When a team of mercenaries, led by a man with the codename Scrooge (John Leguizamo), take a wealthy family hostage with plans to steal the fortune from their vault, they encounter unexpected resistance from Santa Claus (David Harbour) who was making his rounds when the family mansion came under attack.
Violent Night is kind of exactly what you’d expect and it does what it sets out to do and does it well. A Santa who’s disillusioned by Christmas and how children just seem to want money or video games, gets caught up in a home invasion and fights to take down the bad guys and save the family – some members of which you wouldn’t necessarily mind if they didn’t make it out of this situation alive.
Violent Night does the feuding/dysfunctional family thing really well. The majority of the family members are self-absorbed and bordering on narcissistic and the saving grace is young Trudy (Leah Brady) and her mother Linda (Alexis Louder). It’s Trudy’s connection to Santa that brings a surprisingly emotional heart to the film as she’s the only one who still believes in him and her being so nice and caring starts to make him believe in the good of others again.
The Father Christmas lore in Violent Night is pretty cool. His naughty or nice list and his sack full of presents are both inventive and how he gets up and down a chimney is especially cool. While Violent Night is obviously a Santa takes down bad guys film, it’s nice to see that the charm or magic of Father Christmas isn’t lost.
David Harbour is great as a jaded Santa who starts taking down bad guys almost by accident. The fight sequences are well-shot, innovative and fun, and the violence is pretty bloody and gory at times too. Definitely the kind of stuff that makes you grimace even when you’re also laughing at the mercenaries misfortunes. The action and comedy balance well and there’s some wonderfully dark Christmas-related puns.
With brutal fights, some fun booby traps, and the fact that throughout all the carnage Violent Night still manages to retain the general spirit of Christmas, it could well go on to become a Christmas cult classic as it executes its simple premise well. 3/5.
To escape the assassin on his tail, con artist Teddy (Frank Grillo) gets himself arrested by rookie cop Valerie Young (Alexis Louder) so he can hide out in a small-town police station but when the hitman (Gerard Butler) turns up at the precinct things don’t go according to plan and Valerie finds herself caught in the crossfire.
Directed by Joe Carnahan, Copshop is full of larger-than-life characters, gunfights, swearing and chaos. Set primarily in the police station, this film makes great use of the space as the action unfolds. It’s the scenes in the holding cells between Valerie, Teddy and the assassin (kept in separate cells) that standout – especially when things go wrong and Valerie is trapped in the holding cells with the two of them. The verbal sparring between the three is great and while Gerard Butler is good as hired killer Bob, his performance is of the more quiet and menacing kind, and he seems more than happy to give his co-stars the floor.
Teddy is the kind of wily conman character who you want to trust even though you really shouldn’t. It probably helps that Frank Grillo is a charismatic guy who, when not playing out and out villains, often plays characters that verge into more of an antihero. So, it’s easy to see why Valerie might be more willing to trust Teddy (a conman) than Bob (an assassin). With Teddy there’s more of a grey area but to her as a cop Bob is the opposite of the law.
Alexis Louder as Valerie is the true standout. She holds her own against her growly counterparts and knows exactly what film she’s in. She makes Valerie a fully realised character through her playfulness with a friend to her intelligence baiting a colleague who she’s not sure can be trusted. Plus, she’s got the physicality to handle the action sequences too.
Copshop does lose momentum at times but it’s the off-the-wall characters keep you interested and it’s hard not to have a smile on your face when the guns start firing. Got to give a shoutout to Toby Huss’s hitman Anthony Lamb too, he’s delightfully unhinged and is a great contrast to Butler and Grillo. 3/5.