REVIEW: Ava (2020)

Ava (Jessica Chastain) left her family behind years ago after becoming a deadly assassin who works for a black ops organisation. As Ava tries to reconnect with her mother (Geena Davis), sister (Jess Weixler) and ex-fiancé (Common), the repercussions of a job gone wrong make themselves known, she is forced to fight for her own survival.

Ava is a combination of two different genres – family drama and action thriller – and it does neither well. The family drama aspect is dull and while the thriller part is more convoluted with Ava’s mentor (John Malkovich) and employer (Colin Farrell) fighting over if she’s still capable at her job. By blending the two genres and plotlines, neither aspect is given the development it needs to be compelling. The family drama stuff drags, and the conflict between members of the black ops organisation feels out of place.

I’m a person of simple tastes and I’ll always like seeing actresses fight, and beat, guys in hand-to-hand combat, however a film isn’t a good film simply because it has that. The fight scenes are brutal, and Chastain often does end up covered in blood and bruises, but the sequences are so badly edited that they are neither easy to follow or engaging.

So often this films just seems to be going through the motions; Ava gets betrayed by her employers, she argues with her family, she gets in a fight or a shootout. It’s like the script was full of tick boxes of action or narrative beats but few of them connect with each other, so the overall plot isn’t cohesive or entertaining.

Ava is dull and generic, so if you like some mindless 90-minute action film then this would suit but it’s not memorable at all. Even though the scene with Chastain taking down a bunch of guys while wearing a backless red dress is pretty cool. 1/5.

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