Brie Larson

REVIEW: Unicorn Store (2017)

Kit (Brie Larson) is trying, and in her eyes failing, to be an adult. Her passion for art and glitter is almost snuffed out as she gets a temp job and feels her parents are constantly comparing her to more successful people her age. But then she receives a mysterious invitation to The Store, where she meets The Salesman (Samuel L. Jackson) who gives her the chance to fulfil her childhood dreams.

Brie Larson’s directorial debut is assured, colourful and magical. From the very first scene, the way characters faces are framed give you no choice but to experience with them what they’re feeling. The use of colour and glitter throughout is wonderful and Kit’s wardrobe is just the right blend of childish and mature.

Because that’s where Kit is stuck. She’s an artist with dreams of magic and colour but the “real world” doesn’t see the value in such things. She’s a twenty-something that’s now having her coming-of-age story as she goes through that dilemma a lot of young people have – should she try and be a “proper grown up” or should she still try and follow her dreams, even if they seem out there.

The script is funny and genuine and it’s due to both the script and Larson’s performance that Kit never becomes unlikeable. She’s strong-willed and sometimes selfish, but she also apologies when she has a temper-tantrum and is friendly and kind. Kit can come across very naïve, firstly because of the promises the Salesman makes are truly fantastical, but also due to her low self-esteem and the fact she’s never been in the workplace before she can’t figure out if her boss is harassing her or not. A simple yet brilliant moment was when Virgil (Mamoudou Athie), a hardware store worker who Kit pays to help her achieve her dream, states that what her boss is doing is wrong. Virgil and Kit’s friendship is so sweet, and their conflict comes from Kit being obsessed with the seemingly impossible, and not appreciating what she has in her family and friends.

Kit is a messy human who’s trying to figure out what she wants from life, and when life gets hard, she reverts to chasing the dreams of her childhood. But it’s seeing how she starts to understand who she is and what she wants that’s truly touching.

The basis of Unicorn Store’s story is weird but the themes it has, figuring out who you are, learning to love oneself and let yourself be loved, keeping the sense of wonder in the world, are universal. Unicorn Store is whimsical and heartfelt and just delightful. It’s a proper laugh-out-loud funny film but then it will also make you cry a lot too. It’s sweet and touching without ever being cringey and Larson really captures all the different sides of someone who is trying to figure themselves out and to be OK with who they are. 5/5.

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REVIEW: Kong: Skull Island (2017)

A team of scientists led by Bill Randa (John Goodman) aided by a unit of soldiers led by Preston Packard (Samuel L. Jackson) set out to explore an uncharted island in the Pacific but they soon find themselves outgunned as they venture into the domain of the mighty Kong.

Kong: Skull Island is a lot of fun. It’s an action/war/monster movie hybrid that manages to work most the time. It’s an action movie with colour! Not to the same extent of films like Mad Max: Fury Road (2015) and Pacific Rim (2013) but enough to make it noticeable in a good way. The stuff it does with smoke, fire and shadow is also brilliant, the scale of Kong and the other creatures living on the island comes across great and the film knows how to amp up the suspense.

Kong is brilliant. The scenes with him smashing helicopters or creatures are thrilling and then there’s the quieter moments when you see Kong just going about his life and being a good King. It’s brilliant animation work and every moment he’s on screen you can’t take your eyes off him.

The cast is a proper star-studded cast. Some have more to do than others, for instance Tom Hiddleston’s James Conrad is a tracker and is ex-SAS who does seem to be pretty amazing at everything he turns his hand to, while the majority of the soldiers are expendable and don’t always have decent character beats. Brie Larson was great, she played Mason Weaver a war photographer who thinks there’s something up with the expedition and she has good chemistry with pretty much everyone on screen. That being said, a lot of the characters are archetypes. That might not work for some people but it worked for me, most still have a moment where it makes you care about them and you only need

There are jokes in Kong: Skull Island, some fall flat especially at the beginning when it seems as if the film is finding its feet, but the rest of the time they work for the most part – or if they miss the mark, there’s so many monsters and fighting going on then you don’t really notice. The jokes do become more frequent when we meet Hank Marlow (John C. Reilly) and his lines tend to work more often than not.

The soundtrack is also worth mentioning. It’s great, full of popular songs from the 1970’s but they don’t always fit what’s happening on screen – there’s only so many shots of someone switching on a record player to show why there’s suddenly some David Bowie or Creedence Clearwater Revival playing before it comes a little tedious.

Kong: Skull Island is great fun. The CGI is ace, the action scenes are fun and exciting and it’s pure, fun entertainment for less than two hours. Oh and there is a post-credits scene and it’s worth sticking around for. 4/5.