Films

Ramblings about Films – whether it’s new, reviews or something else.

REVIEW: The 8th (2020)

The 8th tells the story of Irish women and their fight to overturn one of the most restrictive laws on abortion in the world. After a 35-year struggle the pro-choice side have to radically shift tactics to try and bring this historically conservative electorate over the line.

Living in the UK and having Irish friends via social media I remember hearing about the campaign to repeal the 8th amendment. Though I had no real idea of the real-world implications of such an amendment, that put the rights of the unborn the same as any living human’s rights – meaning the unborn had more rights than the pregnant woman, often even if her health was at risk. Seeing this documentary really highlights how passionate people were on both sides of the argument, and the different ways they’d go to try and get their message out there.

Ailbhe Smyth, a feminist and campaigner, is one of the main people the documentary follows. She’s one of the prominent figures in the Yes campaign and through her and the team’s various members, from door-to-door campaigners to the core organisers and communications specialists, you see what their plans were and how they implemented them. The other main person on the Yes campaign the film follows is self-described glitter-activist Andrea Horan. She is the owner of a nail bar and shows what it’s like when a “normal, not political person” gets into politics and behind a cause. She can mobilise young women in a way that other may not be able to and she shows that you can be interested in makeup and nails while still being passionate about women’s rights.

As a documentary The 8th is a mixture of talking heads and in the room-type footage. What’s interesting is the talking heads all are from before and during the campaign, so these people don’t know which way the vote will go and are basing all their thoughts on what was currently happening in the campaign. With hindsight this makes some of their observations quite amusing.

Maria Steen, a journalist who is supporting the No Vote, does make a good point. She believes that culture and society should change so that women don’t feel they have to have abortions if they want a career, that the working environment and social services should be more inclusive so that women can be supported when having children and that their careers aren’t negatively affected by having children. In an ideal world this would be the case, and she and everyone else who believes that should continue to fight for that, but until society is fairer, women need to be able to have access to safe and legal abortions so that they can make the choice about their bodies and their future safely.

Not only does The 8th cover the run up to the voting day, but it also includes past events in Irish history that are to do with women’s reproductive rights and how various cases have gained support from the people before. One example is of a fourteen-year-old girl who was raped by a schoolfriends father. She and her family were banned from flying to the UK for an abortion, something that all pregnant women who were seeking an abortion – no matter the reason – would have to do in order to have one safely. There was outcry because how on earth is the foetus have more rights than the living, breathing child that was raped?!

The 8th is a rousing and passionate documentary. While it does it’s best to show both sides of the debate, it’s clear that it is a film that’s behind the pro-choice message. The way the campaigners adapted their message to appeal to those undecided voters, to be compassionate and not scaremongering, and how they stuck with their methods even when it looked like things were turning against them is impressive. 5/5.

REVIEW: X-Men Origins: Wolverine (2009)

A prequel to the original X-Men trilogy, X-Men Origins: Wolverine shows the early years of James Logan (Hugh Jackman) who would one day become the Wolverine.

X-Men Origins: Wolverine tries to cram a lot in and very little of it works. A big part of this film is the relationship between Logan and his brother, Victor Creed (Live Schreiber). How they are each other’s only family until Victor’s violent streak gets too much for Logan and they go on different paths. Schreiber, and his creepy/gross nails, does look like he’s having a good time playing a villain that’s one step away from moustache-twirling. But the film never really delves into the hows and whys of the character instead having it pretty black and white – Logan = good while Victor = bad.

There are a lot of new mutants as a part of the team, led by Stryker (Danny Huston), and I couldn’t tell you any of their names – except Wade Wilson (Ryan Reynolds). X-Men Origins: Wolverine is possibly the most derided X-Men film and a big part of that is because of its treatment of that character and what it turned Deadpool into. God bless Ryan Reynolds for sticking with it and getting a Deadpool movie made seven years after this one made the character unrecognisable. The other members of the team aren’t given much more than the barebones of a personality and most are quicky killed off.

Gambit (Taylor Kitsch) makes his one and only appearance in the entire X-Men franchise
(so far) and he really is a bright spark in this otherwise dull film. He’s probably got less than 10 minutes of screen time, and he doesn’t appear until an hour into the film, but Kitsch still manages to bring more charm and charisma in that time than Hugh Jackman does in the whole film.

Speaking of Jackman, considering how layered his performance as Logan in previous films was and how it looked like he was giving a good performance even if the script wasn’t great (looking at you X-Men: The Last Stand) here he looks like he’s checked out of it and doesn’t really care anymore. That may be down to the poor script or the fact he’s supposed to be playing a slightly different Logan than the one we’ve seen before, one who remembers the 100+ years of his life so is more weary due to the things he’s seen or done. Either way, it’s not a great performance.

There’s a lot of X-Men Origins: Wolverine that feels contrived because it’s a prequel. There are things like where Logan gained the moniker Wolverine and even where he got his cool, brown leather jacket – were we really desperate to know that? – and often it seems unnatural as the film screeches to a holt so you pick up this obvious reference. Then there’s a problem that prequels often fall into – you have a good idea of how the story is going to end. If you’ve seen the original trilogy (which you probably have) then you know Logan is “experimented on” and he must lose his memory by the end of the film. If the stuff leading up to that was more compelling maybe Logan’s amnesia would then be bittersweet as a viewer as then what he’d lost would be more affecting but it’s not.

The CGI in X-Men Origins: Wolverine is so bad. I’m one to forgive some shoddy CGI if it’s just in one scene or the rest of the film in terms of plot and characters is good and entertaining, but as X-Men Origins: Wolverine doesn’t meet those requirements it’s worth mentioning. The most noticeable thing is Wolverine’s claws. Obviously, they aren’t real but they look so fake and far worse than they did in X-Men which was released nine years earlier. They look stuck on Logan’s hands rather than a part of the characters body.

X-Men Origins: Wolverine is pretty much one fight/action scene after another, and it gets boring pretty quickly as none of the characters Logan goes up against (besides Gambit) have much of a personality or a compelling story arc – and the actual plot of the film isn’t that entertaining either. 1/5.

REVIEW: Zack Snyder’s Justice League (2021)

My review of the 2017 theatrical version of Justice League.

Determined to ensure Superman’s (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben Affleck) aligns forces with Diana Prince (Gal Gadot) with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions led by Steppenwolf (Ciarán Hinds).

The trials and tribulations of this film, or this version of this film, are pretty well known and now thanks to HBO Max Zack Snyder has been able to release the version of Justice League that was his ideal vision to release back in 2017 – all four hours of it.

It’s difficult to watch Zack Snyder’s Justice League and not compare it to the film that was released in cinemas in 2017. There are scenes that are exactly the same or similar but extended but then there’s also a whole lot of new footage and backstory on different characters. Much like the 2017 version, I think Zack Snyder’s Justice League is mostly fine, it’s still messy but it is a bit more coherent and thematically consistent. It’s just that if you’re not keen on how Snyder represents these characters, making them more like God-like warriors than superheroes, then you’ll probably not be too over keen on this film.

Cyborg (Ray Fisher) gets the most out of this new version. As a character he gets so much more to do, more character development and he does kind of become the heart and driving force of this team of heroes. Fisher’s performance isn’t always great, but his character goes from being an almost non-entity to the glue that holds this team together – and his relationship with his father Silas Stone (Joe Morton) is a big subplot of the film.

Steppenwolf is given more of a backstory too so becomes a bit more than a generic villain who wants to destroy the world. The CGI with all the spikes in his suit makes him appear more menacing and with the extra blood and violence he does seem like a sizable threat.

The four-hour runtime of Zack Snyder’s Justice League is a bit intimidating, and you do feel it at times. Slow-motion shots are a big part of Snyder’s directing style and there’s a lot in here. In fact, the use of them is excessive as shots that look cool in a trailer (Jason Momoa’s Aquaman standing in the waves) last for minutes as you have to see them in slow-mo and from every angle, and then there’s sequences like a football game that’s also in slow-mo which seems pointless. These shots may look cool, but having so much slow-motion shots used, all the time no matter the context of the scene, makes them lose their impact when they’re used in a big action sequences.

I think that’s a good way to sum up Zack Snyder’s Justice League. A lot of the time it looks cool but those visual, stylistic choices don’t necessarily make a good film. With it’s four-hour runtime there’s a lot of exposition and action and some it works while some of it doesn’t. More padding around the plot makes it a more consistent film than the one released in 2017, but I see little reason for it to be four hours. There’s probably a really good two-and-a-half to three-hour Justice League movie in here.

If you had problems with the 2017 film, you may like this version more. If you liked the 2017 version, there may be some stuff to like here but there’s not as much slapstick comedy for instance. Zack Snyder’s Justice League is long, often dour but frequently visually interesting. There are a few nice character moments (how the dynamic between Wonder Woman and Aquaman is briefly explored is one of my favourite moments) but then other characters are pushed aside (Amy Adams’ Lois Lane). It’s the balance between character and action and pacing that’s lacking and often makes Zack Snyder’s Justice League a bit of a slog but the film does just enough to keep you watching – if only out of morbid curiosity. 2/5.

If you want to hear my spoiler-filled thoughts on this film, I featured on JumpCast’s Zack Snyder’s Justice League episode that was released today.

REVIEW: X-Men: The Last Stand (2006)

When the government develops a “cure” for mutations that will turn mutants human permanently, Magneto (Ian McKellen) rages war and the X-Men must choose what side they’re on. Meanwhile Jean Grey (Famke Janssen) returns and is more powerful than ever, calling herself the Phoenix and turns on her friends, aligning herself with Magneto.

X-Men: The Last Stand is one of the X-Men films that I’m pretty sure I hadn’t seen it in its entirety since the cinema, 15 years ago. I remember being a bit disappointed by it but not necessarily why and a lot of my thoughts and opinions on it before this rewatch were probably thanks to the general internet consensus over the years.

The Last Stand definitely isn’t as good as the first two X-Men films, but I don’t think it’s as terrible as I’d been led to believe. The main problem with it is that it tries to cram two storylines together in a film that’s less than two hours long.

The “cure” plot is good though because of the other stuff there isn’t as much time to give the emotional and ethical dilemma some characters face, namely Rogue (Anna Paquin), space to fully develop. Sure, mutants were born with these powers but for some if they change how they look or make them unable to be close to anyone, they can be a curse. But does that mean they should change who they are? The conversation between Storm (Halle Berry) and Rogue touches on these things but there’s so much more that could’ve been explored. Storm thinks every mutant is perfect the way they are, and that’s perhaps easy for someone like her who can control the weather but is otherwise completely normal. For Rogue who can’t touch someone without harming them, it’s very different.

The Jean Grey/Phoenix Saga story line is what feels shoehorned in. If The Last Stand had just focussed on the cure storyline, or even the Phoenix Saga one, it would’ve had the potential to be a much better film. Jean returns suddenly evil and far more powerful than any other mutant. She has a completely different personality and it’s hard to care about what she’s going through. Every time the plot moves forward with the cure stuff it then has to pause to go back to Jean, and often Logan (Hugh Jackman’s) love for her, and it grinds the film to a halt.

The opening sequence in the Danger Room is great as you see the X-Men in a battle situation, most of which you haven’t seen use their powers to their full capabilities before so that’s cool. Likewise, the final battle is exciting as there’s so many different powers on display and each of the X-Men do get their moment to shine there.

Rewatching The Last Stand I remembered what disappointed me most. After all the promo of Angel (Ben Foster) being in one of the X-Men suits I thought he’d become a proper part of the team, so I was disappointed when he was pretty much a cameo. Generally, that’s another problem The Last Stand has, it introduces a lot of new characters, as well as already having quite a full roster, that a lot are given minimal screen time and little to know character development – I couldn’t name half the new characters that joined Magneto. Scott Summers (James Marsden) really is given the short end of the stick in this film. He’s given nothing to do, is used to bring Jean back to the story, and barely anyone misses him when he’s not there.

X-Men: The Last Stand is a bit of a mess. There’s some good stuff to be found but with an over abundance of characters and conflicting plots that each deserve a whole film it’s a bit of a let down as an end to a trilogy. Still, the final battle is pretty great (even if it goes from day to night in a second) so it does leave you on a high and maybe in a more forgiving mood. 3/5.

REVIEW: X2 (2003)

When the rise of anti-mutant sentiment led by Colonel William Stryker (Brian Cox) leads to Professor X’s (Patrick Stewart) school being attacked and students taken, the X-Men must join with their adversaries Magneto (Ian McKellen) and Mystique (Rebecca Romijn) in order to stop Stryker.

X2 starts with a bang with the opening sequence still being talked about almost twenty years later. Nightcrawler’s (Alan Cumming) attack on the White House is thrilling and eerie and the special effects for his teleportation makes you believe that someone really could disappear, and reappear, in a puff of blue smoke. The make up Alan Cumming wears is also incredible and that along with his performance brings this socially awkward mutant to life.

The other standout sequence in X2 is the attack on Xavier’s school. Whoever thought having an home invasion sequence where it’s just Wolverine (Hugh Jackman) against a load of military men was a genius. It’s tense and exciting as Wolverine goes full feral mode to protect the children under his care. There are also glimpses of different students’ powers like Shadowcat and while Colossus (Daniel Cudmore) isn’t in it much, how he takes down the invaders while saving his fellow students is great.

While the action is great in that sequence, the way it suddenly pauses as Wolverine and Stryker come face to face and allow them to talk is good too. Stryker may hold the key to Wolverine’s lost memories and Jackman continues to walk the line between feral, confused and caring with that character perfectly.

One of the many things X2 does well is show how pretty much all the characters, including the heroes, are morally grey. Storm (Halle Berry) is not all forgiving and is instead angry at what humans do to mutants, Pyro (Aaron Stanford) is tired of hiding who he is, and it’s easy to see where Magneto is coming from.

As well as the various fight and action sequences, X2 also amps up the emotional stakes. Jean Grey (Famke Janssen) and Scott’s (James Marsden) relationship is given more screen time, and the budding romance between Rogue (Anna Paquin) and Bobby (Shawn Ashmore) is handled well as they navigate how to be in a relationship. While it’s a quieter moment, Bobby talking to his parents and showing off his powers is an important one not only to the character but to show the wider issues facing Bobby and his fellow mutants.

X2 is a well-paced, fun and action-packed superhero film. It introduces some interesting new characters while also giving the ones we already know space to develop. The special effects still hold up and it really is a fantastic superhero film that shows the duality of so many of these characters. Also must give a shout out to composer John Ottman, the X2 Suite is one of my favourite superhero themes. 5/5.

We shall see how this X-Men rewatch goes but I’m pretty confident that X2 is my favourite film in this franchise – it’s definitely one of my favourite superhero films in general.

REVIEW: Moxie (2021)

Fed up with the sexist and toxic status quo at her high school, a shy Vivian (Hadley Robinson) finds inspiration from her mother’s rebellious past and anonymously publishes a zine that sparks a school-wide, coming-of-rage revolution.

I read and reviewed Moxie by Jennifer Mathieu way back in 2017 and I equally had high hopes for the film and was apprehensive as I liked the book so much. I’m very pleased to say that I enjoyed the film and I think it’s generally one of the best book to movie adaptations I’ve seen in a long time.

Moxie is a coming age story that focuses on girls finding their voices and learning to stand up for themselves, rather than being all about a formative love interest. While Vivian is the one to almost unwittingly start this feminist revolution in her school, she is far from the only girl who has something to say. With the arrival of the zine Vivian finds herself with a whole new group of friends, all girls who are tired of the status quo and they each bring ideas of what they could do next to make their voices heard.

Vivian is a great character. She’s the kind of girl who’d always been quiet and just kept her head down but once she started paying attention, she quickly gets frustrated by how girls are treated at her school. Vivian is inspired by Lucy (Alycia Pascual-Pena) who’s not afraid to stand up for herself when popular jock Mitchell (Patrick Schwarzenegger) will not stop harassing her and by the double standards when Kaitlynn (Sabrina Haskett) is told her wearing a tank top is against the school dress code, but the boy sat next to her wearing practically the same thing isn’t. Vivian is fallible, she makes mistakes as her rage at what’s going on often targets the wrong people and she’s learning about what being a feminist means and inclusivity as she goes. Vivian’s shocked when her best friend Claudia (Lauren Tsai) points out the privilege she has compared to her as the child of immigrants who have sacrificed a lot for her. Slowly Vivian learns while there are universal challenges facing women, there are ones she’d have no knowledge or experience of due to her upbringing.

Moxie is very aware of what’s been happening in the real world. You hear snippets of new stories about the #MeToo movement in the background and the English teacher (Ike Barinholtz) finds it difficult to say or do the right thing as a man and an authority figure when the girls start standing up for themselves and asking “difficult” questions. While that scene is used for comedic effect, it shows how awkward and difficult some find talking about these things because they have, unfortunately, been the norm for so long.

Moxie is a film with so much heart. It might stumble a bit in the third act, but then again so does Vivian, and it’s perhaps not as revolutionary for an older audience but for young people it’s a film that can prompt discussions and encourage them to fight for what they believe in. Also, so much of this film is about girls supporting girls and the different relationships between friends, and it’s a breath of fresh air to see this quite diverse group of friends supporting each other. Moxie is fun, funny and inspiring and to top it off it has a killer soundtrack. 5/5.

REVIEW: X-Men (2000)

Due to a certain character’s appearance in a certain Disney+ show, I got the urge to rewatch (and then review) all of the X-Men films. A lot of the more recent ones with the younger versions of the characters I’ve only ever seen once in the cinema and I can’t even remember the last time I watched the original trilogy in their entirety.

In the near future some people have evolved into mutants, people with special abilities, and live with the threat of discrimination from the rest of humanity. The supremacist group the Brotherhood led by Magneto (Ian McKellen) believe that humans and mutants cannot live in peace and while the X-Men led by Professor Charles Xavier (Patrick Stewart) believe that can be achieved. Mutants Rogue (Anna Paquin) and Wolverine (Hugh Jackman) get caught up in the fight between the two groups.

Even though I know that X-Men as a comic series was an allegory for the oppression of minorities and Erik Lensherr (aka Magneto) has always been Jewish and motivated by his experiences in the Holocaust, I’d forgotten that X-Men began with a young Erik having to watch his parents be led to the gas chamber as his powers manifested. It’s quite a bold and hard-hitting sequence to have to start a summer superhero flick.

The scenes where Ian McKellen and Patrick Stewart are talking are a real highlight. From their first scene together and their performances you can tell these characters have a long history and were even close once. Though really they’re never just talking. Erik and Charles are both smart men and so it’s like they’re verbally sparring as they both have respect for one another while having opposing set of ideals.

Logan (aka Wolverine) and Rogue’s relationship is really the heart of this film. It’s an easy dynamic to like as Rogue can’t be physically close to anyone without hurting them and Logan has built up a lot of emotional barriers. Hugh Jackman really does a good job of portraying Logan’s gruff attitude and often brutal, impulsive side, while also showing a softer, caring side around Rogue – and to a lesser extent Jean Grey (Famke Janssen). She and Storm (Halle Berry) and Cyclops (James Marsden) round out the main trio of heroes. They all do well in their roles even if some of the dialogue is a bit clunky.

Some of the special effects in X-Men has become dated but the casting of these characters was pretty spot on and it’s easy to see why some of them became staples in the X-Men franchise. Though equally it’s unfortunate how some seem to have got the short end of the stick over subsequent films.

While Blade was the superhero film that made superheroes a viable financial option for film studios, X-Men really is the blueprint for a lot of the subsequent superhero films. It has a pretty simple but compelling plot, does a good job at introducing this huge cast of characters and it balances the action and emotional beats well too. 4/5.

REVIEW: Mortal Kombat (1995)

Three martial artists, Liu Kang (Robin Shou), Johnny Cage (Linden Ashby) and Sonya Blade (Bridgette Wilson), are summoned to a mysterious island to compete in a tournament – the outcome of which will decide the fate of the world.

I’ll preface this by say to the best of my knowledge I’ve never played any of the Mortal Kombat games (I think I might’ve played Street Fighter though) and I know nothing about the franchise. Much like how the release of a new Dune movie trailer made me want to watch the original from the 80s, the trailer for the new film adaptation of Mortal Kombat was released last week and as the action sequences looked pretty cool, it made me want to check out the first Mortal Kombat film from the 90s.

Maybe the original Mortal Kombat film works for fans of the games, but as someone with no experience with, I found the film to be incredibly monotonous and boring. The story is paper thin, Shang Tsung (Cary-Hiroyuki Tagawa) is an evil sorcerer who needs to win one more Mortal Kombat tournament in order to take over the Earth, there’s then a string of fights as the three heroes make their way through the tournament to the final showdown with Shang Tsung. It really is just one fight after another and there’s little to differentiate between them.

The fight where the trio of heroes are working together is half-decent as you’re seeing their different fighting styles plus there’s more adversaries so that makes things a bit more exciting. When it’s a one-on-one fight it’s not that entertaining. Perhaps that’s due to the fact I’ve now seen more modern action/fight sequences with the quick editing that makes things more engaging but with the slow mo shots trying to make things dramatic and the techno music that often plays during a fight (a call back to the game I’m sure) it all seems rather cheesy.

The characters themselves are all pretty one dimensional too. Sonya is the badass special forces officer (until she’s easily kidnapped and held hostage – obviously), Johnny Cage is a Hollywood actor with a big ego, while admittedly Liu Kang has a bit more backstory than the others, he’s quest for revenge is his main motivator. Their opponents are just people to fight on their quest to reach the final battle and you feel nothing as they are beaten or killed.

Everything about Mortal Kombat is very 90s and of its time. The set designs, the lighting and especially the special effects which have not aged well and were probably not that great for the standard of the 90s either.

I found Mortal Kombat more bemusing than anything. It’s cheese to the max but not in a fun way if you have no emotional connection to these characters of the games. It’s a repetitive film that may have some cool fight scenes but then they’re often undercut by the music which just makes the whole thing laughable. 1/5.

I’d be super interested to hear what fans of the game think of this, or even people like me who haven’t played it before. I’m not sure if it’s one of those adaptations that can please everyone.

REVIEW: Greenland (2020)

After it’s revealed that the comet that was supposed to pass by close to Earth’s atmosphere but not enter it, is in fact perhaps an extinction level threat, John Garrity (Gerard Butler), his wife Alison (Morena Baccarin), and their seven-year-old son Nathan (Roger Dale Floyd) embark on a perilous journey in search for shelter.

I love a good disaster film. In fact, I tend to love the not so good ones too. There’s something about the spectacle of them and imagining yourself in that situation and what you might do differently to the characters on screen. Greenland is one of the good disaster films. Perhaps I didn’t go into it with the highest expectations after Gerard Butler’s previous end-of-the-world-movie Geostorm which is bona fide fun nonsense, but Greenland really surprised me in how well it balanced the action and the characters.

There is spectacle in Greenland with John being sent flying by a shockwave or he and his family trying to avoid raining burning debris, and the effects are good, but the focus is on these three characters and what they’d do to survive and stay together. There’s news footage shown on TV of the carnage this comet is causing and bleak updates on the radio to give you and the characters a wider understanding of what’s going on in the world during this crisis, but having this family being the core of the film makes the threat more affecting.

There’s the big, standard disaster film stuff they have to deal with but there’s a lot of smaller, more personal stuff that’s even more tense and scary. Getting separated from one another, losing vital medication, it all helps round out each of the characters and get you invested in their fight for survival. The trip to a pharmacy in order to get medicine for Nathan is one of the most tenses sequences as you really start to see the collapse of society when people realise they have nothing to lose and only days to live.

Greenland really finds that balance for showing the good and evil in humanity. There are people who will stop to help someone just as they are committing a crime, there’s those who will do horrible things for selfish reasons, but there’s also people who are still kind and thoughtful in the face of such awfulness. People are complicated, and in an end of the world scenario when people are desperate, who knows how they could act.

There are a few clichés like how John and Alison are estranged at the start of the film and are attempting to give their marriage a second chance, so the fight for survival helps bring them closer again. The performances from Butler, Baccarin and Floyd make this family feel real – there’s one moment where Alison becomes desperate and emotional and Baccarin’s performance just encapsulates what a mother being pushed to the edge would be like.

Greenland is a really tense and gripping disaster movie that puts one family at the centre of it. If you’ve watched Greenland, or like the sound of it, I’d definitely recommend The Wave and its sequel The Quake – two Norwegian disaster films that focus in on a few characters and their relationships as they fight for survival. 4/5.

REVIEW: Dune (1984)

After his family is attacked and betrayed on the planet Arrakis, Paul Atreides (Kyle MacLachlan), leads desert warriors against the galactic emperor and his father’s nemesis Baron Vladimir Harkonnen (Kenneth McMillan) to get revenge and to free their desert world from the emperor’s rule.

With the newest adaptation of the novel set to be released towards the end of this year (hopefully), I thought it’d be a good idea to see what David Lynch’s adaptation was like since I’d generally heard bad things about it. I read Dune a couple of years ago and as I was reading it I thought it’s a difficult story to retell in film as there’s so much politics, world building and character backstories to fit in in order to make the story make sense and to be compelling.

Dune tries to fill in the gaps of the viewers knowledge by having a narration setting up what Spice is – the much sought-after substance that is in time travel technology – and the prophesy. That’s shortly followed by a computer talking about the main planets and who rules each one. This sort of setup makes sense. It’s how there’s so much voice over of various characters thoughts throughout the film that gets grating. It fails to show and instead has all the characters telling (or thinking) their thoughts about what’s going on and what things mean. Some of the thoughts could’ve been said out loud, whether as a rhetorical question or explanation to themselves, or even as a question to people around them.

The cast of Dune is a real eclectic mix. A lot of people’s performances seem either wooden or too over the top. In some ways that almost suits the film as it’s so odd that it’s like it’s not sure what it’s trying to be anyway. Patrick Stewart is Gurney Halleck, Paul’s weapons and combat teacher, and I wasn’t expecting to see him in this film – especially carrying a pug into battle. The inclusion of dogs in this fantasy science-fiction adventure was a weird thing anyway. Sting plays Feyd Rautha, a ruthless enemy of Paul’s, and while he looks pretty cool in the costume and his electrified hair, he really can’t act. Kyle MacLachlan does a good job as Paul, balancing the vulnerability of the character with how resourceful he is. He is older (and looks it) than Paul in the book as there he was a teenager but whether it’s the floppy hair or his performance, he does come across more youthful than he is.

The set design and costumes were all interesting, the set design especially was quite unique, and while a lot of the special effects don’t hold up (I’m not sure if they would’ve been considered good in the 80s) the practical effects like a large alien creature in a moving tank were still impressive. The score, which is by Toto of all people, is actually one of the highlights of the film. There’s haunting tracks and more tense music, even when the action on screen isn’t that exciting, the music does a good job making you think it is.

Overall while it might have interesting elements to it, Dune isn’t a particularly interesting or compelling film. The plot moves so slowly and because there’s so many characters it’s hard to keep track of who’s who or for them to have decent character development. The action sequences are pretty generic, a load of explosions and people shooting from a distance. There’s not really any hand-to-hand combat and when there is, characters have these blocky CG shields that make the fight almost impossible to see.

Dune really is an interesting mess of a film. I feel like anyone adapting this story is fighting an uphill battle as there’s so much needed to make the story understandable, and to make the story exciting as the book itself was a bit dry in my opinion. A lot of the sci-fi elements of Dune do look cool, but that doesn’t make the film an entertaining watch. 2/5.