Colin Farrell

REVIEW: Widows (2018)

Four women with nothing in common except a debt left behind by their dead criminal husbands, take their lives into their own hands as they conspire to steal the money they need to repay the men who are out to hurt them, and to make a better life for themselves.

Directed by Steve McQueen who cowrote the screenplay with Gillian Flynn, the author of Gone Girl and many other twisty stories, Widows is a tense heist thriller that never lacks in character and world building.

Widows grabs your attention straightaway, with the heist that goes wrong and leads to four career criminals dying. From then it’s an exploration of the people who are left behind and their grief and loss of what to do next. Viola Davis’s steely Veronica is the one who brings the widows together. She has plans left to her by her late husband (Liam Neeson) and needs help in order to get the money to stop those who wish to hurt her.

All four leading ladies are magnificent. Michelle Rodriguez’s Linda is struggling to provide for her young children, Elizabeth Debicki’s Alice has no career prospects, and Cynthia Erivo’s Belle is working multiple jobs to keep herself and her family afloat. They are four very different characters but they come together with one goal in mind. That’s not to say they don’t have their disagreements, but together they find a strength and determination that some of them didn’t know they had.

Set in Chicago with a backdrop of criminal activity, by politicians and more traditional criminals alike, Widows manages to be a compelling story about interesting and layered women while also managing to bring in race, politics and class into the story. These elements flesh out the Chicago setting. Colin Farrell plays Jack Mulligan, a career politician and whose family has been elected to office for generations, while Brian Tyree Henry plays Jamal Manning, a man who has criminal connections but is from the neighboured he’s campaigning to represent. These two men each have underhand dealings but they approach illegal activity, politics and violence in very different ways.

While Widows is building towards a heist, it’s the characters themselves and the stages they have to go through to prepare for the heist that’s the main focus of the film. That doesn’t make it, or the final crime, any less satisfying. You learn about these women, the hardships they’ve faced, and the forces that are out to stop them, and you soon realise that nothing is going to stop them from doing what they set out to do. 5/5.

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REVIEW: Fantastic Beasts and Where to Find Them (2016)

Newt Scamander (Eddie Redmayne) arrives in New York with a suitcase full of magical creatures and when some of them escape he has to find them before they get hurt. Unbeknownst to Newt, he’s chosen the worst time to come to New York as there’s strange things happening in the city and trouble is brewing as a group of No-Majs (non-magical people) stir up fear and hatred in the city.

This was the first time I rewatched Fantastic Beasts and Where to Find Them since I saw it in the cinema two years ago and I was pleasantly surprised to find that I enjoyed it more than I remembered.

It’s interesting to be reintroduced to the magical world of Harry Potter but it’s different to what you know from the books and the film series. Fantastic Beasts and Where to Find Them is set in 1920’s New York, it follows adult characters and is about witches and wizards in America and how their rules, ideas, and terminology is different to what we’ve seen British witches and wizards know.

Newt is a wonderful character. He’s sweet and awkward and loves his creatures so much. He forms a friendship with No-Maj Jacob Kowalski (Dan Fogler) who gets pulled along for the ride and their friendship is quite lovely. Seeing the magical world through Jacob’s eyes reaffirms that awe-inspiring feeling magic and everything associated with it can bring. The other two main characters are sisters Porpentina (Katherine Waterston) and Queenie Goldstein (Alison Sudol), both are witches and work in the magical law enforcement agency. These four all fit together nicely and their scenes together are sweet though they sometimes can wander into the realms of cheesiness – Queenie especially is a character that appears sugary sweet.

The titular fantastic beasts are indeed fantastic. They are all interesting and different and some of them are truly stunning. These creatures all have their own personalities and Newt’s relationship with them all is delightful.

A lot of the film shows off the magical creatures and the world. In fact it’s more like a sequence of animal rescues than a film with an overarching plot. There’s little hints and murmurings of things sprinkled throughout, Colin Farrell’s Auror Graves being a part of that. He is a great character and Farrell shines whenever he’s on screen, but it does mean the finale is rather sudden and rushed. That’s probably where Fantastic Beasts and Where to Find Them suffers, the pacing is inconsistent. There’s definitely some slower scenes that could’ve been tightened up and have more of a balance between the creatures and the mystery, however having such a likable main character in Newt makes some of the films faults easier to ignore.

Fantastic Beasts and Where to Find Them has the beginnings of a great new franchise. It has interesting characters, a cool world and some fantastic creatures. 4/5.