After the events of Captain America: Civil War Natasha Romanoff (Scarlett Johansson) is on the run but soon her past catches up with her as she’s reunited with her sister Yelena Belova (Florence Pugh) and learns that the Red Room she thought she’d long destroyed is still active.
After all this time Natasha Romanoff aka Black Widow finally gets her own movie. While I’m certainly pleased that the character, and Scarlett Johansson who has more than a decade with this character, has finally gotten their time to shine, as a film it also feels a bit redundant. Having it set between the events of Civil War and Avengers: Infinity War means that there’s no real stakes for Natasha as we know we see her again. However, while her physical safety may be assured, Black Widow does allow more time to examine her psyche and she a few other characters certainly go through the emotional ringer – whether all those emotional beats land is another matter.
The fight sequences are great and having so many aerial shots make the movements seem fluid and helps these scenes standout more compared to other fight sequences in the MCU. The initial confrontation between Natasha and Yelena who haven’t seen each other for decades is a highlight. There’s the usual big explosions and car chases but it’s the one-on-one fight sequences which are the best and highlight how Natasha differs to her fellow superheroes.
With Natasha unable to turn to her Avenger family, she is forced to reconnect with a family from her past. Her dynamic with Yelena is interesting as while Yelena is clearly a more than capable spy and combatant, Natasha quickly falls back into the older sister role. Alexei (David Harbour) is the only Russian super soldier and Melina (Rachel Weisz) round out this family unit as the slippery scientist who you’re never quite sure where her allegiance lies. There’s an easy chemistry between the four actors but Florence Pugh steals just about every scene she’s in. Her Yelena is sarcastic and funny but she’s also hurting from her own experience in the Red Room. She’s also struggling to compartmentalise what this family unit means as she was so young when they were last together and to her, while it was a family of spies and double agents, it felt real.
Black Widow is a simpler MCU film. It’s Natasha facing her past and while the hundreds of Black Widows out there can certainly cause a lot of damage, it’s not framed as the end of the world type scenario. Instead, it’s about saving these young women from a life of trauma and control. However, the idea of the Red Room and these young girls being trained, and even brainwashed, to become master spies and assassins is a dark one and Black Widow never really goes into it more than at the surface level. Natasha’s past is dark and while Johansson does a good job at slowly revealing the layers of Natasha’s guilt and pain and love that’s all mixed together with her feelings for the Red Room and this unconventional family of hers, it often feels like something is missing.
Black Widow is an enjoyable action/spy thriller and there’s some good character work for Natasha and Yelena. While characters like Alexei are fun when they’re on screen (he’s much of the films comedic relief) they’re not particularly memorable afterwards. 3/5.