The production design, hair and costuming firmly places The Kitchen in the time it’s set; late 1970s Hell Kitchen, New York. The violence is often bloody and shocking, and events seem to happen very quickly, there are a few montages complimented by an iconic song from the era. It would’ve been nice if some plot points could’ve had more time to evolve but on the whole the twists and turns work.
The three leads in The Kitchen are all great and while these characters are (for the most part) all working towards the same goal, they each have their own take on the situation and different strengths and weaknesses. Kathy (Melissa McCarthy) is a stay at home mother and is the one with the family connections to the Irish Mob. She’s the most level-headed but also the most compassionate which can lead to her downfall. Ruby (Tiffany Haddish) has always felt like the outsider and never accepted by the family, leading her to want more money and power than the family could ever dream of. Claire (Elisabeth Moss) has been beaten by her husband and refuses to be the victim anymore.
The support network these three women have for one another is wonderful, but that doesn’t mean they always see eye on how to run this business. The Kitchen does a great job at handling the core theme of “women in a man’s world” and how they can be as ruthless and as smart as their male counterparts, but also have different ideas on how to take on the same challenge.
McCarthy is the standout. When she has a dramatic role, she can sink her teeth into she can really bring out a brilliant performance. Kathy is often seen as the more mumsy of the three, but McCarthy does a great job at showing that inner steel and determination as she becomes more comfortable with the power and status she wields.
The Kitchen is engaging, surprising and has a trio of lead performances that really pull you into the story. It’s great to see a gangster movie with the women at front and centre. 4/5.