After her mother (Ellen Burstyn) discovers a story she wrote when she was thirteen, Jennifer (Laura Dern) tries to re-examine her first sexual relationship, the people involved and what truly happened that summer.
The Tale is based on writer and director Jennifer Fox’s own experiences and based on the story she wrote as the teenager. This makes this story all the more compelling and heartbreaking as it’s a sexual abuse survivor, telling her story in her own words as she tries to come to terms with what happened to her.
This is not just a story about abuse, but a story about memory. Jennifer can remember her riding teacher Mrs. G (Elizabeth Debicki) and her coach Bill (Jason Ritter) so vividly but has difficulty picturing herself in those memories and remembering how she felt and what she knew. As she reconnects with people who spent the summer with her at the riding school, Jennifer begins to realise that some of her memories don’t match up with other people’s recollections.
The Tale is told with two narratives running parallel to one another; Jennifer as an adult, suddenly having to confront her past, and Jenny as a child (Isabelle Nélisse) living the experiences Jennifer is now recalling. Both Nélisse and Dern give powerful performances. Nélisse is brilliant as she slowly becomes less naïve about the world but still believing that what she’s experiencing is a relationship and that Mrs. G and Bill really love her. Dern is phenomenal as she perfectly captures the anguish as she revisits her past and now she’s older she can start to put into context what she experienced. The scenes where young and present-day Jennifer are in the same space helps show the haziness of memory as between the two of these points of view they try to find the truth of what happened.
The Tale handles the sensitive subject matter with grace and care. It’s a tough film to watch as it doesn’t shy away from the uncomfortable and sexual content. However, it’s powerful to see an independent and strong-willed woman reassess the trauma she experienced and decide what to do with that information. 5/5.
CIA’s finest Napoleon Solo (Henry Cavill) is forced to team up with the KGB’s best Illya Kuryakin (Armie Hammer) to stop a mysterious terrorist organisation who are attempting to build and sell a nuclear weapon.
The plot is relatively simple, infiltrate the bad guys and stop them, but that doesn’t stop there being some twists along the way – it’s also full of spy film cliches but it does them so well I can’t really complain. The simple plot might not work for some people but by having a simple spy plot, The Man from U.N.C.L.E. can revel in its action pieces. Being set in the 1960’s it’s all very glamourous, the costumes and the set design are beautiful (the music is also great) and by being in the 1960’s it allowed to be more tongue in cheek and fun compared to other spy films.
The action scenes are great, the boat chase, the opening sequence with the car chase, the shoot outs all are very slick and stylish and the use of split screens as the action is happening is both a refreshing take on the action and makes it more fun and interesting.
The chemistry between Cavill and Hammer is what really sells these two characters and their antagonistic relationship that slowly becomes something like a grudging respect. Cavil is great as the thief turned spy, full of charm but is also rather cocky while Hammer is full of controlled rage that isn’t always so controlled. The bounce off each other wonderfully and also with Gabby (Alicia Vikander) the asset Solo and Kuryakin use to make contact with the terrorists. Gabby is really a part of the main trio and is just as smart and capable as the two men.
The supporting cast is great too, Victoria (Elizabeth Debicki) is the mastermind of the villainous organisation and is quite happy to use her beauty to get what she wants and to dupe men into thinking they know more than they do. Waverly (Hugh Grant) is kind of smarmy and the sort of guy who knows everything – or at least pretends to.
The Man from U.N.C.L.E. is a lot of fun but the main enjoyment comes from the chemistry between the three leads. For once I’ll say, I really would quite like a sequel. 4/5.