REVIEW: Little Woods (2018)

Ollie (Tessa Thompson), a reformed drug runner who was caught coming back from Canada with medicine for her dying mother is trying to do the right thing when her sister Deb (Lily James) arrives on her doorstep in need of help. As the sisters try to get the money together to stop their family home from being reposed, Ollie must go back to the dangerous way of life she thought she’d left behind.

Little Woods is described as a modern Western and that description makes sense. Ollie does illegal things, crossing the border into Canada to buy drugs, to help people. The people she sells the prescription drugs to are her friends and neighbours who often don’t have insurance or the time or the money to go to the hospital to get treated themselves. This job Ollie finds herself in, is not one she enjoys, and she is in constant fear that she’ll get caught, but when things get tough for her and her sister, they have very few options. She’s fighting the system and helping the little guy while in a town that feels like it’s in the middle of nowhere.

Little Woods shows how messed up the American health care system is when a pregnancy can cost at least $8,000, and getting an abortion is even more difficult. Never mind all the other health care costs characters in Little Woods face, and as they are in a former oil boomtown with very few financial prospects, it’s like a hopeless cycle.

Tessa Thompson and Lily James both give a brilliant performance full of pain as they struggle to dig themselves out of the bleak situations they are in. Thompson is the lead and the main focus of the film but the strong sisterly bond the two of them have is palpable and it adds another dimension to Little Woods as each of their actions are not just for themselves, but to help each other.

Director and writer Nia DaCosta allows the camera to linger on the characters, so you get to see more of their inner conflict, especially when a character is now on their own or no one except the camera, is looking at them.

The score composed by Brian McOmber is haunting and compliments the beautiful cinematography by Matt Mitchell. Set in an North Dakota town, the setting of Little Woods is equal parts pretty and desolate as the wide-open spaces give way to struggling communities.

Little Woods is a tense atmospheric thriller with compelling performances from Thompson and James. 4/5.

Little Woods or Crossing the Line as it’s called in the UK, is currently available to rent and buy quite cheaply on iTunes – I’d definitely recommend it.

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