Reviews

REVIEW: The Republic of Thieves by Scott Lynch

Narrated by Michael Page.

The Republic of Thieves is the third book in the Gentleman Bastards series, the first two being The Lies of Locke Lamora and Red Seas, Under Red Skies.

After their adventures on the high seas, Locke and Jean are brought back to earth with a thump. Jean is in mourning and Locke must live with the fallout of crossing the all-powerful magical assassins, the Bonds Magi. It is a fallout that will pit both men against Locke’s long-lost love in a political battle. Sabetha is Locke’s childhood sweetheart, the love of Locke’s life and now it is time for them to meet again as they’re employed on different sides of a vicious dispute between factions of the Bonds.

I do still really enjoy this series and the audiobook narration is still fantastic but The Republic of Thieves didn’t quite pull me in compared to the previous two books. It’s comprised of two main storylines, the present as Locke and Jean are coerced into running a political campaign and win an important election, and the past where Locke goes from a six year old meeting Sabetha for the first time and becoming besotted to when he and his fellow Gentleman Bastards are teenagers and have to pull off an elaborate con in the theatre. I often found the interludes and the con Locke and everyone pulled as teens more interesting than the political stuff in the present. I think it was because you finally got to see the start of Locke and Sabetha’s relationship after it being something that was hinted at for so long, and because it meant we got to see more of the Sanza twins and I didn’t realise I’d missed them so much.

Locke and Jean’s relationship is still fantastic, especially how Jean will do anything to pull Locke back from the brink of death and depression. The two of them understand one another so well and it’s interesting to see how Sabetha fits into that dynamic when they haven’t seen her for over five years. While she had a romantic past with Locke, she and Jean were still friends so with this dynamic you see a different side to Jean too.

The Republic of Thieves is still funny and clever with a lot of twists and turns, though it seems to be lacking something. Perhaps it’s because Locke and Jean are on the backfoot here and are playing catchup to Sabetha. It’s not that Locke and Jean’s plans haven’t gone their way before, but previously it’s felt like they’ve had a lot of contingency plans for different scenarios. In The Republic of Thieves Locke is so thrown by Sabetha’s presence and how the Bonds Magi are pulling their strings that he doesn’t see potential threats and issues until it’s almost too late. He’s much more reactive rather than proactive which feels odd though it is nice to see how Locke deals with stuff that’s outside his control.

The Republic of Thieves has political intrigue, farcical elements, romance, and a lot of scheming. It’s got great characters and delves into Locke’s past and reveals things that have both the reader and Locke end up doubting what they know. Like the previous books it’s a fun time and I will be carrying on with the series if/when the fourth book is ever released. I hope Lynch is doing well. 4/5.

REVIEW: John Wick: Chapter 4

With the price on his head always increasing, John Wick (Keanu Reeves) finds a way to defeat the High Table; kill the Marquis (Bill Skarsgård) in single combat and win his freedom.

Obviously we got to talk about the action as that’s what the John Wick franchise has become known for and Chapter 4 takes things to a whole other level. There are probably about half a dozen sequences which could be the standout in any film so that fact there’s so many exciting and impressive sequences in one film is something to be commended. For a fourth film in an unlikely franchise to be this good and to take its characters and the action to levels we haven’t seen before is really something else. The final act is action on a level and like the sequences before it, it knows how to have some fun with it.

One of the things that makes the many thrilling action sequences work, besides from being well shot, edited, lit, and choreographed, is that many of the key characters are motivated by things other than revenge and desire for a big payday. It’s loyalty and family that drives most of them. Whether that’s blood family like new characters Shimazu and his daughter Akira (Hiroyuki Sanada and Rina Sawayama), or family of choice like John, Winston (Ian McShane) and Charon (Lance Reddick), or even the family that the Tracker (Shamier Anderson) has with his attack dog. These characters have something to fight for other than themselves and it makes any threat they face feel more real and there’s consequences for the decisions they make. (more…)

REVIEW: Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez

Imagine a world where your phone is too big for your hand, where your doctor prescribes a drug that is wrong for your body, where in a car accident you are 47% more likely to be seriously injured, where every week the countless hours of work you do are not recognised or valued. If any of this sounds familiar, chances are that you’re a woman. Invisible Women shows us how, in a world largely built for and by men, we are systematically ignoring half the population. It exposes the gender data gap – a gap in our knowledge that is at the root of perpetual, systemic discrimination against women, and that has created a pervasive but invisible bias with a profound effect on women’s lives.

Invisible Women is one of those books that simultaneously super interesting but also super frustrating. I love how with all its stats from countries around the world and its in-depth look at different industries and situations, it puts words to the ideas or feelings I had about life as a woman in the world. There’s the stock phrases like “representation matters” but Invisible Women goes more in-depth than just the idea of “seeing is believing”.

I liked how it goes into the biological differences between men and women and how things like mobile phones getting increasingly larger is fine for men to use one-handed but it’s more difficult for women as the phones are designed with men’s hands in mind and they are usually larger than women’s hands. It’s easy to think that anything men can do, women can do but that’s not the case when the equipment they need to use to do X thing aren’t designed for a woman’s body. I know I’m guilty of thinking that I “can be just as good as a man” when it comes to different things if we have the same time or training, but Invisible Women showed how so much “standard” equipment like PPE, high-vis jackets, and stab vests are designed for a man’s physique aka someone without breasts and perhaps narrower hips and a larger face, which means they are more uncomfortable for women or even don’t work as they should as they’re not designed for their body shape. It’s really enlightening and though as Invisible Women shows there’s still a lot of data missing, it’s ridiculous that what data there is has yet to cause any changes in various industries. Though as the book progresses and shows how the majority of decision makers, whether in government or industry, are men it’s maybe not a such a surprise that women’s needs aren’t seen as such a priority. (more…)

REVIEW: Shazam! Fury of the Gods (2023)

When the daughters of Atlas (Helen Mirren and Lucy Liu) return to Earth with plans to destroy the world of humans, Billy Batson (Asher Angel) and his adult superhero alter ego (Zachary Levi), must bring his superhero family together to save the world.

The first Shazam! film was an unexpected delight and while Shazam! Fury of the Gods doesn’t reach the heights of the original, it’s still a pretty fun sequel that builds on the themes of family that was so essential to the first one. That being said, I would’ve like Asher Angel to have more screentime with his on-screen siblings, as adult Billy aka Zachary Levi, definitely had the most screentime with the siblings, both the kid-versions and the superhero-versions. The first film had such a great balance between the superhero and the kid stuff but in Fury of the Gods it was definitely more skewed towards the superhero stuff. Which kind of makes sense but it was to an extent where you sometimes for got that this superhero was a teenager – especially as teenage Billy was a lot calmer and more thoughtful than superhero Billy who sometimes veered off into being almost Deadpool-esque with the abundance on one-liners and acting more like comic relief than a hero with responsibilities. (more…)

REIVEW: Glorious Poison by Kat Dunn

Glorious Poison is the third and final book in the Battalion of the Dead trilogy so there may be vague spoilers for the previous books, Dangerous Remedy and Monstrous Design, in this review.

Robespierre is dead. The Reign of Terror is over. As Royalist strength grows, the Duc de L’Aubespine plots a coup that will consign the revolution to history. With Olympe in his clutches and one of the Battalion playing spy, they will all have to rely on one another – however hard that might be – in order to make the right choices and potentially save France’s future.

Boy was Glorious Poison a bit of a tough read in comparison to the previous books. There are still schemes and political machinations and friendship but everything looks so bleak for the heroes that it can be a painful and sad read at times. As well as the overarching plot of trying to stop the Duc which seems like an impossible task, so many of the characters are going through life changing events and are having new traumas added to the ones they already had.

Friendships and loyalties are tested as characters are each going through some form of emotional turmoil and are often trying to hide their true feelings and motivations from the others. This trilogy has always been about the choices people can make, both good and bad, and then the consequences from those choices and that’s never been so prominent as it is in Glorious Poison. The choice to live, the choice to love, the choice to fight, the choice to trust – it all slowly builds as uncertain alliances are made in order to achieve their goal of saving Olympe and stopping the Duc.

Throughout the trilogy the setting has always been vivid and now in Glorious Poison we’re back in Paris and with a sudden change of leadership the city, and the country, is on a knifes edge. The differences between the upper and lower classes are stark once again as those who were under threat by the Revolution, are now able to be more free with their luxuries.

Though it is often a story where the characters feel hopeless, Glorious Poison is a testament to the strength of friendship and found family, and when one character might not believe in themselves, they’ll find others will. Overall Glorious Poison is a smart and satisfying end to this trilogy. 4/5.

REVIEW: Mona Lisa and the Blood Moon (2021)

After Mona Lisa (Jeon Jong-seo), a young woman with telekinetic powers breaks out of an asylum in Louisiana, she makes her way to New Orleans where she meets fellow misfits and outcasts.

Mona Lisa and the Blood Moon starts off strong with this neon-infused New Orleans setting but everything does peter out in the second half. It’s a film that has both comedic moments and more serious ones and the blending of those two doesn’t always work. When it’s focused on the more eerie side of things that’s when it really worked for me.

There’s a level of tension throughout the film as though Mona Lisa has these powers which allow her to make people do whatever she wants, she’s been locked away from the world for so long that she doesn’t really have many social skills or awareness of how the world works. She’s naive in some ways and it’s easy for her to be taken advantage of. Especially at the beginning when she’s just got out of the asylum and is just wearing a straight jacket, because of Jong-seo’s size it makes her look even more vulnerable. (more…)

REVIEW: Monstrous Design by Kat Dunn

Monstrous Design is the second book in the Battalion of the Dead trilogy so there may be vague spoilers for the first book, Dangerous Remedy, in this review.

Camille and Al are in London, searching for James and Olympe, while Ada and Guile are still in Paris, tasked with spying on royalist Duc de l’Aubespine and figuring out what his plans are and putting a stop to them. With the Battalion of the Dead spread thin, they will have to rely on each other more than ever, especially as there’s a new threat in Britain.

While there was Frankenstein elements in the first book, Monstrous Design goes full steam ahead with those ideas and with it becomes quite horrifying at times as the theoretical becomes reality. The blending of eighteenth-century science with fantastical elements is still really interesting and as Ada gets more involved with experiments, you see more of how she’s chafing against what’s deemed as proper for a girl of her standing when all she wants to do is learn and understand.

This isn’t a fault of the book but it’s something I’ve noticed as this is the third YA book I’ve read so far this year when the rest of my reading has been adult. The teenage characters really feel like teenagers – which is good! They all often feel like maudlin teens or out of their depth and having big feelings about things, which also makes the moments when they’re honest about their feelings all the more impactful.

In relation to this, I like how these teenage characters parents have a big impact on them. It’s easy to just have absent or dead parents in YA to allow the characters to do what they wish, and there are a few dead parents thanks to the revolution, but the parents have clearly shaped their children – for good or for bad. Ada’s relationship with her father is one that gets more focus in Monstrous Design as he feels he’s trying to protect her and set her up with the life a young woman needs aka a husband and own home to look after, and doesn’t take into consideration what Ada desires from life. James’ relationship with his father is frustrating at times but also understandable as he wants his father’s approval and praise and will do anything to get it, even if it means putting himself and others in difficult positions.

Having the Battalion split up and two storylines running concurrently means there’s a lot of twists and conspiracies in two different countries. I didn’t find one group of characters more interesting than the other which was good as sometimes there isn’t that balance. I did worry the Paris gang wasn’t going to be doing much to drive the plot forward but was happy to be proven wrong about that and how everything comes together was really well done.

Monstrous Design isn’t quite as action-packed as Dangerous Remedy but there’s still a lot of scheming and peril and there’s still a dry wit which is mostly thanks to Al. It’s still a fast-paced and engaging read and how it combines the politics of the time with fantastical elements is really well done and interesting. 4/5.

REVIEW: Creed III (2023)

Adonis Creed (Michael B. Jordan) is living the highlife; he has a loving family and while he’s retired from boxing he’s still in that world as a gym owner and boxing promoter. When his childhood best friend Damien Anderson (Jonathan Majors), a boxing prodigy, re-enters Adonis’s life after a long stint in prison, he’s eager to prove he deserves a shot in the ring – no matter who might stand in his way.

Creed III takes place seven years after the events of Creed II and the film does such a good job at showing that passage of time and how the characters lives have changed. Donnie has retired though is still heavily involved with the boxing world and Bianca (Tessa Thompson) has been winning awards for her music and while Donnie is shaping up-and-coming young boxers, she’s writing and producing new musical talent. Their daughter Amara (Mila Davis-Kent) is deaf and it was so good to see how her parents and grandmother (Phylicia Rashad) were fluent in sign language and how their home was fully accessible for her too, such as having lights flash when the doorbell rang. Obviously, any loving parent should be eager to learn new things in order to communicate with their child, but it was so nice seeing this kind of family which you don’t tend to see in a big mainstream film. (more…)

REVIEW: Creed II (2018)

Adonis “Donnie” Creed (Michael B. Jordan) is the champion and has everything going for him in his life with his mentor Rocky Balboa (Sylvester Stallone) and his girlfriend Bianca (Tessa Thompson) by his side. When Viktor Drago (Florian Munteanu), the son of Ivan Drago (Dolph Lundgren), the man who killed Donnie’s father in the ring, steps onto the scene, Donnie has the fight of his life on his hands.

There’s something about the films in this franchise that brings out performances one wouldn’t expect from its aging action stars. Stallone is still great here, like he often was throughout the series, but it’s Lundgren that impressed me this time. You don’t get to spend a lot of time with the Drago’s but it gives you enough to see what the relationship between this father and son is like. Almost naturally Viktor is full of hate thanks to the environment he grew up in but seeing how he and his father clash as Ivan pushes him in order to reclaim the family honour is interesting and the other side of the coin compared to Rocky and Donnie’s relationship.

The parallel of Rocky training in the snow for his fight against Ivan Drago in Rocky IV with Donnie training in the desert for his fight against Viktor Drago is exquisite. Sure, like Creed was a twist on the first Rocky, Creed II has similar beats to a few other Rocky films, but that doesn’t mean Creed II isn’t a really enjoyable time. The desert training montage is one of the series best and the music choices there, and throughout the film to be honest, are brilliant.

In Creed, Stallone was kind of the scene stealer but in Creed II it is most definitely Michael B. Jordan’s film. Donnie goes through a lot of physical and emotional turmoil and the way Jordan captures that, especially some of the internal battles he’s going through, is excellent. Donnie and Bianca’s relationship is wonderful and it’s so nice to see the romantic couple still together and stronger than ever in the sequel. Thompson and Jordan have great chemistry and adding a baby into their family dynamic adds a whole new set of responsibilities and pressures on Donnie’s shoulders.

Creed II is a worthy sequel as it has all the emotional beats you’d expect from this franchise plus the fights are exciting and here you really feel the punches. Thanks to the sound design, when there’s serious injuries like broken ribs you can hear them happen and the performances makes these fights feel a lot more real and dangerous. Creed II is a great continuation of the Rocky and Apollo legacy but I’m looking forward to seeing how Donnie and this franchise can step out of their shadow with Creed III. 4/5.

REVIEW: Creed (2015)

Adonis “Donnie” Johnson (Michael B. Jordan) never knew his famous father, world heavyweight champion Apollo Creed, who died in the ring before he was born. Fighting is in his blood and Donnie tracks down his father’s former rival turned friend Rocky Balboa (Sylvester Stallone) to ask him to train him.

While Creed is a sequel/part of the Rocky franchise, it’s definitely the kind of clever “reboot” where you can watch it without knowing anything of the previous films. That certainly what I did the first time I watched it and I loved it then, just as I loved it this time. I won’t lie though, there is something nice to see the references and call backs to the previous films in this one and there’s the odd scene that has maybe a bit more emotional weight knowing what came before it decades ago.

The other smart thing Creed does is how it balances the legacy of this franchise with what Donnie as a character is going through. Donnie wants to carve out his own name for himself and not just get things handed to him because of his family name, but as things progress he comes to a realisation that he can be his own man but that doesn’t change the fact of who his father is. He can embrace the name “Creed” without living in his father’s shadow. The film itself goes a similar route and while it is no doubt an excellent film on its own, embracing what came before it just adds something extra special to Creed.

There are still fights in Creed but it’s really the characters and their everyday relationship drama which is the focus of this film. That’s not to say they skimp on the fights, when they’re there, they’re exciting and well shot. The fight about midway through the film is a standout as while I’m sure there’s the computer trickery putting in the edits where needed, it looks like the whole fight, including when each boxer is in their corner in between each round, is all in one take. It really immerses you in the action and I have no clue how they got the cuts to appear on each fighter’s face without you seeing the makeup artists.

Michael B. Jordan is excellent in Creed and conveys that emotional turmoil of trying to find a place to belong and a family without just living off your famous relatives’ names. The family he builds is Rocky, who he starts calling “Unc” pretty much as soon as they met much to Rocky’s bemusement, Bianca (Tessa Thompson), his musician girlfriend, and his adoptive mother Mary Anne (Phylicia Rashad). I kind of loved what Creed says about family because here’s Rocky that’s lost his wife and best friend/brother-in-law and his own son lives in another country, so while he doesn’t have any close blood family either, with Donnie’s help he also gets a second chance at a different kind of family.

Stallone is just jaw-droppingly good in Creed and his Rocky is just tired and almost willing to give up on life until Donnie comes along. Their relationship is at the core of this film and they both push at each other to keep fighting.

Everything about Creed is so well done which shouldn’t be a surprise now with hindsight as director and co-writer Ryan Coogler repeatedly surrounds himself with excellent artists and collaborators. Composer Ludwig Göransson’s score has its own vibe to it but when it incorporates the Rocky theme it does so at just the right moment.

In the era of reboots/legacy sequels Creed is far better than probably anyone was expecting. It does exactly what it set out to do, pay homage to great characters like Rocky and Apollo while forging a new character in Donnie that can stand on their own two feet. Creed blends emotion, drama, and high stakes fights brilliant and overall, it is an excellent film, whether you’ve seen the Rocky films or not. 5/5.