The Predator starts off well with the opening sequence of sniper Quinn McKenna (Boyd Holbrook) encountering the predator for the first time. It’s an exciting scene that shows how deadly the Predator is and what humans are up against. McKenna takes some of the creatures’ tech and mails it to his home as he thinks no one will believe him. There his son Rory (Jacob Tremblay) opens the box and starts playing with it, putting himself and everyone around him in danger.
The actual plot leaves much to be desired with the films own established logic frequently being ignored. For instance, bullets are seen to have little to no effect on the Predator, but these characters still keep shooting it. It also tried to fit in a lot of scientific reasoning as to why the Predator had come to Earth, connecting it to some of the previous films while doing so, but it didn’t really work nor was it needed.
For an action/horror film, there’s a lot of jokes in this film, and barely any of them land. Every single character’s defining trait is “they’re funny” which not only makes it hard for any of these characters to stand out, but when the film tries to have a serious moment between characters it doesn’t work. There’s one moment where something happens that I expect was supposed to be sad and poignant, but people laughed. Sterling K. Brown plays the government bad guy and he’s supposed to be intimidating and scary but because he’s cracking jokes in every scene he’s in, he just doesn’t feel threatening.
The action is generally well shot and exciting and there is a lot of blood and gore as the Predator violently kills just about anyone it encounters. However, the editing was a little odd and inconsistent at times. People and cars move between shots and are suddenly in different places making some sequences hard to follow.
The Predator is an easily forgettable film. Even while writing this review, I was struggling to remember anything that really stood out, both positive and negative. It’s mostly fun, though Tremblay’s character having autism and it being used to further the plot in a stereotypical way is problematic, but it also has nothing to make it memorable in terms of the genre or of the franchise it’s a part of. 2/5.