Trigger warning for rape and domestic abuse.
After an armed robbery goes awry, rookie cop Megan Turner (Jamie Lee Curtis) finds herself as the target when a witness (Ron Silver) becomes obsessed with her.
I went into this film knowing very little, in fact the reason I had a DVD of it was because it’s directed by Kathryn Bigelow and I’d been meaning to watch more of her films.
Blue Steel is a bit of a strange film in a way. It’s mostly framed as a typical cop action/thriller but as it progresses it almost becomes a slasher film – having Jamie Lee Curtis, Final Girl extraordinaire herself, as the lead sure does help cement that feeling.
But I’m getting ahead of myself. Jamie Lee Curtis does give a great performance as Megan, showing her vulnerability as well as her strength, but it’s a bit difficult to understand Megan’s motivations for becoming a police officer. Anytime someone asks her reasons she makes a quip about shooting people or shoving them face first into a wall. It seems like she wants to have power and some of her actions are questionable. The villain of the film alludes to the fact that they aren’t so different and you can see some of those similarities he’s talking about. It makes her as a hero interesting, because sometimes it’s almost as if you want her to survive just because that’s how the general narrative of these sort of films usually work, not because she’s a character you become attached to.
The slasher element comes when Megan is being stalked by the witness. He makes himself a part of her life before showing her who he really is, though very few people believe her. He is suitably creepy and unsettling as you’re never sure what he’s going to do next. Plus, as bullets start flying, he almost seems to be indestructible as he shakes off injuries pretty quickly and just keeps coming after Megan. He puts her some mental and physical torture. The way in which he doesn’t stop is reminiscent of the slasher villains who never seem to stay dead. This kind of stretches the realm of plausibility as for the most part Blue Steel seems grounded in reality.
I in no way mean this as an insult but the score from Brad Fiedel is a great example of a 90s thriller/action score. The sound of it kind of encapsulates that time period and those kinds of films. It’s an unsettling score at times and compliments the action on screen, amping the tension well, but it also feels like a product of its time. It just instantly made me know what kind of film I was watching and when it was made. It’s quite the skill really.
Clancy Brown as the leading man is different (he played a detective and Megan’s reluctant partner) though I didn’t really believe in his relationship with Megan. It seemed to move too fast and was almost contrived. I think that’s the thing with Blue Steel, its ninety-minute runtime helps cover some of its flaws, as does the performances from the leads, but the story doesn’t really follow real world logic. If you think about it too long, you’ll probably like it less. 3/5.
As a side note, Blue Steel is one of those films I get enjoyment from just because of the cast. There were so many actors in this where I was like, “I recognise him” before realising that I was used to seeing them with white hair and looking 30 years older.
I love Kathryn Bigelow; haven’t gotten around to rewatching Blue Steel in . . . decades.
I tend to really enjoy her work too, been trying to find and watch Near Dark but it seems impossible to find in the UK.
I am so sorry that Near Dark isn’t streaming *anywhere*. It’s not very polished, but a really great take on vampires.