When Logan (Hugh Jackman) travels to Japan to meet Yashida (Haruhiko Yamanouchi), an old friend whose life he saved in World War Two, he becomes entangled in his family’s politics and a conspiracy involving the yakuza – all the while seeming to lose his power to heal.
The Wolverine chronologically takes place after all the previous X-Men film, including X-Men: The Last Stand. That means we have a Logan that’s alone, hurting and has had to deal with the death of so many people he knew and cared about. Jean Grey (Famke Janssen) haunts his dreams as he shuts himself off from the rest of the world.
The Wolverine is perhaps one of the more serious and character-driven X-Men films so far. There’s always been discussions of mutants and the hatred and fear they face (they can be used as a stand in for any minority group) but this film really digs deep in Logan’s psyche and what it means to him to be immortal. He’s always seen it as a curse and while Logan may be ambivalent towards his death, it’s still not something he’d want to pass on to anyone else, even Yashida.
When Logan appears to start becoming mortal, healing a lot slower than normal and some wounds not healing at all without medical help, it shows another side to this character. Logan has always been almost reckless with his life due to his accelerated healing, so for him to now feel pain and even getting tired it’s a whole new experience for him. Jackman really gets the character and how he shows both Logan’s surprise at this new situation and his stoicism in dealing with it is great. There are bad people to stop and an heiress to save, Logan doesn’t have time wallow and as he says, at his hear he’s always been a soldier.
Having The Wolverine set in Japan naturally brings in a lot of Japanese culture and references to samurais and ninjas. Logan is referred to as a Ronin, a samurai with no master, multiple times. Harada (Will Yun Lee) leads the Black Clan who are sworn to protect the Yashida family for hundreds of years and his fighting style is an interesting juxtaposition to Logan’s. A lot of the men Logan fights in this film are highly trained and skilful compared to Logan who uses his brute force and rage, meaning the fights are different to what we’ve seen in previous X-Men films. Logan going up against people with swords and bows and arrows instead of just guns makes a much more interesting and entertaining fight.
The final act does let the film down a little bit. Compared to the more grounded action sequences and character moments before it, it does come across quite cartoonish as Logan must fight what’s basically a giant robot samurai. It’s not necessarily terrible but it doesn’t really fit the film it’s in. The sequence before it of Logan verses dozens of ninjas was a lot more visually interesting and impressive.
The Wolverine is an excellent character study of Logan, morality and duty. For a 12A film the fights are suitably brutal and bloody and it’s clear to see the foundations being laid here for Logan – in terms of character, themes and action. 4/5.