When Blanche Tyler (Barbara Harris), a phoney psychic, and her taxi driver/private investigator boyfriend George Lumley (Bruce Dern) are trying to track down a missing heir, they cross paths with a pair of serial kidnappers.
Family Plot is the first Alfred Hitchcock film I watched (I’m a terrible film fan I know) and it turns out, it was his last film. I find some sort of symmetry in that.
Family Plot is a fun thriller that’s more comedic than I thought it’d be, considering the director and the preconception I had of him and his films. The humour is very wry and often dark as people are kidnapped, there’s attempted murder, and Balance and George are trying to con a wealthy old lady out of her money.
The duos of Harris and Dern, and Karen Black and William Devane who play the kidnappers, are great to watch. Each pair have a very different relationship, but they all bounce off one another well and they play interesting characters.
There are some really fun filming devices in Family Plot, like an overhead shot of a graveyard where George follows someone on parallel paths. It’s funny because as the viewer you can pick put both characters routes and you know they can’t avoid George, but their efforts to do so make it all the more entertaining.
I found the score, composed by John Williams, really interesting especially in the sense of how and when it was used. It made great use of silence and showed how it could increase the tension more than a big soundtrack could.
Family Plot is perhaps a little long and certain events could’ve been tighter, but it’s still an engaging film with an interesting mystery at its core. 3/5.