5 stars

REVIEW: Internment by Samira Ahmed

It’s been one year since the census landed seventeen-year-old Layla Amin and her parents on the registry. And one month since the President declared that “Muslims are now a threat to America”. now, Layla and her parents are suddenly taken from their home and forced into an internment camp in the desert for Muslim American citizens. With the help of newly made friends trapped within the internment camp with her, her Jewish boyfriend on the outside, and an unexpected alliance, Layla begins to fight for freedom, leading a revolution against the internment camp’s Director and his guards.

Part of the reason why Internment is so affecting from the first few pages, is how close it is to our reality now. The rhetoric that comes from the fictional President, and the reactions of white nationalistic people in this story, mirrors what we’ve seen ourselves over the past few years. It’s unsettling because it’s as if the events in Internment could happen, or maybe something very similar already is.

Layla gets frustrated with her parents conforming to societies new rules (her dad gets fired from his job, and she gets suspended from school for kissing her Jewish boyfriend) before they even end up in the internment camp but it’s out of fear and wanting to protect themselves and their child that they do this. In the camp everyone is under constant surveillance and Layla gets more frustrated about how her parents are acting. It’s a self-preservation tactic but Layla is so angry about the injustice she’s experiencing because of her religion that she doesn’t care.

Ayesha, Layla’s new friend in the camp, is great and she makes just the right number of pop culture references without it being too on the nose or cringey. How the two of them lift each other up in such dark times is wonderful to see, and together they make plans for how they can resist and fight for their freedom.

The only minor quibbles I have with Internment concerns David, Layla’s boyfriend, and Corporal Jake, a guard in the camp. Layla almost seems obsessed with David and the risks she puts herself, and others, through to make contact with him is reckless. He is her one piece of normalcy and a connection to the world outside of the camps electric fences, but it almost gets a little unbelievable at times. Corporal Jake is an unlikely ally for Layla, but it’s never really explained why she trusts him so quickly, or how he seems to have so much power and respect in the camp when he’s still pretty young himself at only a few years older than Layla. Those issues can be forgiven though as the messages in Internment and how resilient Layla is to be commended.

Internment touches on a lot of themes to different extents. Islamophobia, racism, fascism, the power of the media, how women and girls who decide to wear the hijab or men who wear traditional dress can have different experiences as they are more “visibly” Muslim. Layla doesn’t wear the hijab and even she must reflect on some of the unconscious stereotypes she believes as first about those who do.

The last third of Internment had me all choked up. Layla is put through so much pain – mental, emotional and physical – as she and her friends and her parents are constantly threatened, but she still manages to stay strong and resolute in her aims. It’s as more and more people from different backgrounds join Layla in her protests that it shows how powerful protests, even peaceful ones can be. The way social media is used to spread the word of what is happening in the camp, and how people outside of it react feels true to life and shows Layla and her fellow prisoners aren’t as alone as they might’ve feared.

Internment is a tough yet powerful read. It showcases the true horrors of human nature, how fear or greed can make people turn on each other, but it also shows the strength people have, how people can fight for what’s right and protect one another. It’s (unfortunately) a timely read but that makes it all the more affecting. 5/5.

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REVIEW: The Runaway Jury by John Grisham

They are the twelve men and women at the centre of a multimillion-dollar court case. They have been watched, assessed and manipulated by high-priced lawyers who will stop at nothing to secure a verdict. Now the jury must make a decision in the most explosive civil trial of the century – a precedent-setting lawsuit against a giant tobacco company. But this jury has a leader and it is Nicholas Easter, Juror #2. He has planned every detail and, with the help of a woman on the outside, will bend the jury and its verdict to his will. As a corporate empire hangs in the balance and as a grieving family waits, the truth about Easter is about to explode in a crossfire of greed and corruption – and justice fights for its life.

John Grisham is known for his gripping legal thrillers and that reputation is well earned with The Runaway Jury. This is the first book by Grisham I’ve read, but I have seen and really enjoyed The Pelican Brief starring Denzel Washington and Julia Roberts which was adapted from his book of the same name.

The Runaway Jury is a riveting read. Considering it is about a court case and has a lot of characters with the twelve jurors, their family and friends, the lawyers on both sides and the judge and his court staff, it never feels overwhelming or boring. There are a trio of main characters really. Easter, the juror who knows more than he lets on, Marlee, the woman on the outside who appears to be calling the shots, and Rankin Fitch, a consultant for the tobacco companies who is known for using unethical schemes to win trials. These three are the ones who drive the plot forward and the verbal sparring between Marlee and Fitch as they each try and get what they want is brilliant.

The other jurors are featured to varying degrees and each have their own side plots as people with connections to the lawyers put pressure on them through their families to vote a certain way. These characters are juggled very well and while some of them you only spend a few pages with at a time, they all tend to have strong personalities and are easy to distinguish from each other.

Fitch is the kind of character you love to hate, while Marlee is smart, strong and resourceful. There are so many twists and turns as Easter, Marlee and Fitch try to manipulate one another and everyone around them, but nothing feels unearned or having a twist just for the sake of it. Considering how much legal jargon there is in The Runaway Jury there’s some surprisingly funny moments in it. A lot of that comes from how events are described in a very to the point manner, so the writing almost feels like it has a sardonic sense of humour.

It is funny reading The Runaway Jury over twenty years since it was first published because in some ways it is so incredibly 90s – especially in how it talks about smoking. A lot of the people giving evidence in the case are doctors. The ones on the plaintiff’s side describe in great detail how smoking is bad, causes diseases including cancer, and nicotine is addictive, while the doctors and researchers on the defences side dispute those claims, saving there’s not enough evidence for all that. It’s fascinating that something that is a fact now, smoking can and does kill, was something that was so heavily debated twenty years ago.

The Runaway Jury is a compelling courtroom drama that has humour and suspense in it too. The way all of the characters and plot threads are deftly handled is to be admired and it’ll keep you guessing characters motivations and the outcome of the trial to the end. 5/5.

REVIEW: Crawl (2019)

When Haley (Kaya Scodelario) goes to check on her father (Barry Pepper) during a category 5 hurricane, she finds herself trapped in a flooding house with deadly alligators.

Crawl is a combination of creature feature and disaster movie and with that it has a lot of the usual tropes, but it uses them well. There is a fair few jump scares, but they feel earnt as the film knows how to crank up the tension, leaving you almost constantly on edge. The jumps care’s release the tension just for a moment but then you realise something truly horrifying is happening and it’s hard not to look away.

One thing about Crawl that makes it feel extra tense is how something like this could happen. Not the deadly alligators going on a rampage in a hurricane, but the hurricane and the dangers it brings. Characters must rely on wide-up torches and radios as the water levels rise and the threat of flood defences failing and making everything worse is a real problem. It’s not just the alligators Haley and her dad have to survive, it’s the elements as well.

Crawl tells a simple story well – it’s runtime is under 90 minutes and the pacing is so incredibly tight that you encounter the alligators much quicker than you’d think. Scodelario and Pepper both give great performances as Hayley and her dad’s interactions feel believable as they fight to survive together. Also, the script is great as through their short conversations throughout the film you learn about their history which helps flesh out their characters without it ever feeling like a big exposition dump.

Crawl has all the makings of becoming a classic creature-feature. It’s tense, scary, claustrophobic and suitably gory and knows how to give the audience a brief reprise through humour every now and then too. The song that plays over the credits is so unexpected but also ridiculously perfect. 5/5.

REVIEW: Someone Great (2019)

When Jenny (Gina Rodriguez) and Nate (LaKeith Stanfield) break up after nine years, a week before she’s set to move across the country for work, she’s determine to enjoy one last NYC adventure with her two best friends Erin (DeWanda Wise) and Blair (Brittany Snow).

Someone Great is like a love letter to the friendship between women. Jenny, Erin and Blair have been best friends for years and the way they interact feels like such a real relationship. They’re at different points in their lives both in terms of work, romance, and responsibilities but they all have fears about growing up and how they might not have reached their goals. Erin is a lesbian and scared of commitment and putting labels on her relationship with Leah (Rebecca Naomi Jones), Blair is in a relationship with a guy who annoys her and Jenny has just got her dream job that she’s worked so hard for but getting the job is the catalyst for the end of her relationship. But no matter what is going on in their lives, they are there for one another to listen, to make each other laugh, and to try and make things better.

Besides the wonderful relationship between the women, the honest portrayal of romantic relationships is great too. Sometimes you grow apart and don’t love the other person, but you don’t hate them either. Other times it can hurt as you still love them, but you know you’ve grown up into a different person to the one you were when you got together. Relationships evolve and they don’t always work forever, and it can be heart-breaking but there can also be someone there to help you through it.

The trio of female leads have great chemistry but the chemistry between Rodriguez and Stanfield really stands out. The way their relationship is told through flashbacks, as Jenny hears songs that reminds her of different times, is great as you can see the ups and downs but it’s bittersweet as you also see how young and happy they were.

Someone Great is funny, sweet and touching as it shows the realities of growing up and growing apart. The soundtrack is fab and every element of it is balanced so well; the humour, the drama, the characters, the relationships – it all comes together in a surprisingly heart-breaking yet heart-warming romantic comedy with a twist. 5/5.

REVIEW: Furious 7 (2015)

My original review of Furious 7 is here.

Deckard Shaw (Jason Statham) seeks to destroy Dominic Toretto (Vin Diesel), Brian O’Conner (Paul Walker) and their family in revenge for what happened to his brother in London. As he starts to pick them off one by one, Dom is approached by secret government agent Mr. Nobody (Kurt Russell) who wants them to rescue a kidnapped hacker and in return will help them find Shaw before he finds them.

Furious 7 takes the action and the fights up to a whole new level for this franchise. Everything that is shown in the trailer – cars flying out of airplanes, Brian running across the top of a bus that’s falling off of a cliff, a car jumping between two skyscrapers – it’s all just a taste of the over-the-top yet thrilling spectacle that this film has to offer. Everything in Furious 7 is bigger and bolder, from the international locations to the stunts, but it never loses what is at the heart of this franchise – these characters and the fact they are indeed a family.

There’s a lot happening in Furious 7 in terms of villains and plot threads. While Shaw is set up as the main antagonist to begin with, there’s also terrorist Jakande (Djimon Hounsou) who is after the kidnapped hacker and their tech for the team to contend with. Luckily, the film speeds along and it has a good balance with these villains and the different obstacles Dom and his family have to face.

That is probably the best way to describe Furious 7; it knows what it is (almost ridiculous but always entertaining) and how to make all of its parts come together cohesively. There are the fights – the one between Shaw and Hobbs (Dwayne Johnson) is brilliant – the car chases, the jokes, and the emotional character dynamics. Furious 7 never lets its foot off the gas but at the same time, you never feel like you’re missing anything.

Furious 7 is action-packed and it has a lot of emotional weight to it. It is the most perfect and respectful send of to Paul Walker and it wraps up Brian’s story so well. In lesser hands the sequence with flashbacks of Brian in the various films across the years could’ve felt cheesy. But here, it fits with the tone perfectly and it ends up being a wonderful tribute to Paul Walker and his time in this franchise. Honestly, the ending of Furious 7 leaves me speechless (and in tears) because it is handled so well. 5/5.

REVIEW: Fast Five (2011)

Dominic Toretto (Vin Diesel) along with his sister Mia (Jordana Brewster and friend and former-FBI Agent Brian O’Conner (Paul Walker) are on the run and backed into a corner. After they cross paths with a powerful Brazilian drug lord in Rio, they call in old friends to pull off one last job to buy their freedom. But all the while federal agent Luke Hobbs (Dwayne Johnson) is on their tail.

Following on from Fast & Furious, Fast Five continues the trend of stepping away from its street racing roots becoming a heist film and it’s all the better for it. It still has some great car racing action, but a lot of it either pushes forward the plot or is a nice character moment. It has all the usual heist tropes, but they come together with characters you’ve seen across the previous four films means which makes them extra fun and enjoyable.

Moulding characters into the roles of heist archetypes like the techy (Ludacris’s Tej), the quick talker (Tyrese Gibson’s Roman), and the social chameleon (Sung Kang’s Han) is handled really well and it feels like an extension of the characters we’ve already meant rather than a complete reinvention.

Having all these characters come together and become friends, some of which previously knew Dom before while some only knew Brian, fully cements the key theme of this franchise – family. It’s a theme that had been there from the start but really, it’s once this cast of actors and characters are finally together that you properly start to connect with that message.

Dwayne Johnson is a brilliant addition to the cast and he is a formidable foe for Walker’s Brian and Diesel’s Dom. Really, Hobbs is a combination of the two of them; he has the knowledge of the legal system of Brian, the physical strength of Dom, and is just as loyal to his team as the two of them are to their own family.

The action spectacle of Fast Five is top-notch too. There are foot chases through a favela, an opening set piece with a heist on a train, brutal fistfights, and then there’s the climax which sees a lot of destruction on the streets of Rio. All the action sequences are exciting, well-shot and easy to follow and above all, they are really fun.

Fast Five is a thrill ride from start to finish. The false starts, and not so great films that came before it, can be forgiven because this one is a fantastic blend of action, intrigue, fun and above all – likeable characters that are one big family. Fast Five really set the bar for what the rest of the franchise could be. 5/5.

REVIEW: Rocketman (2019)

A musical biopic about Elton John’s (portrayed here by Taron Egerton) life as he makes a name for himself in the world of music.

Rocketman is a fantastical, over the top musical and it totally works as a way to tell the story of Elton John’s life. Given the time span of the film, there’s certain events that are no doubt abbreviated or missed out completely, but you do get to experience the rise and fall, and rise again of Elton John’s career, relationships and life. Rocketman hits all the usual biopic clichés but it’s easy to forgive it for that as it hits them with the full force John’s discography and a magical take on this man’s life.

Taron Egerton is brilliant as Elton John. He captures the many facets of John’s personality wonderfully, the anger, the love, the despair and the joy, it’s all there to see. Egerton’s minute facial expressions show the conflicting emotions as his relationships become strained as he goes into a downward spiral of drink, drugs and sex. His singing is great too, with echoes of John’s distinctive voice while never imitating it.

Jamie Bell and Richard Madden also deserve recognition for their work here. Bell plays John’s long-time song writing partner Bernie Taupin and he is full of charisma as he and Egerton have such chemistry that even though their relationship is purely platonic (and seeing two men openly say they love one another in a mainstream film is great) you can feel the love and respect they have for one another. Madden portrays John Reid, Elton John’s manager and boyfriend, and he’s perfectly charming yet calculating.

Rocketman is joyful and fun though it never shies away from the darker side of Elton John’s life. The dialogue can be cheesy but with the full-on musical numbers, outrageous costumes and brilliant performances make Rocketman a fantastically weird yet wonderful experience. Rocketman manages to juggle and unite all its contradictions, it’s silly yet serious, earnest yet outrageous but overall it is really quite wonderful. 5/5.