Less than six months after the Second World War ends Rachael Morgan (Keira Knightley) travels to Hamburg, Germany to join her husband Colonel Lewis Morgan (Jason Clarke) where he is assigned to help with the post-war reconstruction. But tensions arise with the Germans, Stephen Lubert (Alexander Skarsgård) and his daughter Freda (Flora Thiemann), whose house the Morgan’s have moved into.
The direct aftermath of WWII and those who “lost” isn’t something that’s often seen in period dramas. While the focus is on the British couple living and working in a city in a country where a lot of the people may hate you, the backdrop of a bombed-out Hamburg is unsettling. Rachael is unprepared for what she’s walked into and was unaware that the grand house she must live in comes with German staff and the original German owner who is forced to live in the attic with his daughter.
The score in The Aftermath is beautiful – a scene where “Claire de Lune” is played is a wonderful catharsis for some characters – and the cinematography and setting is too. The Aftermath is set during winter and all of the snow looks beautiful and almost magical on the grounds of the Morgan’s new home however when there’s scenes in the ruins of Hamburg the snow and cold is harsh and unrelenting as people trying to keep warm around fires.
Keira Knightley shines as Rachael and her chemistry with Skarsgård is palpable, but it is Jason Clarke’s Lewis that is the pleasant surprise. He doesn’t think he’s any better than the Germans, he wants them to be treated with respect and to help them as they have lost just as much, if not more so, than the British. However, he’s so focused on his work that he barely talks to his wife and when he does it isn’t about the meaningful things she wants to talk about; how they’ve been while they’ve been separated, how they feel about losing someone they love.
The Aftermath is a surprisingly layered take on grief, love and relationships. The fallout from secrets being revealed isn’t as bombastic as you might expect when there’s infidelity involved. Instead the central three characters have a surprisingly mature response and if there had been more of an emotional connection to the characters, it would’ve been even more affecting.
The Aftermath is a tasteful post-war drama about people learning to cope with and move on from tragedy. It’s a quieter period drama that won’t be to everyone’s taste, but it has some beautiful performances. 4/5.