5 stars

READ THE WORLD – The Marshall Islands: Iep Jāltok: Poems from a Marshallese Daughter by Kathy Jetn̄il-Kijiner

A collection of poetry covering themes like history, personal experience, and the Marshallese people and their culture.

I’ve read about a dozen poetry collections for my Read the World Project and I still think it’s an often interesting way to get a snapshot of a poets culture and interests. I think that Iep Jāltok is one of my favourite, and the best, collections I’ve read in a while.

The style of the poems differ. Some are in simple stanzas, others the words meander across the page or is just one big paragraph. There’s a few that are concrete poetry – written in the shape of a boat or a pot.

I knew nothing about the Marshall Islands before picking up Iep Jāltok and even now I still know very little. The poem “History Project” (which is also the name of one of the four sections of the collection) is about how when Jetn̄il-Kijiner was in school she researched how the United States conducted nuclear testing on the Marshall Islands. That in and of itself is something that I never knew about but how the poem goes into the images and statistics she found, the lasting effects on generations of people from the radiation, how Americans protested animals being used as guineapigs but not the people of the islands – it’s all so sad, horrible, but also not that surprising when you consider the history of the USA. It’s a really effective poem and after that one there’s mention of radiation and the sickness it caused in members of Jetn̄il-Kijiner’s family in other poems.

It’s the poems about the history of the Marshall Islands, its people and the effect climate is having on them that I really liked. There are poems about how the Marshallese are lumped together with other people from different small island countries in the Pacific Ocean. The racism Jetn̄il-Kijiner has experienced and how she feels that she and her people are forgotten by the rest of the world – especially when it comes to climate change. “Two Degrees” is about how the increase in temperature of two degrees will affect the Marshall Islands, and how the rising sea levels is already flooding the islands. Terms like rising sea levels often seem abstract and hard to comprehend, whether because you live away from the coast or it’s genuinely hard to image a beach or land no longer being above water. Having the effects of climate change laid out in a poem makes it seem so simple and real.

Iep Jāltok is a thought-provoking poetry collection with a lot of powerful poems. It shows history and issues from a point of view I had not seen before and demonstrates how unfortunately universal things  like racism and climate change affect people differently when they’re from different communities. 5/5.

READ THE WORLD – Belarus: The Unwomanly Face of War: An Oral History of Women in World War II by Svetlana Alexievich

Translated by Larissa Volokhonsky and Richard Pevear. Narrated by Yelena Shmulenson and Julia Emelin.

Svetlana Alexievich interviewed hundreds of women to get their first-hand accounts of their experiences in the Second World War. What made them want to fight and what they did – whether that was on the front lines, on the home front or in occupied territories.

Being born and raised in the UK, when it came to learning about the First and Second World War, what British soldiers went through and how the wars affected the British people was the main focus. I did learn about the Allies and how Russia played a big part in the success of both conflicts but never really knew anything about the people on the front lines there.

While most of what I learnt about British Women during WWII was that they worked on the farms or in factories, or maybe became nurses or radio operators in Europe but there was definitely more of a focus on what British women did on British soil.

The women from the Soviet Union, whether they were Polish, Ukrainian, Belarusian, Russian, or whoever were on the front lines. There’s accounts from women in the typical roles like nurses, surgeons and radio operators but then there’s women who were snipers, pilots, anti-aircraft gunners, soldiers. They all had different ranks from privates to lieutenants and many of them were awarded medals and honours for their service. And the majority of these women joined up when they were teenagers, some as young as fourteen but most were between the ages of sixteen to twenty-one during the war. It’s hard to comprehend what these women saw and experienced and how it shaped their lives.

The Unwomanly Face of War is a hard book to get through as it really is often harrowing. These women tell their stories so matter-of-factly even when it concerns dead bodies and men trapped inside a burning tanks. I think listening to it on audio helped as it was easier to take a breather and pull myself out of that dark headspace.

While naturally these women’s accounts were the main focus, I did like how Alexievich inserted a little backstory every now and then as to how she found these women to interview or what the experience was like listening to them talk. I especially found it interesting how she noted that the way these women talked about their experience differed when there was a man in the room. If their husband was there, it was like they didn’t feel as free to talk about things – even if he also fought and had seen and done similar things. I think it’s because these stories are often about how the woman felt in these situations, and some of the things talked about were mundane like how there was no lady’s underwear or boots in the army to begin with and the problems that came with that.

Another thing that’s talked about is love, whether these women found love before, during or after the war and how the war affected them and their relationships. The fact that after the war some men refused to date or marry a young woman who had been at the front, who had fought for her country, because it was seen as unseemly or unladylike was infuriating. Especially as often during the war it seemed like male soldiers treated their female counterparts with respect.

I learnt a lot from The Unwomanly Face of War. I was almost constantly in awe of these women, how they were just teenagers or young women at the time and the things they fought through, is so impressive. I liked how the accounts sometimes contradicted each other, in the sense that it’s clear that while all these women experienced the war, they didn’t experience it or feel about the enemy the same way. Some pitied the fascist soldiers they had to treat while others despised them. It showed how complicated human emotions are and how sometimes in wartime not everything is easy to compartmentalise.

While The Unwomanly Face of War is a tough read, I think it’s an important one. I learnt so much and the fact that it’s an unflinching look at what so many women went through and of the war as a whole makes it more impactful. 5/5.

REVIEW: Logan (2017)

My original review of Logan from when it was released four years ago.

In the future where mutants are nearly extinct, an old and weary Logan (Hugh Jackman) leads a quiet life, trying to keep himself and Professor Charles Xavier (Patrick Stewart) out of harm’s way. When Laura (Dafne Keene), a young mutant who’s more like him than he first realises, comes to him for help Logan reluctantly tries to get her to safety.

Logan is a lot more real and grounded compared to the previous X-Men films. There’s no spandex and there’s fewer powers on show. This is a Logan and Charles who are both old and frail in different ways, who have seen are lot and are weary with the world – though Charles has more hope than Logan.

Putting aside the superpowered side effects of Charles’ illness, how he acts is very true to life in terms of people with Alzheimer’s or dementia. He sometimes doesn’t remember Logan, he has mood swings, he doesn’t always remember what he’s previously said or done. It’s sad anyway but seeing Patrick Stewart play Charles Xavier, a man we’ve previously seen to always be in control of his mind and just about any situation not being able to manage the simplest of tasks just goes to show how long and hard a life these characters have had.

The action in Logan is brutal. Logan isn’t as strong as he once was, and he doesn’t heal as fast, but he can still stab and slash at bad guys when needed. Laura, on the other hand, has a tonne of energy and is vicious as she takes down the men who want to take her. There’s blood and screams and limbs are torn from bodies as well as a few decapitations too. It’s rough but it is well suited to the characters of Wolverine and X-23 and I think we’re lucky we’ve seen the full extent of what these characters can do when the film’s rating isn’t an issue.

Logan is an incredibly satisfying end to Wolverine’s story (or at least Hugh Jackman’s portrayal of him). There’s some humour and hope in amongst this dreary and hard world these characters now live and Jackman and Stewart’s performances and chemistry are both phenomenal and, at times, can bring you to tears.

Logan is a sombre, personal story about two weary men trying to save one girls life and for her to have a life better than there’s. Logan is the perfect swansong for the character and for Hugh Jackman who has made the role his own over all these years and films. It really is a drama with comic book elements rather than being a full-on typical superhero movie and it really works as that. 5/5.

REVIEW: Crooked Kingdom by Leigh Bardugo

Just a little quick backstory on me and the Grisha’verse. I read and reviewed Six of Crows way back in 2016 without reading the original trilogy. I enjoyed it and still agree with a lot of my review but now that the Shadow and Bone TV show arrives on Netflix tomorrow, I decided to revisit the world. I read the original trilogy for the first-time last month and reread Six of Crows on audio and enjoyed that even more than I remembered due to now having a better understanding of the world and the magic system and I got all the little references. And now I have read the conclusion to that duology on audio, which was narrated by Roger Clark, Jay Snyder, Elizabeth Evans, Fred Berman, Brandon Rubin, Kevin T. Collins, Lauren Fortgang and Peter Ganim.

I will try to keep this review as spoiler-free as possible but as it’s a sequel events of the first book are likely to be mentioned. Kaz Brekker and his crew may have pulled off the most audacious heist, but they didn’t come home to the fortune there were promised. Betrayed, alone, and weakened they have to pull together to find away out of this mess as criminals, merchants, and officials are all after them. Because it turns out it’s not just their lives on the line, when a powerful drug is the most sought-after tool in the world, the fate of the Grisha world hangs in the balance.

I loved Crooked Kingdom. Much like Six of Crows it’s full of twists and turns and even when you think you know the plan either something goes wrong, or it turns out it was an illusion and the real plan was something else entirely. There isn’t one big job to pull off this time. Instead, there’s a series of schemes to try and keep them all alive and to get the money they were owed.

As events unfold, the crew has to rely on one another even more and seeing how the different relationships, both platonic and romantic, evolve is just incredible. All six of these characters (and you get chapters from all of their points of view this time) have gone through so much trauma. Some of the things they’ve gone through include drug and gambling addictions, surviving sexual assault, parents or family dying or just being terrible people. You get a lot more of Wylan’s backstory and perspective in Crooked Kingdom and it really adds something to the group dynamic.

While I still think you can get by not having read the original trilogy when reading Six of Crows, that is definitely not the case for Crooked Kingdom. Characters from the original trilogy make an appearance (one of which caused me to actually gasp because I was that excited) and a lot more of various countries politics and conflicts come into play here.

The pacing of Crooked Kingdom is just so good. There’s pretty much nonstop action and scheming and even when there isn’t, the conversations between various characters is just as compelling. When characters argue, and some of them are big conflicts, you feel it because slowly you as the reader realise, as a lot of the characters are doing, that these people actually care about each other. They are still liars and thieves and, in the case of Kaz Brekker especially, can be cruel and ruthless, but they’re also growing as people and making connections and even in some small way want to do better.

Crooked Kingdom is a brilliant conclusion to this duology. It expands this fantasy world, gives the characters more development and nuances and does a great job at building tension. All the twists and turns keeps you guessing and it’s just a fun ride with a lot of emotional payoff. 5/5.

REVIEW: X-Men: Days of Future Past (2014)

Professor Xavier (Patrick Stewart), Magneto (Ian McKellen) and what’s left of the X-Men send Logan (Hugh Jackman) to the past in order to try and prevent an event that results in the annihilation of mutants and humans alike in the future.

From the opening scene X-Men: Days of Future Past is firing on all cylinders. You’ve got this small group of mutants fighting for their lives against sentinels (giant killer robots that can adapt to anything) as Kitty Pryde (Elliot Page) sends Bishop (Omar Sy) back in time in order to warn them. The special effects are great, the whole sequence is exciting but it’s also nerve-wracking as it makes it clear how powerful these machines are and that our heroes may not make it out alive. What a way to start a movie and show how awful this apocalyptic future these characters we know are living in.

When Logan is sent to the 1970s, he has to find and reunite the younger versions of Charles (James McAvoy) and Erik (Michael Fassbender). He finds a Charles who is a shell of the man he knows in the future, overwhelmed by his powers and the pain of losing both Erik and Raven (Jennifer Lawrence), his shut himself away from the world with only Hank (Nicholas Hoult) for company. Erik meanwhile is in prison in at the Pentagon and Logan knows one person who can help them get him out – Peter Maximoff (Evan Peters). Peter is such a fun character, he’s a bit manic and weird and how his power is shown is really different to what we’ve seen before. He’s a guy who can move super-fast, so it makes sense that to him everything and everyone moves slowly, making a very entertaining scene when you get to see his powers from his point of view.

Days of Future Past sees Erik truly become Magneto. While Charles is still an idealist and Raven is planning to do bad things for good reasons, Erik is firm in his beliefs. He will do anything to protect his fellow mutants even if that means hurting people he once considered to be friends or allies. His power has also grown and thanks to Fassbender’s performance and the costuming, Erik is a foreboding presence when he puts his mind to something.

The balance between what’s happening in the future and in the 1970s is done so well – as is the balance between action and emotion. The action sequences in the future are thrilling, the ones in the past are character-driven and equally exciting but then the scenes where it’s just two characters talking are just as compelling. Whether it’s Logan trying to convince Charles of what the future holds or Erik and Charles reconnecting, it’s just as engaging as the action and spectacle. The best quieter moment is between the old and young Charles Xavier. Seeing both actors playing the same character at vastly different points of their lives together on screen not only gets me in the nerdy part of my heart, but the discussions of hope and perseverance really struck a chord too.

I know I’ve said previously that X2 is my favourite X-Men film, but on this rewatch I was struck by just how impressive X-Men: Days of Future Past is and it might now be my favourite. There’s action and emotion and it’s got some funny moments too. It’s a real celebration of this franchise, its characters and the general story of mutants vs humanity. Just a fantastic film. 5/5.

REVIEW: X-Men: First Class (2011)

Mutants Charles Xavier (James McAvoy) and Erik Lensherr (Michael Fassbender) bring together a team of mutants to stop Sebastian Shaw (Kevin Bacon) from starting a nuclear war.

I hadn’t seen X-Men: First Class in years and I’d forgotten how good it was! The casting is spot on almost across the board. McAvoy and Fassbender have such great chemistry and while thanks to Patrick Stewart and Ian McKellen’s performances in the original trilogy you could sense the years or friendship and respect, seeing how Charles and Erik met and the foundations of their relationship was just great to see. McAvoy and Fassbender both do a great job of showing the younger versions of these iconic characters while still making their own mark on them. Fassbender especially is great at showing the almost warring sides of Erik as he has a single determination for revenge but also likes and understands Charles’s point of view.

The differing ideologies of Erik and Charles don’t only come into play but also Charles and Raven aka Mystique (Jennifer Lawrence). Having them being adoptive siblings adds this whole new dynamic to characters we already thought we knew. Raven trying to figure out who she is leads to a lot of the sort of moral conversations about trying to fit in verses being true to yourself that wasn’t always discussed so much in the original trilogy.

The whole 60s vibe on First Class is a lot of fun. The use of Gnarls Barkley’s “Run” during the montage sequence of Erik and Charles recruiting mutants fits perfectly and the score composed by Henry Jackman is one of my favourites in the X-Men franchise and helps make First Class feel like its own thing outside of the rest of the X-Men films we’d seen so far.

Having X-Men: First Class be set during the Cold War adds another level of politics to the usual dynamic of humans vs mutants. There are humans being used by mutants, mutants trying to protect humans – it’s all put together so that the final conflict is truly satisfying.

While Charles, Erik, Mystique and Hank McCoy (Nicholas Hoult) are all characters we’ve seen older versions of before, the rest of the mutants – both good and bad – are all new to the films. Naturally not all of them get the same amount of screen time and development but thanks to good casting and chemistry between them means they, and their powers, are all fun to watch.

X-Men: First Class is the near perfect blend of action, humour and fun. The cast is great, as is the special effects and the yellow X-Men uniforms are just the best. X-Men: First Class was the perfect way to reboot/reimagine the franchise and these characters after X-Men: The Last Stand. The subsequent films with these younger versions of the characters might not all have been as impressive as First Class, but it certainly gave the franchise a whole new lease of life. 5/5.

READ THE WORLD – Tonga: We Are the Ocean by Epeli Hau’ofa

We Are the Ocean is a collection of essays, fiction, and poetry by Epeli Hau’ofa, whose writing over the past three decades has consistently challenged prevailing notions about Oceania and prescriptions for its development.

I found We Are the Ocean fascinating. It’s been a long time (since my uni days) since I’ve read academic essays, so I was a little apprehensive how I’d find these but quickly I realised my fears were unfounded. These essays were very readable and Hau’ofa’s voice came through clearly. As a lot of the essays were originally speeches at conferences, or adapted from a speech, that easy, conversational voice came through a lot.

I found these essays really interesting. I’ll readily admit I know little to nothing about the Oceanic region and the various island nations in that part of the world, so I learnt a lot from these essays. A lot of them were about the anthropology, history and financial structure of the countries in the Oceania/Pacific region. The relationship between the smaller island nations and Australia and New Zealand were a big part of it. How the trade worked, and how culture had been shared between the various countries and how people’s identities in some of the island countries were shaped by the influence of Australia and New Zealand rather than major western countries like America.

It was all super interesting and understandable because there was also talk of self-fulfilling prophesies as young people are told things like you’ll never amount to much in your home country unless you get an education abroad – so then is it of little surprise why the people in charge of banks, government etc aren’t fully educated in their home country. In fact, there’s often people of European, Australian, and New Zealander decent in positions of power due to colonial history.

The talk of anthropological studies and how historically anthropologists have been white and European and when they came to these countries, they made their own observations and didn’t think to make the effort to consult the native people who were experts in their own traditions. Hau’ofa being one of the only anthropologists from that region means he feels a great weight of responsibility of expanding the textbooks and the whole area of study.

The couple of short stories in this collection are kind of satirical and because they come after the majority of the essays it means you can pick up more of the references to the things and attitudes Hau’ofa is highlighting.

We Are the Ocean was incredibly interesting and easy to read. If you’re interested in history, social and cultural studies and how that all can interact to a person’s or country’s identity then this collection of work is for you. I learnt a lot from it and I’m please I read it. 5/5.

SERIES REVIEW: Grisha Trilogy by Leigh Bardugo

As I said in a recent TBR post, though I read and enjoyed Six of Crows years ago I never finished that duology and I’d never read the original trilogy that started this Grisha’verse. Thanks to the trailer for the Shadow and Bone Netflix show, it got me reinterested in this series and now I’ve read the trilogy for the first time – and plan to reread Six of Crows and then read Crooked Kingdom for the first time. And then at some point I’ll probably also read the other duology in this world that has my new favourite character in it.

Set in a fantasy world inspired by Imperial Russia, Shadow and Bone sees Alina Starkov, a mapmaker in the army, suddenly learn she has a dormant but extraordinary power that could be the key to setting her war-ravaged country free. She’s whisked away to the royal court to be trained as a member of the Grisha, the magical elite led by the mysterious Darkling, and soon she learns nothing is what it seems as she may be in more danger than she realised.

Shadow and Bone is my least favourite in the trilogy. I think it’s partly because it’d been a while since I’ve read fantasy, and while it’s still a genre I like, just getting in that YA fantasy mindset took some time. Also because of general internet osmosis, I knew going into it who was the big villain so I was kind of just waiting for that to be revealed too.

That being said, I think it did a great job of introducing the really interesting magic system. I liked the fact that while the Grisha are powerful, they have their limitations. They aren’t all powerful in all types of magic, there’s three different types of magic and they each have the skills for one type. How the magic and the history of this warring country is woven into the story is done well as there never seems a moment where you’re just listening to a history lesson. A lot of the time, you’re learning about things the same time as Alina is. This continues throughout the next two books and it makes the story all the richer for it.

The dynamic between Alina and the Darkling gets more interesting in each book but its here that all that important foundation is set. Their relationship verges on creepy a lot of times in the book before characters intentions are clear, and it gives their interactions an unsettling edge. Their powers compliment one another so they often appear to have the whole two sides of the same coin deal going on.

I gave Shadow and Bone 3/5.

Siege and Storm is my favourite in the trilogy. It feels like almost non-stop action and even when it’s not there’s more political intrigue as Alina learns to navigate the court and starts to become a leader which is just as gripping.

I thought the pacing in Siege and Storm was excellent and how it introduced new characters and new aspects of this world was nicely done. Here you see more of the technology of this country, not only are there pirate ships but also these aircraft which are unlike anything we’ve seen in these books before. The mixture of technology and science/magic in this world is really interesting.

Also, Siege and Storm introduces one of my favourite characters I’ve read in a long, long time – Sturmhond. He is clever and charming but also ambitious and ruthless, and I pretty much loved everything he said. As you learn more about him you see how he’s a man of many faces. He’s almost a chameleon as he can fit in in any social or political situation and often can get people to agree with him. I just loved him a lot.

I gave Siege and Storm 5/5.

Ruin and Rising is a near perfect end to this trilogy. Like Siege and Storm, I read it in two sittings because I was instantly pulled into the story because of the characters and the cliffhangers at the end of each book. While Alina has formed various bonds over the course of the previous two books, in this one there’s almost a family of choice trope happening as Alina and her small band of survivors fight to stick together and to do the right thing. The final act almost seemed to feel rushed. Throughout the book Alina had been working towards one goal but then that changed suddenly and, while there were possible hints in the previous book her original goal had still been an overarching theme, it made the final showdown seem more of a Plan B and it didn’t quite have the same effect.

I gave Ruin and Rising 4/5.

Overall, I really enjoyed this trilogy. Alina is a great and believable heroine. She acts to things how you’d think any sane person would react, she’s constantly learning from her mistakes and evolving into a powerful leader as she accepts and relishes in her newfound power. The rest of the characters are great too. As I’ve said, Sturmhond is my favourite but how some of the secondary or minor characters are allowed to develop is really cool as you see sides to them you wouldn’t have expected to begin with. While Alina’s closest relationship is with her best friend Mal, there’s a lot of good dynamics and friendships between female characters in these books which I always appreciate.

The Grisha trilogy is, on the whole, fast-paced, action-packed, and has compelling characters and a vivid world. I can see why these books have become so well loved and I’m definitely looking forward to the Netflix show.

REVIEW: X2 (2003)

When the rise of anti-mutant sentiment led by Colonel William Stryker (Brian Cox) leads to Professor X’s (Patrick Stewart) school being attacked and students taken, the X-Men must join with their adversaries Magneto (Ian McKellen) and Mystique (Rebecca Romijn) in order to stop Stryker.

X2 starts with a bang with the opening sequence still being talked about almost twenty years later. Nightcrawler’s (Alan Cumming) attack on the White House is thrilling and eerie and the special effects for his teleportation makes you believe that someone really could disappear, and reappear, in a puff of blue smoke. The make up Alan Cumming wears is also incredible and that along with his performance brings this socially awkward mutant to life.

The other standout sequence in X2 is the attack on Xavier’s school. Whoever thought having an home invasion sequence where it’s just Wolverine (Hugh Jackman) against a load of military men was a genius. It’s tense and exciting as Wolverine goes full feral mode to protect the children under his care. There are also glimpses of different students’ powers like Shadowcat and while Colossus (Daniel Cudmore) isn’t in it much, how he takes down the invaders while saving his fellow students is great.

While the action is great in that sequence, the way it suddenly pauses as Wolverine and Stryker come face to face and allow them to talk is good too. Stryker may hold the key to Wolverine’s lost memories and Jackman continues to walk the line between feral, confused and caring with that character perfectly.

One of the many things X2 does well is show how pretty much all the characters, including the heroes, are morally grey. Storm (Halle Berry) is not all forgiving and is instead angry at what humans do to mutants, Pyro (Aaron Stanford) is tired of hiding who he is, and it’s easy to see where Magneto is coming from.

As well as the various fight and action sequences, X2 also amps up the emotional stakes. Jean Grey (Famke Janssen) and Scott’s (James Marsden) relationship is given more screen time, and the budding romance between Rogue (Anna Paquin) and Bobby (Shawn Ashmore) is handled well as they navigate how to be in a relationship. While it’s a quieter moment, Bobby talking to his parents and showing off his powers is an important one not only to the character but to show the wider issues facing Bobby and his fellow mutants.

X2 is a well-paced, fun and action-packed superhero film. It introduces some interesting new characters while also giving the ones we already know space to develop. The special effects still hold up and it really is a fantastic superhero film that shows the duality of so many of these characters. Also must give a shout out to composer John Ottman, the X2 Suite is one of my favourite superhero themes. 5/5.

We shall see how this X-Men rewatch goes but I’m pretty confident that X2 is my favourite film in this franchise – it’s definitely one of my favourite superhero films in general.

REVIEW: Moxie (2021)

Fed up with the sexist and toxic status quo at her high school, a shy Vivian (Hadley Robinson) finds inspiration from her mother’s rebellious past and anonymously publishes a zine that sparks a school-wide, coming-of-rage revolution.

I read and reviewed Moxie by Jennifer Mathieu way back in 2017 and I equally had high hopes for the film and was apprehensive as I liked the book so much. I’m very pleased to say that I enjoyed the film and I think it’s generally one of the best book to movie adaptations I’ve seen in a long time.

Moxie is a coming age story that focuses on girls finding their voices and learning to stand up for themselves, rather than being all about a formative love interest. While Vivian is the one to almost unwittingly start this feminist revolution in her school, she is far from the only girl who has something to say. With the arrival of the zine Vivian finds herself with a whole new group of friends, all girls who are tired of the status quo and they each bring ideas of what they could do next to make their voices heard.

Vivian is a great character. She’s the kind of girl who’d always been quiet and just kept her head down but once she started paying attention, she quickly gets frustrated by how girls are treated at her school. Vivian is inspired by Lucy (Alycia Pascual-Pena) who’s not afraid to stand up for herself when popular jock Mitchell (Patrick Schwarzenegger) will not stop harassing her and by the double standards when Kaitlynn (Sabrina Haskett) is told her wearing a tank top is against the school dress code, but the boy sat next to her wearing practically the same thing isn’t. Vivian is fallible, she makes mistakes as her rage at what’s going on often targets the wrong people and she’s learning about what being a feminist means and inclusivity as she goes. Vivian’s shocked when her best friend Claudia (Lauren Tsai) points out the privilege she has compared to her as the child of immigrants who have sacrificed a lot for her. Slowly Vivian learns while there are universal challenges facing women, there are ones she’d have no knowledge or experience of due to her upbringing.

Moxie is very aware of what’s been happening in the real world. You hear snippets of new stories about the #MeToo movement in the background and the English teacher (Ike Barinholtz) finds it difficult to say or do the right thing as a man and an authority figure when the girls start standing up for themselves and asking “difficult” questions. While that scene is used for comedic effect, it shows how awkward and difficult some find talking about these things because they have, unfortunately, been the norm for so long.

Moxie is a film with so much heart. It might stumble a bit in the third act, but then again so does Vivian, and it’s perhaps not as revolutionary for an older audience but for young people it’s a film that can prompt discussions and encourage them to fight for what they believe in. Also, so much of this film is about girls supporting girls and the different relationships between friends, and it’s a breath of fresh air to see this quite diverse group of friends supporting each other. Moxie is fun, funny and inspiring and to top it off it has a killer soundtrack. 5/5.