Secretary Marion Crane (Janet Leigh) steals $40,000 from her employer, goes on the run, and checks into a remote motel run by Norman Bates (Anthony Perkins), a young man with a domineering mother.
Due to pop culture osmosis, I knew the general gist of Psycho and a lot of the twists before watching it. That doesn’t mean it didn’t surprise me though and I was thoroughly gripped throughout. Seeing how those famous pop culture moments unfolded was probably just as thrilling as if I knew nothing at all about it.
As soon as the opening titles appear accompanied by that iconic score by Bernard Herrmann I was enthralled. The fact that it starts with that unsettling and creepy music puts you on edge from the very beginning. The music, along with it being a Hitchcock film, makes you unsure who to trust long before anything really bad or suspicious happens. When Marion is leaving town with the money and encounters a police officer, the way he’s framed and the fact she can’t see his eyes because of his sunglasses makes it feel like he’s always watching her. His presence makes her act more nervous and guilty and that makes his presence felt even more.
Anthony Perkins is just brilliant as Norman Bates. He’s young and good-looking, and he has that boy next door kind of charm to him so when he does become serious it feels more unnerving. He does a great job of juggling the various shades of Norman’s personality and Psycho is one of those films that wouldn’t have worked so well with someone else in the role.
It’s kind of fascinating watching Psycho now, sixty years after it was made because it’s clear that it’s the inspiration of so many other films and the filmmaking feels ahead of its time. The silent by imposing police officer reminded me of the T-1000 in Terminator 2: Judgment Day and so many of the scares have been riffed on in other films and shows but seeing the original now just demonstrates how great it actually is.
I’m very pleased I’ve finally watched Psycho. It’s a classic that lives up to its reputation; it’s creepy, foreboding and just fantastic filmmaking. 5/5.