When a network of satellites designed to control and prevent extreme weather patterns starts to malfunction, it’s a race against the clock for its creator Jake Lawson (Gerard Butler) to figure out what’s going on in the space station, while his younger brother Max (Jim Sturgess) tries to figure out a conspiracy on Earth, before a worldwide Geostorm wipes out everyone and everything on the planet.
Let’s get this out of the way. Depending on your taste in films and your definition of “good” Geostorm isn’t necessarily going to be classed as “good”. However, it is enjoyable. Geostorm is in the same vein as Roland Emmerich’s disaster films like The Day After Tomorrow and 2012, but unlike 2012 which has some truly awful characters that you don’t care about, Geostorm’s cast does well with what they’re given and for the most part portray likeable (yet often cliché) characters with decent chemistry.
The special effects are a bit of a mixed bag. The stuff in space looks great from the various high-tech satellites and rockets to the space station itself, but it’s the extreme weather that doesn’t always looks so great, from tsunami’s to large hail stones to tornadoes, there’s every kind of weather imaginable. It’s when sequence focuses on a character experiencing the disaster like Cheng (Daniel Wu) trying to outdrive molten lava exploding from the streets of Hong Kong, that are tense and exciting. The effects are most noticeable with a tsunami that hits Dubai, especially because the tsunami that hits New York in The Day After Tomorrow, a film released over 10 years earlier, still looks a lot better.
Geostorm is entertaining nonsense. The conspiracy in of why the technology is going wrong and who could be behind it and why, is predictable a lot of the time but the speed of which the reveals and action happen helps you forget about that. It’s the perfect film to watch when you don’t want to think too hard but there’s still some intrigue and some exciting moments. 3/5.
An international crew of astronauts set off on a mission to see if there is any life on Jupiter’s fourth largest moon, Europa.
Europa Report is a tense and claustrophobic film. This is in part to how 99% of the film is set on the space craft heading to Europa and all of this was filmed using cameras that were a part of the ship and the crews gear. In many ways it feels like you’re spying on the crew and it makes their lives seem very confined and limited. The reason there’s all these cameras on the craft is because the footage is being monitored and sent straight back to Earth so the whole world knows how the mission is going. So when there’s a probably with the uplink, the cameras are still recording but the footage isn’t being beamed back to Earth.
The surface of Europa looks beautiful and the whole film is well-shot. The found footage style filming, which sometimes includes some shaky-cam when taken from an astronaut’s helmet, is never hard to follow.
Europa Report is an intelligent science-fiction film. The way the characters deliver the technical jargon and the way the space craft looks makes the whole mission feel more real and plausible. This in turn makes any dangers the crew faces more threatening and unsettling.
The whole cast is great and all feel like intrepid explorers who want to achieve their mission to find life outside of Earth. However they also feel like real people who have become close after such a long time in confinement with one another.
Europa Report is a great film. It slowly racks up the tension as you learn what the crew has gone through in order to try and achieve their mission. It’s a film that’s an almost perfect blend of science-fiction, horror and thriller – an underappreciated gem. 4/5.