Told from Igor’s (Daniel Radcliffe) perspective, the troubled young apprentice tells the tale of his unhappy life before being rescued and befriended by Victor Frankenstein (James McAvoy) and how they worked together to create life where it should not be.
The story of Frankenstein is so well known – it’s the blueprint for the monster genre – that it is nice to see a film that does try and put its own spin on things, however that doesn’t mean it’s successful in doing so. Having Igor being the main character is new and having him being intelligent and not a snivelling sidekick to Frankenstein was interesting. He goes from being downtrodden and never having anyone care about him, or even see him as a human being, to being more self-assured thanks to Frankenstein’s friendship and belief in him – that turn around is very quick though.
McAvoy as Frankenstein is good fun, the way he annunciates certain words or gets into other characters personal spaces is unsettling as he seems like he’s living life on a knifes edge. His Frankenstein is obsessive and volatile and is indeed the quintessential mad scientist. The characteristics of this Frankenstein seems to take a lot of inspiration from Robert Downey Jr.’s Tony Stark and Robert Downey Jr.’s Sherlock Holmes. In fact, the tone and filming and editing style seems to be trying to emulate the Guy Ritchie Sherlock Holmes films. There’s the bickering relationship between Frankenstein and Igor, the random slow-motion shots in action sequences, the illustrated title cards, and one scene where Igor runs through a forest seemed to be a poor imitation of a sequence in A Game of Shadows.
Besides from the ethical dilemma of what Frankenstein and Igor are trying to achieve, the main antagonist for them is Inspector Turpin (Andrew Scott) who is investigating the thefts of human and animal bodies parts. He is also obsessive and unfortunately quickly becomes a cartoonish villain – though a verbal sparring session between him and Frankenstein is one of the more compelling parts of the film.
The editing in the scenes where Frankenstein and Igor have successfully animated a dead body and then everything goes wrong is not good. Especially in the final showdown it is difficult to keep track of where characters are in relation to each other and to generally have a good idea of the space they are currently inhabiting. It’s hard to keep track of what’s happening and minor antagonists are dispatched so quickly it’s laughable.
While Victor Frankenstein does attempt to breathe new life (ha!) into a well-known story, in the end the final act becomes a clichéd monster movie and the lead up to it often feels like you’ve seen it before due to character and stylistic choices being so similar to previous big franchises. 2/5.
When James Bond’s (Daniel Craig) past comes back to haunt him, he discovers a sinister organisation. Meanwhile in London M (Ralph Fiennes) has battle a political programme to keep the secret service alive.
The opening sequence in Mexico was amazing. It really starts SPECTRE with a bang and it’s a highlight of the film. The continuous tracking shots of Bond as he moves from the crowded streets to the rooftops are brilliant and then the helicopter stunts are tense and jaw-dropping. It’s one of the best opening’s to a Bond film and then follows Sam Smith’s theme song which plays incredibly well with the title sequence.
SPECTRE has a lot more humour than the previous Craig-Bond films and it does well in balancing the humour and the tension. The action-scenes are still pretty great but t’s the hand-to-hand fights that are the most impressive. When Bond faces off against Mr. Hinx (Dave Bautista) it’s a sight to behold and I loved Hinx, he’s huge and deadly but also smart, definitely a worthy adversary for Bond.
The guy puling all the strings is Franz Oberhauser (Christoph Waltz). He commands the screen whenever he appears and he has great chemistry with Bond. Part of me wishes there was more of him in SPECTRE because he was a joy to watch on screen but then I think it was great having this omnipresent character in the shadows, just out of reach and taunting Bond.
Team MI6 were great in SPECTRE. M has his own story and it’s great to see him in a political battle with Denbigh (Andrew Scott). I continue to love Moneypenny (Naomie Harris), Q (Ben Whishaw) and Tanner (Rory Kinnear) and their relationship with both Bond and M, SPECTRE makes Q and Moneypenny seem more like their own characters even though their primary purpose it to help M and Bond.
The main problem I had with SPECTRE is that there’s so many references to previous Bond films. I probably wouldn’t have noticed anything if I hadn’t had my Bondathon this year but watching SPECTRE I couldn’t help but be reminded of various Bond films. Elements from Dr. No, From Russia with Love, On Her Majesty’s Secret Service and Licence to Kill are all featured in SPECTRE to various extents. In some ways it could be a nice homage but really I found it quite distracting and SPECTRE didn’t really end up feeling like it’s own film.
SPECTRE is a lot of fun and is action-packed but the continuous references to previous Bond films is quite jarring and the ending wasn’t quite what you’d expect for Bond. 3/5.