies norms or from a man, but from her own set beliefs that inhibit her from following her heart and finding fulfilment, whether that’s in regard to independence, desire or love. She stays in her loveless marriage because of her children and a fear of trusting someone else with her happiness.
While A Certain Woman is on the short side with just over 200 pages, it’s quite a slow read due to the sometimes-delirious rambling thoughts of Nahid. She, and Omar, frequently change their mind about what they want and the way the story was written made it difficult to connect with either of them.
Nahid is an archaeologist and the sections with her being an archaeologist and finding joys in the digs she was a part of were my favourite parts of the book, but besides that I find it a bit of a slog to get through. A Certain Woman is a romance story and on the whole, that is not my go to genre of choice so maybe that’s why I didn’t particularly care for Nahid nor the situation she was in.