Films

Ramblings about Films – whether it’s new, reviews or something else.

REVIEW: Always Be My Maybe (2019)

Best friends in their childhood, Sasha (Ali Wong) and Marcus (Randall Park) ended up drifting a part, even though everyone always thought they’d end up together. When they reconnect sixteen years later, maybe this is their second chance?

Always Be My Maybe is a romantic comedy that captures the best friends to lovers trope perfectly. The road going from best friends to lovers is never smooth thanks to the fear of ruining a friendship, the fear of opening up your heart, and just the general awkwardness of becoming more than friends with your best mate. Having the two leads have great chemistry and give great performances makes you feel for both of them in this scenario.

Sasha has become a celebrity chef, travelling across the country to open restaurants in different cities. It’s as she returns to her hometown of San Francisco to open her latest restaurant that she runs into Marcus. Marcus is almost the complete opposite of Sasha. He’s stayed in San Francisco, he works for his dad’s business and he still performs in the same band but never tries to take the band to the next level. It’s equal parts awkward and endearing, seeing the two of the reconnect and try to find some middle ground after so long a part and lives that have gone in different directions.

The supporting cast are great too. Michelle Buteau plays Veronica, Sasha’s friend and PA, and she probably has all the best lines, while there is Keanu Reeves playing an over the top version of Keanu Reeves – or at least what we think Keanu Reeves would be like – who steals every scene he’s in.

As a romantic comedy Always Be My Maybe is sometimes uniquely Asian-American. For instance, Sasha cooks Asian cuisine, and there’s lots of discussions of different dishes and her and Marcus’s parents encompass Asian stereotypes without them becoming one-dimensional characters. But Always Be My Maybe proves that love, fear, and aspirations are all universal while still being very funny.

Always Be My Maybe doesn’t reinvent the rom-com wheel but it’s sweet, funny and with its charming leads it’s near perfect. 4/5.

REVIEW: Bright (2017)

In an alternate present-day where magical creatures live among us, two L.A. cops, human Daryl Ward (Will Smith) and orc Nick Jakoby (Joel Edgerton) become embroiled in a prophesied turf battle as they try to protect elf Tikka (Lucy Fry) and her magic wand.

As a concept, Bright is interesting but unfortunately that doesn’t make the finished product interesting. Though it doesn’t go into detail, it’s clear that magical creatures have been a part of the world for centuries and humans, orcs, elves, fairies and presumably any other magical creature we don’t see in the film, have been coexisting that long. That means then that really the present-day world in the film should be at least a bit different to what we know in our world so references to things like Shrek just felt out of place.

Bright uses the differences between magical and human races to talk about racism, segregation and racial profiling but it’s very heavy handed which makes it both cringey and kind of insulting to the real-life situations it’s mirroring.

The conflict between Ward and Jakoby as they both don’t really trust or like one another which is typical to the buddy cop genre but unfortunately Smith and Edgerton don’t really have any chemistry. Normally when this kind of odd couple is clashing it’s entertaining but not here as Ward and Jakoby’s arguments seem to go on forever and the humour that’s supposed to be found in those scenes is nowhere to be found.

Once Ward and Jakoby discover Tikka, the plot of Bright basically becomes them going from A to B, trying to stay alive and keep Tikka safe as a variety of different people try to catch them and get the wand in Tikka’s possession. There’s orc gangs, human gangs, evil elves, corrupt cops and this world’s magical version of the FBI, on their trail. The plot could’ve been a bit tighter if one of those aspects was removed because at times it seemed like there was far too much going on, and the numerous shootouts didn’t leave a lot of time to flesh out the characters – especially Tikka who was mostly silently a lot of the time.

The action sequences in Bright are good, as is the make up on the various magical creatures, but unfortunately the characters aren’t interesting enough to make this film consistently entertaining. 2/5.

REVIEW: The Reluctant Fundamentalist (2012)

In 2011 Changez (Riz Ahmed), a young Pakistani man, tells his story to journalist Bobby Lincoln (Liev Schreiber). How as he chased corporate success on Wall Street, he found himself caught up in the conflict and tension in a post-9/11 world.

The Reluctant Fundamentalist is told through flashbacks. In the present Bobby tries to figure out whether or not Changez had anything to do with the kidnapping of an American academic as tensions rise between Pakistani students and police and the CIA are never far away. And in the flashbacks Changez is living the American Dream, he has a lucrative job on Wall Street and he is dating photography artist Erica (Kate Hudson), until that dream starts to crumble after the 9/11 terrorist attacks.

The harassment that Changez goes through in New York just because of the colour of his skin is tough to watch and is a harsh reminder that little has changed in the world today. It highlights how people are so quick to judge and make assumptions and how dangerous those assumptions can be – not just for the target of those assumptions, but the people around them too.

Riz Ahmed is brilliant as a young man, struggling to consolidate the different sides of him. He has such a strong presence and nearly every single shot of the film has him in it. You find yourself hanging off his every word as he tries to explain himself and find what makes him happy.

The story of The Reluctant Fundamentalist is all about ambiguity, but the execution can be a little heavy-handed especially in the beginning. Still, The Reluctant Fundamentalist is a gripping drama with a great central performance from Ahmed and supporting turns from Schreiber and Kiefer Sutherland who plays Changez’s Wall Street boss. 4/5.

REVIEW: In the Line of Fire (1993)

Veteran Secret Service agent Frank Horrigan (Clint Eastwood) is haunted by the fact he couldn’t save Kennedy in Dallas, and now thirty years later a man who calls himself “Booth” (John Malkovich) threatens the life of the current President and Frank is determined not to fail a President again.

In the Line of Fire is a film where it wastes no time setting up the characters and getting straight into the main plot. You learn as much about the characters as they share with each other, and when Booth starts to make his presence known, it takes the time to tease the character with extreme closeups on his eyes or mouth.

Eastwood’s Frank is a veteran of the Service. He’s a good agent but not the man he was, something he and everyone else knows, but he’s not willing to accept that yet. Eastwood’s performance is full of charm, but he also presents an uncompromising figure especially when others start to believe he’s not fit for the Presidents protection detail and should leave the case alone.

While Eastwood is certainly the lead of In the Line of Fire, it’s Malkovich who steals every scene he’s in. Booth is an incredibly cunning man and knows exactly what buttons to press to make Frank go off his game. The phone conversations between Booth and Frank are the epitome of cat and mouse as they each try to learn things from one another, though Booth always seems to be one step ahead. Malkovich give a performance that’s cool and calculating one moment, and then full of fury the next. As Frank digs deeper into who Booth is or was, he starts to become an almost tragic character.

In the Line of Fire is a smart thriller. While there are a few chase sequences and scuffles, it’s how Frank and the other Secret Service agents work through the limited information they have to catch a potential killer that’s so gripping. The score, the editing, and the cinematography all work together to rack up the tension as Booth gets closer to his goal of killing the President, and Frank gets pushed closer to the edge.

In the Line of Fire is a tense thriller with gripping performances. It’s only shortcoming is the romance between Frank and fellow Secret Service agent Lilly Raines (Rene Russo) which feels awkward, rushed and just unnecessary. 4/5.

REIVEW: Angel Has Fallen (2019)

When Secret Service Agent Mike Banning (Gerard Butler) is framed for the attempted assassination of President Trumbull (Morgan Freeman) he’s forced to go on the run, avoiding his own agency and the FBI, to uncover the truth and prove his innocence.

If you enjoy the previous films in this somewhat unlikely trilogy about a Secret Service Agent who is really good at killing people and rescuing Presidents, then there’s a good chance you’ll know what you’re getting into with Angel Has Fallen and will like this film too.

In comparison to the previous films in the series, Angel Has Fallen is noticeably less racist as it’s not outside forces that are out to get the President, and Angel Has Fallen attempts to be critical of America’s historic desire for war instead of using other methods when dealing with conflict first. President Trumbull wants to use military force as an absolute final measure in conflict, whereas other people in the White House take a different stance and that causes tension in Trumbull’s cabinet.

Angel Has Fallen is more character driven than the previous films in the series as it delves into Mike’s past and fleshes out his character more. The Mike Banning in Angel Has Fallen is an older, wearier Mike Banning than we’ve seen before. Mike has insomnia, headaches and dizzy spells as everything he’s put his body through over the past few years starts to catch up with him. But even though Mike has a wife and young daughter he loves very much, he doesn’t know how to quit the Secret Service and stop doing what he knows how to do best – killing people and protecting the President.

As Mike has nowhere to turn, he ends up finding his father (Nick Nolte) and their interactions are often very funny as they make a rather odd pair. They have so many similarities that they end up clashing often, and it’s these moments of levity that make the violence more affecting.

The “twists” in Angel Has Fallen are rather obvious and the CGI is notably ropey at times but with a compelling lead and solid action sequences with lots of explosions (the final act is fast-paced and thrilling), it is easy to overlook the flaws in Angel Has Fallen and have a good time with it. 4/5.

REVIEW: Guarding Tess (1994)

Secret Agent Doug Chesnic (Nicolas Cage) is the agent in charge of the protection detail for Tess Carlisle (Shirley MacLaine), the widow of the former President of the United States and a woman who seems to enjoy making Doug’s life difficult with outlandish demands.

Guarding Tess has a typical plot – two very different characters who clash, learn to get along and understand one another – and it’s a functional yet dull plot as the two leads are never given much of a backstory or layers to their personalities. So many on the male characters speak in a monotone, even in stressful situations, which makes what’s supposed to be exciting on screen, not engaging at all.

Guarding Tess seems to be tonally all over the place too. It’s supposed to be a comedy, and there are a few funny moments, but then there’s these big dramatic moments in the last act that don’t hold any real weight due to the farcical nature of the previous hour of the film.

Cage and MacLaine have chemistry but it’s the kind of chemistry where you’re not sure if they’re going to tear chunks out of one another or kiss which naturally makes things a little uncomfortable and weird at times. It’s just as the relationship between Tess and Chesnic, and the rest of her Secret Service detail gets slightly interesting that the film swerves into something completely different and that relationship is never fully developed.

Guarding Tess ends up being a very bland “comedy” drama. The characters are, for the most part, pleasant but there’s so little drama or tension that they are just going about their daily lives and very little of interest happens. 2/5.

REVIEW: Dora and the Lost City of Gold (2019)

Dora (Isabela Moner) is a teenage explorer who’s more at home in the jungle more than high school. But when her parents (played by Eva Longoria and Michael Peña) go missing while searching for a lost city, Dora and her new friends go on an adventure to rescue them.

As a more grown up adaptation of the Dora the Explorer TV show, Dora and the Lost City of Gold finds itself as a good kids’ adventure film. There are plenty of references to the TV show like an inventive animated sequence and Dora’s love of singing when doing a mundane task. Then there’s when 6-year-old Dora turns to the camera and asks, “Can you say delicioso?” to the confusion of her parents as they look to see who she’s talking to and saying she’ll grow out of it. These kinds of moments are tongue-in-cheek but can feel a little awkward. Though, having characters question some of the weirdness, like a fox wearing a mask, makes most of the references work.

Isabela Moner is great as Dora as she gives a performance that’s both charming and moving. She’s full of energy and enthusiasm but she also gives Dora a little awkwardness as she finds it difficult to be anything but herself in high school when being unabashedly yourself is seen as a source of embarrassment for most people.

Dora is like a teenage Latina Indiana Jones and it works. There’s so many of the usual adventure puzzles and clichés like quicksand and booby traps but having a teenage girl at the forefront, working things out and having the adventure is wonderful. Her teenage friends all each have their moment of figuring things out and contributing to the adventure as well. Sammy (Madeleine Madden) is super smart while Randy (Nicholas Coombe) is into his games and knows all about jungle puzzles. That’s not to say they don’t have their fears and anxieties over being lost in the jungle, but it’s great seeing how they all become friends and learn to work together.

Dora and the Lost City of Gold is a fun adventure film that’s not afraid of its origins and affectionately skews the conventions of the TV show. It’s funny and charming and an easy, inoffensive watch for children and adults alike, even if you have only the most basic knowledge of the TV show it’s adapted from. 3/5.