5 stars

REVIEW: Rocketman (2019)

A musical biopic about Elton John’s (portrayed here by Taron Egerton) life as he makes a name for himself in the world of music.

Rocketman is a fantastical, over the top musical and it totally works as a way to tell the story of Elton John’s life. Given the time span of the film, there’s certain events that are no doubt abbreviated or missed out completely, but you do get to experience the rise and fall, and rise again of Elton John’s career, relationships and life. Rocketman hits all the usual biopic clichés but it’s easy to forgive it for that as it hits them with the full force John’s discography and a magical take on this man’s life.

Taron Egerton is brilliant as Elton John. He captures the many facets of John’s personality wonderfully, the anger, the love, the despair and the joy, it’s all there to see. Egerton’s minute facial expressions show the conflicting emotions as his relationships become strained as he goes into a downward spiral of drink, drugs and sex. His singing is great too, with echoes of John’s distinctive voice while never imitating it.

Jamie Bell and Richard Madden also deserve recognition for their work here. Bell plays John’s long-time song writing partner Bernie Taupin and he is full of charisma as he and Egerton have such chemistry that even though their relationship is purely platonic (and seeing two men openly say they love one another in a mainstream film is great) you can feel the love and respect they have for one another. Madden portrays John Reid, Elton John’s manager and boyfriend, and he’s perfectly charming yet calculating.

Rocketman is joyful and fun though it never shies away from the darker side of Elton John’s life. The dialogue can be cheesy but with the full-on musical numbers, outrageous costumes and brilliant performances make Rocketman a fantastically weird yet wonderful experience. Rocketman manages to juggle and unite all its contradictions, it’s silly yet serious, earnest yet outrageous but overall it is really quite wonderful. 5/5.

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REVIEW: Avengers: Endgame (2019)

After the events of Avengers: Infinity War the universe is in chaos as half of all life has been wiped out. Those that are left behind struggle to move on and assemble once more to try and undo Thanos’ (Josh Brolin) actions and bring back those they’ve lost.

Avengers: Endgame is incredible. This film is so impressive in terms of plot, character and spectacle. There are so many surprises in Endgame. There’s twists and turns and what you could call fan service moments, but the way the film never manages to lose its way is admirable. It is three hours long, but you don’t notice that runtime at all. There are quieter moments in the film but that’s when it’s more character-focused and they are no less compelling than when these characters are trying to save the universe.

Compared to Infinity War which, while there were stakes it was also a lot more jovial film, Endgame is definitely more character focused. That’s not to say there isn’t action sequences or jokes or exciting moments, but after the events of Infinity War, the characters who survived are not who they once were. They have all experienced loss, they are all hurting, and they are all going through the various stages of grief – with some getting stuck on certain stages longer than others. The characters don’t just brush off what happened and that makes the catastrophic loss of life even more affecting.

The entire cast are amazing. The relationships these actors have made in real life, make the character relationships even more poignant and every character gets their moment in the spotlight. Hawkeye (Jeremy Renner) gets more screen time and character development compared to previous films, and Renner really gets to show not only what a great actor he is, but also what a layered character Clint Barton is. Captain America (Chris Evans) is more central to the story compared to Infinity War and Paul Rudd gets to show off his dramatic skills as Ant-Man while still never losing who that character is.

Avengers: Endgame is the finale to an eleven-year, twenty-two-movie saga. It’s the culmination of all the films that have come before it and it manages to pay homage to them while still being a satisfying conclusion – the third act really is indescribable and is unlike anything we’ve seen before in a film of this scale.

Really Avengers: Endgame does mark the end of an era. While the MCU will no doubt continue, Endgame is the finale to this story arc and what a finale it is. 5/5.

FYI I will post a probably very long spoiler-filled review of Avengers: Endgame in the next week or so. I have a lots of thoughts and feelings to get out.

REVIEW: Unicorn Store (2017)

Kit (Brie Larson) is trying, and in her eyes failing, to be an adult. Her passion for art and glitter is almost snuffed out as she gets a temp job and feels her parents are constantly comparing her to more successful people her age. But then she receives a mysterious invitation to The Store, where she meets The Salesman (Samuel L. Jackson) who gives her the chance to fulfil her childhood dreams.

Brie Larson’s directorial debut is assured, colourful and magical. From the very first scene, the way characters faces are framed give you no choice but to experience with them what they’re feeling. The use of colour and glitter throughout is wonderful and Kit’s wardrobe is just the right blend of childish and mature.

Because that’s where Kit is stuck. She’s an artist with dreams of magic and colour but the “real world” doesn’t see the value in such things. She’s a twenty-something that’s now having her coming-of-age story as she goes through that dilemma a lot of young people have – should she try and be a “proper grown up” or should she still try and follow her dreams, even if they seem out there.

The script is funny and genuine and it’s due to both the script and Larson’s performance that Kit never becomes unlikeable. She’s strong-willed and sometimes selfish, but she also apologies when she has a temper-tantrum and is friendly and kind. Kit can come across very naïve, firstly because of the promises the Salesman makes are truly fantastical, but also due to her low self-esteem and the fact she’s never been in the workplace before she can’t figure out if her boss is harassing her or not. A simple yet brilliant moment was when Virgil (Mamoudou Athie), a hardware store worker who Kit pays to help her achieve her dream, states that what her boss is doing is wrong. Virgil and Kit’s friendship is so sweet, and their conflict comes from Kit being obsessed with the seemingly impossible, and not appreciating what she has in her family and friends.

Kit is a messy human who’s trying to figure out what she wants from life, and when life gets hard, she reverts to chasing the dreams of her childhood. But it’s seeing how she starts to understand who she is and what she wants that’s truly touching.

The basis of Unicorn Store’s story is weird but the themes it has, figuring out who you are, learning to love oneself and let yourself be loved, keeping the sense of wonder in the world, are universal. Unicorn Store is whimsical and heartfelt and just delightful. It’s a proper laugh-out-loud funny film but then it will also make you cry a lot too. It’s sweet and touching without ever being cringey and Larson really captures all the different sides of someone who is trying to figure themselves out and to be OK with who they are. 5/5.

REVIEW: What They Had (2018)

Bridget (Hilary Swank) returns home to help her brother Nick (Michael Shannon) look after their mother Ruth (Blythe Danner) who has Alzheimer’s and persuade their father Burt (Robert Forster) it is time for him to look into care options for Ruth as her illness deteriorates.

What They Had opens with Ruth getting out of bed in the middle of the night, putting on some lipstick, her shoes and a coat over her nightshirt, and then lets herself out of her home and walks off in the middle of a snowstorm. This incident is the final straw for Nick who has been trying to get his father to see how much the illness is affecting Ruth and how they both need help and support. He calls Bridget and she and her daughter Emma (Taissa Farmiga) fly out to help.

Everything about What They Had and how a family deals with a loved one having Alzheimer’s is incredibly true to life. Everyone’s experiences with an illness differs but there were so many moments in this film I could relate to as someone who has had one grandparent die after having dementia, and another currently living with Alzheimer’s. The script allowed each character to have their own point of view of what this illness was doing to their family. Nick is often frustrated as he’s the one that’s been helping his father look after his mother for so long, whereas Bridget can still see the funny side of things – because sometimes things happen or are said which are funny – but that’s not exactly helpful to Nick. Then there’s Bert who is in denial and doesn’t want to be apart from his wife, which is totally understandable, even if that could be what’s best for the both of them.

The whole cast give brilliant performances, with Swank and Shannon bouncing off one another really well and feel like proper siblings. It’s Blythe Danner though that really needs to be commended. The way she portrays someone with Alzheimer’s is spot on and even with the more absurd moments, she’s never over acts it. It’s the quieter moments though, when Ruth slips from being unaware of what’s happening around her, to momentarily understanding it and being frustrated by it, before slipping back to obliviousness, that are like a punch to the gut. It gives her loved one’s emotional whiplash and highlights how horrible the disease is.

What They Had is a well written and well-acted film that never lacks empathy for these characters. It’s certainly a tough watch at times, especially for those who have experienced a love one losing their mind to Alzheimer’s or dementia, but it’s a film that highlights the struggles and difficult choices a family in that position must make. 5/5.

REVIEW: Instant Family (2018)

Pete (Mark Wahlberg) and Ellie Wagner (Rose Byrne) find themselves in over their heads after they decide to foster tough teenager Lizzy (Isabela Moner) and her two younger siblings, anxious and accident-prone Juan (Gustavo Quiroz) and volatile Lita (Julianna Gamiz).

Instant Family was an unexpected delight. It’s marketed as a straight up comedy, and while it still is very funny, it’s actually got a lot of heart to it as it portrays all the highs and lows of foster care. Pete and Ellie are reasonably well off, they have a thriving home renovation business and are content in their lives until a family member makes a comment about them never having kids. It gets them thinking and they sign up for a foster parent course where there’s the usual stereotypes like the gay couple and the deeply Christian couple, but there they all find a sense of support and belonging to get them through the complexities of fostering children who, in many cases, believe they aren’t worth anything.

Both Wahlberg’s and Byrne show off their comedic chops but they both handle the dramatic moments just as well. The young cast is great but it’s Isabela Moner that really shines as Lizzy. Lizzy’s someone who has practically raised her siblings herself so finds it difficult to both relinquish control to Pete and Ellie, and to trust them both. All three kids have had a tough life but being the oldest Lizzy has more of an understanding of what’s going on. Moner does a great job gradually showing Lizzy’s vulnerabilities as she learns to trust and open up to Pete and Ellie, but still never loses her independence or strength.

There are the usual family hijinks of temper tantrums over food, inappropriate boyfriends, and screaming arguments over toys, but when there’s the more serious and emotional moments (of which there are more than one might think based on the marketing) the film handles them well and doesn’t use any cheap joke to lessen the moment. The emotional scenes pack a punch and you’ll have to be tough not to tear up at least once.

Instant Family is a film about love, family and trust. It’s funny but it’s also a tear-jerker both when there’s something sad and when there’s something happy as this unusual family makes a breakthrough. It’s a feel-good dramedy that also never shies away from the difficulties these children and the people who foster them can face. Instant Family really was a surprise in the best possible way. 5/5.

REVIEW: Capernaum (2018)

While serving a five-year sentence for a violent crime, twelve-year-old Zain (Zain Al Rafeea) decides to sue his parents for the neglect and the life they’ve given him.

Capernaum begins with Zain being led to court in handcuffs to sue his parents and then the story goes back so you can see how he ended up in this situation. To say that Zain’s life is a tough one would be an understatement but it’s how the film shows how so many people in his life struggle. While his parents are certainly at fault in the way they treat him and his siblings, it’s through the quieter moments that you can see that they are second guessing themselves and are making terrible choices as none of the options available to them are good ones. Zain is such a resourceful and strong boy, who has a great sense of empathy in spite of, or because of, the world he’s grown up in that doesn’t see value in children. He’s someone who tries to do the right thing by those he cares about, even if it might mean doing some light thievery to achieve his goal.

When Zain runs away from his parents, he meets undocumented worker Rahil (Yordanos Shiferaw) and her baby son Yonas (Boluwatife Treasure Bankole). She takes him in and the three of them form a new kind of family. The whole cast is brilliant, but this trio were phenomenal. Al Rafeea is an incredible young performer and the way that director Nadine Labaki captures the dynamics between the children in this cast brings out some wonderful performances. There’re moments between Zain and Yonas that can’t have been perfectly scripted due to one of them being one years old, but they feel so sweet, intuitive and natural. The scenes with Zain and Yonas are so natural and are both sweet and heart-breaking at times.

It could’ve been so easy for Capernaum to just be sad and bleak but thanks to an organic screenplay and true to life oddities, there’s laughter to be found here. It also shows that while life and so many of the people in it can be terrible, there are kind people who want to help others with no ulterior motives as well. The way Capernaum is shot neither romanticises nor demonises the poverty Zain and the people he meets face. It’s an honest look at what’s life like for some people and, with its script that has so much natural dialogue, it makes Capernaum feel like you’re a spectator to Zain’s life for a while.

Capernaum is sad but it’s also funny and thoughtful. With a great cast led by Zain Al Rafeea, it’s a film about family, compassion and survival. It’s a film that’s often like a punch to the gut but it’s one that leaves a lasting impression. 5/5.

REVIEW: The Exact Opposite of Okay by Laura Steven

Izzy never expected to be eighteen and internationally reviled. But when photos involving her, a politician’s son and a garden bench emerge, the trolls set out to take her apart. Izzy, along with her best friend Ajita, sets out to figure out who’s behind the vicious website while still trying to maintain her grades, humour and sanity. Izzy is about to find out that the way the world treats girls is not okay, and she’s not going to stand for it.

I loved this book so much. This review is probably just going to be me gushing about how The Exact Opposite of Okay gave me all the feels. It’s been so long since I’ve fallen so hard and fast for a book and a main character. I read some five star reads last year but none of those books were ones that I devoured quite like The Exact Opposite of Okay. I read most of this book in one sitting, and to be honest if I’d started it earlier on on the day I first picked it up, I’d probably have read it in one day too.

Izzy is just a phenomenal character. I loved her sense of humour and how she uses that and sarcasm to keep people at bay and to cover up how she really feels. (That’s something I can relate to) I also love how self-aware she is, she knows her faults even if she often tries to hide them from everyone else.

Izzy is a great character as while she readily admits she likes sex and dislikes the double standard men and women are held to when it comes to sex and their sexuality, it doesn’t mean that she’s not hurt, confused and ashamed when private photos of her are spread all over the internet. It’s one thing being confident in what and who you want, but it’s another when all your decisions and appearance is being scrutinised by not only everyone at your school, but all over the world.

I loved Izzy’s friendship with Ajita, how the two of them know each other so well and while they are from different backgrounds that can put them at a disadvantage in the world, Izzy is poor and Ajita is Nepalese-American, they can sympathise with each other over those things because they are unfair in different ways but they never presume one of their issues is bigger or worse than the others.

Izzy and Ajita’s other friend Danny is also important to them both but his behaviour and entitlement put my back up from the very beginning. He and Izzy had been friends since childhood but from the start of the book it’s clear he’s realised he likes Izzy more than just a friend and doesn’t handle the situation well. Danny was a great yet pretty unlikable character for the most part, and that’s because he’s so well-written and believable. I’m sure many women know or have known someone like Danny.

I really like the way The Exact Opposite of Okay was written. It’s all Izzy’s personal blog posts, but with little interjections from future-Izzy along the way. As someone who has had a blog in some shape or form for close to 15 years (I had a LiveJournal and all teenage-me’s deepest hopes and fears are there) I thought it captured the way people can sort of write like a stream of conscious about something that happened perfectly.

The Exact Opposite of Okay is a brilliant story about slut-shaming, revenge porn, and the so-called Friend Zone. It’s funny, unapologetic and truthful as you are willing Izzy to be strong and get through something terrible that she didn’t deserve. Because that’s the thing The Exact Opposite of Okay does so well, it shows Izzy’s struggle with guilt and feeling like she deserves the cruel comments and everything that goes with private images being shared online, but she doesn’t and it’s very clear about who’s in the wrong in the situation and that’s who made the website. We’re just over a week into 2019, but I doubt I’ll love another book this year like I love this one. 5/5.