5 stars

REVIEW: Misbehaviour (2020)

True story about the 1970 Miss World beauty pageant in London, the women competing and the women who hatch a plan to disrupt it.

Misbehaviour is a feel-good British comedy drama and once you know that, you’ll have a good idea of how things will go but it makes that formula work in a very pleasing way. It’s funny and engaging with a lot of fun characters and it mixes the drama of political tensions with the glamour of a world beauty pageant so well.

Misbehaviour has a wonderful ensemble cast who all give great performances. There’s unfortunately too many to mention here so I’ll just focus on four key women to the story.

Two of the main characters in the Women’s Liberation Movement are Sally (Keira Knightley) and Jo (Jessie Buckley). They both want to bring down the patriarchy, but they come at it from different angles. Sally has a young daughter and is studying at university with the idea that if she has a seat at the metaphorical boys table, she’ll be able to change things there. Jo is more rebellious, graffitiing slogans on walls and is living in a commune with likeminded men and women. It’s interesting to see how the two of them butt heads on their ideas but also learn to listen to one another and work together to make the protest work. Knightley is the queen of period films (no matter the time period) and again it’s clear how good she is, showing her frustration and anger while still keeping it bottled inside as she knows she’d be ridiculed for showing it.

In the pageant the Miss World contestants the story focusses on are Jennifer Hosten (Gugu Mbatha-Raw), the first Miss Grenada, and Pearl Jansen (Loreece Harrison) the first black South African to take part. For them, Miss World presents the chance for new opportunities for them, but they also have frank discussions about their chances of winning because they’re not white.

There are so many interesting discussions that can come from Misbehaviour. What it means to be a woman, what’s their “role” in society and what opportunities are there for one woman may not be there for another based on their looks or background. The intersectionality of feminism isn’t explored that deeply but there are black women and disabled women in the protest, and Sally and her co-conspirators make it clear that they aren’t against the contestants but the prevalent attitude of judging women just based on their looks. While possibly contrived, there is a moment between Sally and Jennifer where Jennifer gets the chance to explain what winning could do for little girls who look like her around the world, and it brings home that not all women’s experiences are equal.

Misbehaviour is a wonderful snapshot at what women’s rights were like fifty years ago, and how in many ways’ things have changed for the better, but in others there’s still a long way to go. The performances are brilliant with Knightley and Mbatha-Raw being the standouts, the soundtrack is ace and it’s just a really fun, feelgood film about sisterhood. 5/5.

REVIEW: The Places I’ve Cried in Public by Holly Bourne

Trigger warnings for controlling behaviour, emotional abuse, gaslighting, sexual assault and rape.

Amelie loved Reese. And she thought he loved her. But she’s starting to realise love isn’t supposed to hurt like this. So now she’s retracing their story and untangling what happened by revisiting all the places he made her cry. Because if she works out what went wrong, perhaps she can finally learn to get over him.

Do you ever start a book, and you’re only a couple of chapters in or less than 50 pages in, but you think to yourself “Wow, this book is going to be incredible”? Because that’s how a felt about The Places I’ve Cried in Public when I’d only read the first two chapters and I’m happy to say that gut reaction was correct.

The Places I’ve Cried in Public really was incredible. It has two timelines, Amelie in the present going to the various places she’s cried over Reese, a park bench, a bus stop, her music class, and trying to process everything that has happened and her own thoughts ad emotions. Then when Amelie is at these various places, she remembers the incident that had made her cry, and slowly the rose-tinted view of her relationship with Reese is worn away as she sees the red flags she didn’t notice before, or saw but ignored them because she was so caught up in Reese.

There are so many great, thought-provoking lines and whole passages in The Places I’ve Cried in Public. Especially in how it deals with trauma and abuse, slowly working things out as Amelie does, giving words to the things she’s feeling as she starts to process them. One of my favourite quotes is: “Crying is a very obvious sign that something isn’t going right in your life. You should not ignore tears.”

And another favourite passage is: “I wonder how many times in a given second girls are told that their guts are wrong? Told our tummies are misfiring, like wayward fireworks. No, no, no, dear, it’s not like that at all. Where did you get that from? I promise you that’s not the case. You are overreacting. You are crazy. You are insecure. You are being a silly little thing. And, then, days or weeks or even years later, we look back on The Bad Thing that happened to us because we ignored all the signs, and we say to ourselves I wish I had listened to my gut.”

I think they both sum up the difficulties people, but perhaps girls especially when so often the media and society wants to mould them into a certain way, have when trying to figure out their own emotions. There are so many moments in The Places I’ve Cried in Public that are like a punch to the gut with their poignancy.

The Places I’ve Cried in Public is so compelling because as an outsider, you see a lot of the little warning signs that Amelie ignores, or sees in a positive light, even when friends, some of who she’s known her whole life, point them out to her. It’s well-written because even as you see the issues, you can also understand where Amelie is coming from, making her a sympathetic character as her whole sense of being is changed by her connection to Reese.

The Places I’ve Cried in Public is an incredibly sad story but also one that offers hope for anyone who may be in a similar situation to Amelie. There are scenes of Amelie going to a counsellor which were very well-written and important as it shows how there are people out there to help and no one should feel lesser for needing help. The Places I’ve Cried in Public really is a fantastic book and it’s one that’ll leave a lasting impression. 5/5.

Q is for The Quake (2018)

Three years after surviving a deadly tsunami, geologist Kristian Eikjord (Kristoffer Joner) is estranged from his family as he struggles to deal with the fallout and the constant fear of another tragedy. When his friend and fellow scientist shares with him his data on the tremors in Oslo, Kristian rushes to the city to learn more and to try and save his family from an impending tragedy.

The Quake is the sequel to The Wave and stars the same actors as the central family. Much like its predecessor, The Quake puts many big budget Hollywood disaster movies to shame. By focusing on so few people, you become invested in their survival and how they fight to overcome such a huge natural disaster.

Everything about The Quake builds tension brilliantly. The first half of the film is focussed on Kristian’s research and how he struggles to connect with people when he feels he has to be ready to save people at any time. The Quake does a great job as showing the lasting effects on living through an ordeal like a tsunami and even if you survive it, there’s still so many things you must come to term with. The score is haunting and slowly amps up the tension as Kristian begins to put things together, even when others aren’t sure there’s anything to worry about.

When disaster does hit, it’s horrifyingly spectacular. In a strange way the catastrophe seems almost earnt as you’ve had to wait for so long, and by waiting, you’ve become more attached to the characters and are more invested in their fates. With the aftershocks and collapsing buildings, The Quake never stops being a nerve-wracking experience as everything that could possibly go wrong does.

The Quake keeps you on the edge of your seat but never forgoes common sense or character development. Just like the first film, it’s well worth the watch – even if it may make you slightly hesitant about visiting Norway any time soon, because as it says in the end credits, the country is overdue for a large-scale earthquake. 5/5.

N is for National Treasure (2004)

Archaeologist Benjamin Gates (Nicolas Cage) races to find the legendary Templar Treasure before a team of mercenaries, led by former friend and colleague Ian Howe (Sean Bean).

So I have seen National Treasure many times before, but as I don’t own a film beginning with the letter N that I had not seen before, and I rewatched the National Treasure movies the other day because they bring me joy, I thought it would do fine for this challenge.

National Treasure is just so much fun. It’s a heist movie (one of my favourite genres of movie) with history (one of my favourite subjects at school). Sure, the premise of hidden treasure and a secret, invisible map on the back of the Declaration of Independence is farfetched and kind of silly but who cares?! This premise makes a great film!

Ben along with his best friend and tech genius Riley (Justin Bartha) are the ones trying to stop Ian – their thinking is they must steal the Declaration of Independence in order to protect it. As their heist gets underway archivist Dr Abigail Chase (Diane Kruger) gets caught up in their plans and the three of them are forced to work together to figure out the clues and find the treasure before Ian does.

The main trio of characters are all great. They are all well-rounded, they each have their own skills and knowledge to contribute to finding the treasure, and they just fit together nicely. Riley isn’t related to comedy sidekick and Ben doesn’t always have all of the answers.

The action sequences are well shot and exciting, and the score, composed by Trevor Rabin, is great and the central motif just works so well. The mysteries and double crosses that are key to a heist and a treasure hunt are all there and the film goes by at a good pace so you are never bored.

National Treasure is just a fun adventure film that knows exactly what it is, and it does it incredibly well. It’s pure escapism for a couple of hours and I love it. 5/5.

I is for Imagine Me & You (2005)

When Rachel (Piper Perabo) catches florist Luce’s (Lena Headey) eye at her wedding to Heck (Matthew Goode) she instantly feels things she’s never felt before, questioning her sexuality and prompting a stir among Rachel’s family and friends.

Imagine Me & You is a very funny and entertaining rom com. It follows a lot of the usual tropes of the genre, but the fact it’s about two women falling in love make it feel fresher and more exciting.

Nobody is really made the villain in Imagine Me & You because love is complicated. Rachel loves Heck, and though what she’s suddenly feeling for Luce is unlike anything she’s felt before, it doesn’t make the love she felt for Heck meaningless. Imagine Me & You really handles the discussions of love, whether it’s something that builds or it can be instantaneous, very well and doesn’t make one relationship lesser to build up another.

The chemistry between Perabo and Headey is palpable and Perabo is especially brilliant showing Rachel’s confusion and heartache as she tries to figure out what she’s feeling for Luce while feeling guilty for feeling anything at all.

The extended cast are wonderful too. Celia Imrie and Anthony Head who Rachel’s parents and Sue Johnston who plays Luce’s mum, really highlighting the wonderful British cast this film has. They all have very funny lines and their relationships with their on-screen daughters is brilliant and feels real.

Imagine Me & You is a funny and sweet romantic comedy and it has one of the best declarations of love I’ve seen in a romcom – or any genre of film to be honest. 5/5.

READ THE WORLD – Georgia: The Eighth Life by Nino Haratischvili

Translated by Charlotte Collins and Ruth Martin.

Trigger warnings for rape, domestic violence, forced abortion, and torture.

At the start of the twentieth century, on the edge of the Russian Empire, a family prospers. It owes its success to a delicious chocolate recipe, passed down the generations with great solemnity and caution. A caution which is justified: this is a recipe for ecstasy that carries a very bitter aftertaste. Stasia learns it from her Georgian father and takes it north, following her new husband, Simon, to his posting at the centre of the Russian Revolution in St Petersburg. Stasia’s is only the first in a symphony of grand but all too often doomed romances that swirl from sweet to sour in this epic tale of the red century.

The Eighth Life is a sprawling epic, following one family through the generations for over one hundred years, spanning the twentieth century and beyond. It gives an insight into what life was like in Georgia when it was a part of the USSR and controlled by the powers that be in Moscow, and how the struggle for independence does not go smoothly.

The story of the Jashi family in The Eighth Life is told by Niza to her young niece Brilka. She recounts the family history, from her great-great-grandmother Stasia to her and her sister Daria, and all of the love and tragedy that befalls the family and their close friends in that time. The different members of the family experience so much heartache, it’s almost cruel or depressing how unlucky or sad their lives often turn out. Nothing ever runs smoothly for them, and there are so many instances when actions of previous generations have unforeseen repercussions on their descendants. Whether the tragedies that befall each member of the family is down to having a taste of the amazing yet potentially cursed chocolate, is down to you to decide.

This family saga takes place during the heights of communism. Various historical figures are mentioned either explicitly by name, or through their nicknames or other references. If you know more about the important figures in Russia and USSR’s history, they may be easier to pick up than if you don’t. Personally, I studied the Russian revolution in college and then only have a passing knowledge of Stalin and Lenin and know little about the other important figures of that time. I was still able to follow the passage of time, and with the Jashi family connected to the KGB and Moscow top brass, it was an interesting way to learn more about this period of history and how the extreme rules and surveillance could effect the everyday person.

At over 900 pages long The Eighth Life really is an epic novel. It takes its time to develop the many characters, but it also does a great job at keeping track of the family connections, and the little call backs to past events or conversations work really well. It’s an engaging read, and the writing is often beautiful. It’s fascinating to see how much can change in one person’s lifetime. How history can affect them in both big and small ways, and how events can shape a person so completely.

The Eighth Life is a fascinating yet often harrowing read. It doesn’t shy away from the realities of war or from how cruel people can be to one another, and how some people must close themselves off from feeling anything in order to survive. This might make The Eighth Life sound like a depressing read, and it can be at times as you wonder at how much suffering a person can take, but it also captures the many emotions people go through in life. There’s still love in its various forms, and hope, and freedom. It’s just unfortunate that those who are in love or free, can’t always experience it with the ones they want to the most. 5/5.

REVIEW: Strokes of Genius (2018)

Documentary that intertwines Roger Federer and Rafael Nadal’s lives with their famed 2008 Wimbledon championship – an epic match so close and so reflective of their competitive balance that, in the end, the true winner was the sport itself.

With the world as it is at the minute I, like probably so many other people, turn to the media that brings me comfort. Like all other sporting activities, tennis has had to be put on hold, but there is one tennis documentary that I’ve loved since the first time I watched it so that’s what I found myself watching as a form of escapism.

Strokes of Genius looks at the lives and careers of Federer and Nadal, both individually and how they relate to one another. The 2008 Wimbledon Final is used as an example of what makes them two of the greatest players ever and shows how it is still considered to be the pinnacle of tennis matches. The narrative of the documentary is built around the match and while the match is intersected with footage and information about Nadal and Federer’s childhoods, and there is input from their families, friends, and other tennis professionals, the tension still builds as the match goes to five sets.

Naturally Strokes of Genius will appeal more to tennis fans, and to Federer and Nadal fans specifically, but it’s also a love letter to great sporting rivals. How those rivals can shape someone’s career and life, make them a better player, a better fighter, and the unique relationship two rivals have. While the Federer and Nadal rivalry is the focus of Strokes of Genius, it also looks at the Borg and McEnroe rivalry and the rivalry between Evert and Navratilova. All four of them appear in the documentary and it’s fascinating to see how they feel about each other and their legacy as rivals.

There are so many great quotes in Strokes of Genius about both players, from each other and from the various people featured in the documentary. But I feel this quote from Roger Federer’s fitness coach, Pierre Paganini, sums up the two men and why their matches (both generally and when they are against one another) have always been so interesting and entertaining to watch; “Roger is an artist who knows how to fight whereas Nadal is a fighter who knows how to be an artist as well.”

Strokes of Genius really is an enjoyable an informative documentary. Every time I watch it it takes me back to the summer of 2008, watching that epic match, and it reminds me how much I love and appreciate both Roger Federer and Rafael Nadal, and all they have achieved, individually and together. 5/5.