Daniel Radcliffe

REVIEW: Victor Frankenstein (2015)

Told from Igor’s (Daniel Radcliffe) perspective, the troubled young apprentice tells the tale of his unhappy life before being rescued and befriended by Victor Frankenstein (James McAvoy) and how they worked together to create life where it should not be.

The story of Frankenstein is so well known – it’s the blueprint for the monster genre – that it is nice to see a film that does try and put its own spin on things, however that doesn’t mean it’s successful in doing so. Having Igor being the main character is new and having him being intelligent and not a snivelling sidekick to Frankenstein was interesting. He goes from being downtrodden and never having anyone care about him, or even see him as a human being, to being more self-assured thanks to Frankenstein’s friendship and belief in him – that turn around is very quick though.

McAvoy as Frankenstein is good fun, the way he annunciates certain words or gets into other characters personal spaces is unsettling as he seems like he’s living life on a knifes edge. His Frankenstein is obsessive and volatile and is indeed the quintessential mad scientist. The characteristics of this Frankenstein seems to take a lot of inspiration from Robert Downey Jr.’s Tony Stark and Robert Downey Jr.’s Sherlock Holmes. In fact, the tone and filming and editing style seems to be trying to emulate the Guy Ritchie Sherlock Holmes films. There’s the bickering relationship between Frankenstein and Igor, the random slow-motion shots in action sequences, the illustrated title cards, and one scene where Igor runs through a forest seemed to be a poor imitation of a sequence in A Game of Shadows.

Besides from the ethical dilemma of what Frankenstein and Igor are trying to achieve, the main antagonist for them is Inspector Turpin (Andrew Scott) who is investigating the thefts of human and animal bodies parts. He is also obsessive and unfortunately quickly becomes a cartoonish villain – though a verbal sparring session between him and Frankenstein is one of the more compelling parts of the film.

The editing in the scenes where Frankenstein and Igor have successfully animated a dead body and then everything goes wrong is not good. Especially in the final showdown it is difficult to keep track of where characters are in relation to each other and to generally have a good idea of the space they are currently inhabiting. It’s hard to keep track of what’s happening and minor antagonists are dispatched so quickly it’s laughable.

While Victor Frankenstein does attempt to breathe new life (ha!) into a well-known story, in the end the final act becomes a clichéd monster movie and the lead up to it often feels like you’ve seen it before due to character and stylistic choices being so similar to previous big franchises. 2/5.

REVIEW: Harry Potter and the Deathly Hallows: Part 2 (2011)

Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione’s (Emma Waston) search for the remaining Horcruxes brings the back to Hogwarts, where the final battle for the fate of the wizarding world rages on.

Harry Potter and the Deathly Hallows: Part 2 is near enough all action. It’s thrilling and spectacular action too. The battle of Hogwarts is thrilling and brutal. School kids get hurt, teachers fight and there’s so many loved characters in peril. With so many people on either side of the battle field, it has all the scope of an epic war movie, and it feels like one too. Especially as it packs an emotional punch when there’s naturally casualties of war.

In amongst all the explosions and magical firefights, there’s some lovely little character moments too. Neville (Matthew Lewis) gets his time to shine, being a natural hero and leader to those left behind at Hogwarts. Professor McGonagall (Maggie Smith) standing up for her students and protecting her school is wonderful, as is any moment between any members of the Weasley family.

The performances are all brilliant. Supporting actors like Alan Rickman get the chance to show off a more nuanced performance as Snape. Likewise, Ralph Fiennes’ Voldemort is not just the shouty villain we’ve seen previously; here he is scared, angry and powerful, an intimidating presence that seems to be on the edge of either victory.

Radcliffe, Watson and Grint have all matured in their roles, each giving a powerful performance as their characters arcs some to a close. This trio is the heart and soul of this film, and the franchise as a whole, and they all do their characters proud.

Harry Potter and the Deathly Hallows: Part 2 is an incredibly satisfying and exciting conclusion to the Harry Potter series. 5/5.

REVIEW: Harry Potter and the Deathly Hallows: Part 1 (2010)

As Voldemort (Ralph Fiennes) and his followers gain more power, Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) race against time to destroy the remaining Horcruxes and to learn more about the three most powerful objects in the wizarding world – the Deathly Hallows.

Harry Potter and the Deathly Hallows: Part 1 is the penultimate film in the series and as the source material is packed full of new information and big reveals, it makes sense that this is the book they chose to split into two films. This does mean this film has a bit of a non-ending but besides from that it’s a great build up to the final showdown between good and evil we’ve been waiting so long for.

Harry Potter and the Deathly Hallows: Part 1 is more character-focussed than a lot of its predecessors, delving into the psyche of the main trio as they face a situation that feels truly hopeless. From the very beginning of the film, there’s threat in the air and characters that we’ve known for years get hurt or even die. It’s a film that starts with a bang and continues at a steady pace, blending the character drama with moments of tension and action.

There is more of the characters just walking and talking as Harry and his friends know they are meant to find and destroy Voldemort’s Horcruxes, but actually doing that is another matter entirely. The chemistry between the trio and the assured and mature performances, make these many scenes engaging. Still, when there is a more action-packed sequence, the tension is increased and they are always well-shot and exciting.

Harry Potter and the Deathly Hallows: Part 1 is a great build up to the final battle. It’s a grim situation Harry and his friends are in, but there are moments of happiness and hope to be found here, which reiterates their belief that there’s something worth fighting for and good can win. 4/5.

REVIEW: Harry Potter and the Half-Blood Prince (2009)

As Harry (Daniel Radcliffe) starts his sixth year at Hogwarts, Dumbledore (Michael Gambon) starts to teach him more about Voldemort’s past. Meanwhile emotions are running high as Ron (Rupert Grint) gets a girlfriend and Draco Malfoy (Tom Felton) appears to have a secret.

At the heart of Harry Potter and the Half-Blood Prince is a mystery, in fact there’s a few of them. There is the secrets of Voldemort’s past and what the new Potions teacher Professor Slughorn (Jim Broadbent) has to do with it. There’s the mystery of the old potions book marked as “the property of the Half-Blood Prince” that Harry is using to get him to the top of the class. And there’s the mystery of what Draco’s planning.

With all these potentially heavy plot threads, it’s a good thing The Half-Blood Prince is very funny at times. That comes from these teenage characters acting like teenagers and the great chemistry a lot of them have. There’s romance, heartbreak and miscommunication and it all comes together with these young actors who have grown into their roles. Rupert Grint has always had great comic timing but Daniel Radcliffe shines in this film and it turns out he can be pretty funny too.

Draco is such a tragic character in this film. Every time we’ve seen him previously he’s been horrible and mean for the sake of it, but in The Half-Blood Prince he’s clearly conflicted. While he doesn’t have a big role, when he is in on screen Tom Felton is wonderful.

While the performances are great, The Half-Blood Prince left me feeling a little bored. It’s a very informative film and the pace of it really slows down at some points. When there are big computer-generated set-pieces they are often thrilling, but in between them with all the teen angst it can feel a bit dull.

The colour palette of this film is also dull. It leaves everything feel very cold and looking washed out, though admittedly when there’s scenes with fire those bright orange colours sure do make an impact. In scenes in Dumbledore’s office it almost takes on a sepia tone which is a bit odd too.

While Rupert Grint is still great as Ron, Ron is unfortunately side-lined a lot in pivotal moments. This is never more noticeable than in the final scene where Harry and Hermione (Emma Watson) are having a meaningful discussion and Ron doesn’t say one word, just sits in the corner looking glum. I don’t know if he did have some lines that were then cut but having him not say anything makes him look like a third wheel to Harry and Hermione’s friendship which is simply not the case.

I think (though we’ll have to see what I make of the two Deathly Hallows films on rewatch) The Half-Blood Prince is my least favourite Harry Potter film. There’s (naturally) a lot of stuff from the book left out but this is the first film where you notice that, for instance there could have been more about Voldemort’s past to flesh him out as a villain and cut down on some of the romance stuff.

Harry Potter and the Half-Blood Prince is a film that’s building to something big, but it doesn’t really have the payoff one might be expecting. Still, it’s by no means terrible and it’s a decent addition to the series. 3/5.

REVIEW: Harry Potter and the Order of the Phoenix (2007)

Harry (Daniel Radcliffe) and Dumbledore’s (Michael Gambon) warnings of Voldemort’s (Ralph Fiennes) return are ignored as the Ministry of Magic sends Dolores Umbridge (Imelda Staunton) to Hogwarts to be the new Defence Against the Dark Arts teacher. With her failing to teach them how to defend themselves, Harry and his friends’ band together to learn how to fight, as darkness grows

As I was rewatching this film, I realised that now I’m in the latter half of the series, these are the films I haven’t seen as many times and don’t necessarily remember everything about them. As I said previously, Prisoner of Azkaban is my favourite and I’ve probably watched that film the most out of all of them, but I’ve also ended up seeing pits and pieces of the first four films on TV, as those are the films seem to be on TV the most. Anyway, onto the review.

Harry Potter and the Order of the Phoenix is the first film in the series that David Yates directed, and he goes on to direct the rest of the films in the series. It’s a film that’s a lot darker in tone. Harry is having nightmares after seeing a fellow student killed in front of him and he’s feeling isolated especially as Dumbledore appears to be avoiding him. The colour palette of the film is colder too, everything seems slightly blue which is especially noticeable in contrast to the previous films where scenes at Hogwarts seem so full of warmth.

The scenes where Harry is teaching his classmates is wonderful. He’s so encouraging and it’s fun to see these kids skills progress – when Neville (Matthew Lewis) masters a spell everyone is so happy for him. Together these young people have made a supportive environment, which so many of them need when there’s outside forces working against them – including Umbridge.

Umbridge is a brilliant character and one of the most evil villains in the series. She’s a bureaucrat on a power trip, convinced she’s right and is better than everyone. Seeing other teachers disapprove of her, even in small ways, is great as it shows that the teachers are human too.

The Order of the Phoenix is full of highs and lows. When there’s action set-pieces they are well-shot and exciting, but as there’s so much talking between characters, sitting around a table discussing what they should do next, the film can be slower and less interesting at times.

Harry Potter and the Order of the Phoenix is a lot darker and is full of new information that helps make the threat of Voldemort and his follows more real. The finale is a bit lacking as due to the script, and Goblet of Fire’s script as well really, characters aren’t utilised enough so when tragic things happen, it doesn’t have as much of an impact as it should. 3/5.

REVIEW: Harry Potter and the Goblet of Fire (2005)

The Triwizard Tournament, a competition between three champions, each from a different school, has come to Hogwarts. From the Goblet of Fire Viktor Krum (Stanislav Yanevski) from Durmstrang, Fleur Delacour (Clémence Poésy) from Beauxbatons and Cedric Diggory (Robert Pattinson) from Hogwarts are all chosen to compete. But when Harry Potter’s (Daniel Radcliffe) name is also pulled out of the Goblet of Fire, he must join the champions in braving three dangerous tasks.

The Goblet of Fire starts with a bang and the pace never really slows down. This film expects you to know about Quidditch, magic and who these characters are. It does flesh out the world a bit as it takes the time to introduce you to the unforgivable curses and show why they are so unforgivable, but besides from that it’s a very fast paced film that fully immerses you into the magical world.

Like it’s predecessor, The Goblet of Fire is darker and more grown up. Our teenage heroes are definitely teenagers as there’s angst, miscommunication and hints of romance. When Harry’s name comes out of the Goblet of Fire, Ron (Rupert Grint) is hurt, jealous and moody about it all as he’s sick of being what he feels to be Harry’s sidekick. I know all this from reading the book but due to it being an adaptation, in the film Ron unfortunately comes across more of an unlikable and petty guy.

The Triwizard Tournament itself is very exciting. The three tasks are very different, and they show off different magical creatures we haven’t really seen before, and spells and potions. The special effects are fantastic too which definitely help make creatures like dragons and merpeople threatening, and in some cases, pretty scary.

I’ve always found the ending of Goblet of Fire pretty jarring. Something incredibly tragic happens leading to Dumbledore giving a solemn speech that’s really affecting but in the next scene, all the school kids are smiling and laughing, and the film ends on a light-hearted note. You almost get whiplash from it all.

Harry Potter and the Goblet of Fire is a little uneven in terms of tone but it’s a fun, exciting time. It’s a film with a final act that changes just about everything for Harry, his friends, and the wizarding world as a whole, and that builds the anticipation for the next instalment. 4/5.

REVIEW: Harry Potter and the Prisoner of Azkaban (2004)

It’s Harry’s (Daniel Radcliffe) third year at Hogwarts and it brings a new Defense Against the Dark Arts teacher, Professor Lupin (David Thewlis). But there’s danger for Harry as convicted murderer Sirius Black (Gary Oldman) has escaped from Azkaban prison and is coming after Harry.

I will preface this review by saying that not only is Harry Potter and the Prisoner of Azkaban my favourite book in the series, it is also my favourite film. So potentially this “review” is a little biased.

There’s a lot of new, and important characters introduced in Prisoner of Azkaban. Both Lupin and Black have history with Harry’s parents, giving him an emotional connection to them both. The Dementors are also introduced and they are some scary creatures that from the outset you can see the affect they have on people. They can suck the soul out of someone and with their black cloaks and hooded figures, they are very much like the grim reaper.

Directed by Alfonso Cuarón, there’s some dark and scary imagery in this film. In one of the first scenes where Harry is near a park, the creaking sounds of the swings and the roundabout moving in the wind instantly shows what sort of tone the film’s going to have. There’s some beautiful imagery in Prisoner of Azkaban too, the scene where Harry’s flying on Buckbeak the Hippogriff is stunning and the scenes with the Dementors circling Hogwarts as plants wither and die as they pass over them is incredibly eerie yet beautiful.

Everything about Prisoner of Azkaban is more mature. The young cast have grown up a bit since the last film and are more assured in their performances. The tone of the film is darker, gone are the bright colours of the previous two films, instead the landscapes are more muted and Quidditch is played in the rain.

There’s a lot of little things that I love about Prisoner of Azkaban. Like there’s a few scenes of Harry, Ron (Rupert Grint), Neville (Matthew Lewis), Seamus (Devon Murray), and Dean Thomas (Alfred Enoch) hanging out and having fun which makes them all feel like actual friends who’ve known each other for a few years now. I like how when the kids are wearing their uniforms, they aren’t all neat and tidy anymore, instead ties are loose, shirts are untucked, and sleeves are rolled up, making each character feel like a real teenager at school. Everyone’s hair is perfect book-hair too.

Harry Potter and the Prisoner of Azkaban is brilliant as it has both a sense of wonder and an underlying layer of threat. It’s funny, the characters are becoming more well-rounded and the performances are getting better and better. It’s such a great film, and while there are changes from the book, it’s a great adaptation as it keeps the heart of it. 5/5.

REVIEW: Harry Potter and the Chamber of Secrets (2002)

Harry (Daniel Radcliffe) ignores warnings from Dobby the House Elf (voiced by Toby Jones) not to return to Hogwarts, but there he finds the school is plagued by something attacking students and Harry starts hearing a voice that no one else can hear.

The Chamber of Secrets is darker in tone compared to its predecessor, but it still has a lot of childlike wonder about it. Just when you think you know everything about Hogwarts, there’s hidden dangers and rooms waiting to be discovered. Some of those dangers include giant animals that no one would want to meet in real life.

The scenes at The Burrow, the Weasley’s home, are wonderful. It’s the first chance for both Harry and the audience to see a proper wizarding family’s home and there’s a lot to see; dishes washing themselves and a fascinating clock are just the tip of the iceberg. It’s lovely to see more of the Weasley’s, especially Mrs Weasley (Julie Walters) who is a force of nature but it’s clear she loves her children, and Harry, very much.

The young cast have improved since their first outing, though aren’t as good as they grow up to be, but Rupert Grint shows the beginnings of some great comedic timing. They’re still surrounded by some great acting talent and there’s some new faces in the form of Kenneth Branagh as Professor Gilderoy Lockhart. His ego makes him hilarious! Also joining the cast is Jason Isaacs as Lucius Malfoy, Draco’s (Tom Felton) father. He’s an imposing presence, and is both slimy and charming in equal measure.

The Chamber of Secrets is probably the most faithful of the adaptations but that does mean it can get a little bogged down with scenes and characters that don’t particularly further the plot. Anything with Dobby though is brilliant. For a computer-generated creature, he’s so emotive and easily likeable, his scenes with Harry are often funny.

Harry Potter and the Chamber of Secrets starts to raise the stakes as you learn more about Lord Voldemort, but it still feels like there’s a safety net around our young heroes. But that is all about to change very soon. 3/5.

REVIEW: Harry Potter and the Philosopher’s Stone (2001)

On the run up the release of Fantastic Beasts: The Crimes of Grindelwald I’m rewatching and reviewing all the Harry Potter films, including Fantastic Beasts and Where to Find Them, as they’re films that made up a big part of my childhood but I’ve never reviewed them before.

Orphaned Harry Potter (Daniel Radcliffe) discovers he’s a wizard and joins the Hogwarts School of Witchcraft and Wizardry where he makes new friends and rivals and learns that there’s an evil that haunts the magical world.

It’s hard to talk about the Harry Potter films individually when you’ve seen the entire series and have read the books. You know where all these characters end up and The Philosopher’s Stone sets up so many character arcs and mentions so many people or items that will become more important later on in the grand scheme of things, and it does it all so well. With hindsight I appreciate The Philosopher’s Stone a lot, it’s a perfect introduction to this whole new magical world, taking the time to explain things while still having a compelling mystery at its core.

While he’s learning magic and potions, Harry meets Ron (Rupert Grint) and Hermione (Emma Watson) who soon become his best friends. When they’re not in classes the three of them stumble across a massive three-headed dog and soon get involved in a secret hidden in their school. Harry Potter and the Philosopher’s Stone works so well because one of its main story elements is the adults don’t or won’t believe the children, so they are the ones who have to go on a potentially dangerous adventure to save the day. Everyone has been a child so it’s a situation we can all relate to.

The main young trio Radcliffe, Grint and Hermione Watson give fine performances but it’s the adult cast that’s built around them that manages to be great but at the same time never overshadows their child co-stars. Richard Harris as Dumbledore is brilliant, he’s wise and calm but it’s clear he’s powerful and respected. Maggie Smith and Robbie Coltrane, as Professor McGonagall and Hagrid respectively, both bring warmth and humour to their roles. It’s Alan Rickman as Professor Snape that really stands out though. He plays Snape with such nuance that he’s an intriguing character from the outset.

Harry Potter and the Philosopher’s Stone is so bright and colourful which you appreciate more when you think about how dark, both in tone and colour palette, the latter films get. While some of the special effects have not aged so well, the Quidditch match is still thrilling to watch. The score is beautiful, and it’s funny going back to the beginning because these musical cues have become so iconic, and who knew this music would be here to stay.

Harry Potter and the Philosopher’s Stone is a great family film. It’s funny, exciting and has a compelling mystery at its heart. It’s a great starting point for adapting the books. 5/5.

REVIEW: The Cripple of Inishmaan

Today I went to London’s West End and saw a play. This was the first time I’ve ever gone to the theatre to see something that was neither a musical nor a Shakespeare play. I’m pretty sure The Cripple of Inishmaan was one of the best plays to see with that sort of background.

The Cripple of Inishmaan is currently playing in the Noel Theatre until 31st August and its nine person cast is headed by Daniel Radcliffe. While obviously Daniel Radcliffe probably pulled in a whole different generation of theatre goers, he wasn’t the reason I went to see this play.

The Cripple of Inishmaan was written by Martin McDonagh, the writer and director of the films In Bruges and Seven Psychopaths which are two of my favourite films. I love the humour and the characters in both and I thought that if his plays were anything like his films, I’m gonna love it.

And love it I did. It is seriously funny. It’s got running gags (I’m never going to look at a cow the same way again), physical humour, and crazy characters that bounce of each other making what could be a tragic situation even more hilarious.

Granted there were those moments of quiet, which was played very well, but I spent the majority of the plays running time with a huge smile on my face.

The set design was simple but effective (it had a rotating centre piece which reminded me a lot of when I saw Mama Mia! on Broadway)  and that coupled with the music and how the cast moved around the set gave the impression of a very small community.

The entire cast was amazing, I especially liked Sarah Green as Helen McCormick who was probably my favourite character. Of course I have to talk a little about Daniel Radcliffe. This was the first thing I’ve seen him in that wasn’t Harry Potter and while I never really had any doubts, this role proves that he can act. He can do a pretty decent Irish accent and the way he moved his body was fantastic and so believable.

I congratulate the entire cast and crew for a fantastic play and I’m left here hoping that another of Martin McDonagh’s plays will return to the West End very soon.