Translated by Ernest Jones and James Kirkup.
A coming-of-age memoir about Camara Laye’s youth in the village of Koroussa, Guinea. Laye recounts his mother’s supernatural powers, his father’s prestige as a goldsmith, and his own passage into manhood which is marked with rituals. As he gets older, he must choose between his home and his academic talents which could lead him far from his family.
The Dark Child is a very quick and easy read. As it’s a memoir it’s written in the first person and it’s written quite simply, in part presumably because the narrator in question is a young child for most of it – the book ends when he is about eighteen. Camara Laye grew up in the 1930s in a village and he was one of the first in his family to go to school. He grew up experiencing the culture and traditions of his family and people but also started to embrace the slowly encroaching modern world.
There’s one chapter that’s all about when he was circumcised when he was about twelve or thirteen and how that was the moment he, and the other boys, became men. It was interesting but surprising as I just presumed that if a child was going to be circumcised it happened when they were a baby, not when they were prepubescent. The rituals he and the other boys experienced were a huge part of life in their village and while they didn’t really know exactly what was going to happen to them, they knew other boys (or young men) who had gone through it, including their own fathers.
It was interesting to see these rituals from both an outsider and insiders’ perspective. As while most of The Dark Child felt like a present narrative from the eyes of a child, there were moments when Laye would reflect on events as an adult and explain things that he had found out since he experienced them as a child. Things that seemed like magic and real as a child were then explained and were not so scary once he found out how certain things happened. But, as he did go away from home for school as he got older, there were something’s about the traditions that he never learnt the truth about.
This, and other moments like that, shows how embracing modernity can be a double-edged sword. While family may encourage a child to take the opportunities that they didn’t have, it can mean they lose out on learning things that are traditional and part of their community’s history. The Dark Child was an interesting coming-of-age story and how it blends superstition with education shows there’s value in both for people. 3/5.
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