When his son Josh (Miles Heizer) dies, Sam (Billy Crudup) stumbles across a box of his demo tapes and lyrics and starts to perform them. Soon he finds himself in a band, trying to use his son’s music to find some piece.
Rudderless is directed and co-written by William H. Macy (who also stars in the film as the owner of the bar Sam performs at) and for his directorial debut he puts together a great film. It’s filled with soft lighting, brilliant performances, wit and emotion.
The script has its twists and it deals with a heavy subject matter but all the cast handles it brilliantly. While it is sometimes a film that tugs on your emotions, it also has humour and vibrant characters that all feel like real people with their own problems.
So much of the emotion in the film comes from the music. It’s where Sam finds a connection with his son and where he finds a lovely yet unexpected friendship with fellow musician Quentin (Anton Yelchin). The songs are all fantastic and it’s the first time I’ve bought a films soundtrack in ages. Each song is touching and they are all well performed, Crudup and Yelchin both have great voices and chemistry both hen performing a song together and in just about every scene they share.
Rudderless is one of those films where I don’t really know how to describe it – it’s full of wonderful characters, a touching story and it is something special. It’s a hidden gem and I feel it’s a film that’s best to go in knowing as little as possible. Rudderless really is a delightful film. 4/5.
Following the assassination of President John F. Kennedy (Caspar Phillipson), First Lady Jackie Kennedy (Natalie Portman) must fight through the grief and trauma to console her children and to define her husband’s legacy.
Jackie isn’t a particularly linear story. It starts with Mrs Kennedy talking to a journalist (Billy Crudup) about how she wants her husband to be remembered and the film jumps back and forth to the past, the future, and her current interview with a journalist. While some events seen are easy to place, others you don’t really realise when they are happening till the end of the film.
The score in Jackie is very noticeable, which for some may work while for others may not. It’s a very loud, orchestral score that doesn’t always seem to fit with the action on screen. That being said, at times the crescendo of music does seem to reflect Jackie Kennedy’s inner turmoil.
Natalie Portman’s performance really is phenomenal and she does deserve any award recognition she may get. There’s many shots just focusing in on her face or of her wandering the corridors of the White House and you can see without words the pain, anger and loss she’s feeling. Peter Sarsgaard also gives a great performance as Bobby Kennedy and he and Portman’s chemistry as two people united by grief is captivating. Make no doubt about it though, this is Portman’s film.
Jackie is definitely one of those films that feels like a well-made and traditionally “good” film and while I can appreciate it for that, I didn’t particularly enjoy it. It’s a beautifully shot film and all the costumes and make up look top-notch but at its heart is a few weeks of a woman’s life as she struggles to put her life back together. I feel Jackie certainly earns the critical acclaim it has gotten so far but it wasn’t for me. Though if you have a great interest in the Kennedy’s, then Jackie is probably the film for you. 3/5.