If you couldn’t tell by the character designs, Corpse Bride is directed by Tim Burton. I wouldn’t call myself a big Burton fan, I tend to like his films more often than not, but his stylish flair isn’t something I’m particularly fond of. Still, the character designs are all Burton with exaggerated facial features, especially the eyes, and quirky costuming. The whole animation style is beautiful and suits the tone of this odd story very well. The grey, sombre tones in the land of the living is a sharp contrast to the characters and setting of the underworld where everything is that bit more vibrant and weirder.
Before watching it, I didn’t realise that Corpse Bride was a musical. While “Remains of the Day” was a catchy song while it was playing out on screen, it and none of the other songs, were particularly memorable once the film was over. The score though, composed by long-time Burton collaborator Danny Elfman, was really lovely. It often manages to be eerie but with a magical quality to it, suiting the action and setting perfectly.
The voice casting is really good, but the standout is Christopher Lee he plays the intimidating pastor. He steals every scene he’s in and he’s equal parts menacing and funny. Joanna Lumley and Albert Finney are also entertaining as they voice Victoria’s (Emily Watson) parents and they make a great bickering double act.
Corpse Bride balances the spooky with the charming very well and visually it’s great, but the songs and the story aren’t up to the same standard. With it’s less than 80-minute runtime, Corpse Bride is a quick watch and one that gets you into that spooky, Halloween mood but there’s not enough to make a huge lasting impression. 3/5.