film review

REVIEW: Joker (2019)

In Gotham City, wannabe comedian Arthur Fleck (Joaquin Phoenix) is disregarded and mistreated by those around him. As he embarks on a downward spiral of violence and crime, he comes face-to-face with his alter-ego – “Joker”.

There’s been much debate and “controversy” surrounding Joker long before it was released to the general public, and to be honest it wasn’t high on my list of films I wanted to watch. But when a friend from work said he wanted to see it, and I’m not someone who needs much of a push to go to the cinema, I said “Sure let’s go.”

Joker is the origin story of perhaps the most famous comic book villain. But really, it’s more of a character deconstruction than just an origin story. You see Arthur get beaten up multiple times and he’s lied to and made fun of – it’s tough to see a character being ground down so much and so often. Slowly, Arthur is pushed to the edge, and when he finally puts on the Joker makeup (which is different to the clown make up he wears for work) he becomes a whole new person.

Joaquin Phoenix gives a fantastic performance. His whole physicality changes bit by bit as he becomes closer to the persona of the Joker. The camera lingers on Phoenix’s body when he’s half-dressed, making his unhealthy skinny body on full display and an uncomfortable image. Phoenix’s “Joker” laugh is different to a lot of the iterations that have come before it. It’s unsettling as it goes on far longer than you’d expect, and it’s an uncontrollable and almost painful thing for him.

This film doesn’t have much action with the Arthur going crazy and causing chaos, instead the moments of action and violence are used sparingly which amps up the tension and makes the whole experience more uncomfortable as you’re never sure when Arthur is going to snap next.

Arthur is an interesting and flawed character and as everything in Joker is from Arthur’s point of view, pretty much all the other characters and their actions are window-dressing to the downward spiral of his life. The same can be said for the films setting. There’s brief mentions of the huge divide between the rich and the poor, and the cutting to funding for mental health and social services, that’s present in this Gotham City and how it affects Arthur and the city’s population. However, these themes are never fleshed out fully, and are instead a backdrop and a potential reason for Arthur’s issues.

Joker leaves you a lot to think about, but upon reflection, it might not say as much as it thinks it does. It’s an uncomfortable viewing experience and for the most part that is down to Joaquin Phoenix’s performance. He is great, but the film he’s a part of is perhaps not as deep as it thought it was. 3/5.

REVIEW: The Seventh Seal (1957)

As the Knight Antonius Block (Max von Sydow) and his squire Jöns (Gunnar Björnstrand) return home from the crusades, they find their country in the grip of the Black Death. As the Knight seeks answers about life, death, and the existence of God, he plays a game of chess against Death (Bengt Ekerot) in order to prolong his time on Earth.

The Seventh Seal is a classic film that opens with the iconic imagery of a man, sat across from Death, playing chess on a beach. It’s an image that’s been replicated in media over the years, and it was the only thing I knew about this film before watching it.

The Seventh Seal is about more than a chess match though. As Antonius and Jöns travel across the country to Antonius’s home, they meet different characters along the way that join them in their journey in the hope to avoid the plague. There’s Jof (Mils Poppe) and his wife Mia (Bibi Andersson), two performers who with their young son are looking to earn money and keep safe. Jof and Mia symbolise the goodness that Antonius is looking for proof of.

The image of Death is so unsettling in The Seventh Seal not only because of the black cloak that covers Death from head to toe, but because of Ekerot’s performance. It’s so measured as he verbally spars with Antonius who tries to bargain for more time. It’s also how Death appears when you least expect it, in a shadowy corner unseen by everyone but Antonius. There becomes a sense of foreboding as you realise that moments of light-heartedness Antonius as with Jof and Mia cannot last long with the presence of Death looming over him.

There are moments of humour in The Seventh Seal, most of which comes from Jöns. He has seen a lot and is equal parts cruel and thoughtful, his wry commentary on the romantic escapades some of the people he meets goes through are funny. However, that humour does stand out when everything around Jöns is so bleak with the plague, witches being burned, and Death around the corner.

The Seventh Seal is weird and haunting. The score, scenery and imagery are unsettling, but it all comes together to be almost beautiful. I’m not sure I’ll watch The Seventh Seal again, but I’m glad I have seen it. 4/5.

REVIEW: Hot Pursuit (2015)

Uptight and by-the-book cop Cooper (Reese Witherspoon) tries to protect Daniella Riva (Sofia Vergara), the wife of a drug boss, from crooked cops and murderous gunmen as they race across Texas so Riva can testify.

Hot Pursuit is a crime-comedy film which isn’t that funny. Witherspoon plays the uptight and desperate to prove herself cop well, but her character is very one note for the majority of the film, and that one note can become grating after a while. Vergara’s Riva is loud and brash, and watching her and Cooper clash can sometimes be fun, however her shtick does get repetitive rather quickly.

There are the usual tropes of the witness trying to get away, the arguments and then the unlikely duo working together to survive. It’s when Cooper and Riva do reluctantly work together that the film starts to be fun, but there’s too many times where one turns on the other, so they end up at cross-purposes again and it feels like the story and the characters have taken three steps back again.

One thing Hot Pursuit has got going for it is it does get to the main plot and the action pretty quickly but it also has some very cringey and almost wince-inducing moments too as jokes fail to land and everyone just looks very awkward.

Unfortunately, the funniest part of Hot Pursuit is the gag reel that plays during the credits. That gets you laughing out loud, and a few proper belly laughs too, whereas the rest of the film is lucky to get a few chuckles at best.

Hot Pursuit is full of clichés and not very funny, though the sparks of what could be great chemistry between Witherspoon and Vergara manages to make the film a bit more bearable. 2/5.

REVIEW: Always Be My Maybe (2019)

Best friends in their childhood, Sasha (Ali Wong) and Marcus (Randall Park) ended up drifting a part, even though everyone always thought they’d end up together. When they reconnect sixteen years later, maybe this is their second chance?

Always Be My Maybe is a romantic comedy that captures the best friends to lovers trope perfectly. The road going from best friends to lovers is never smooth thanks to the fear of ruining a friendship, the fear of opening up your heart, and just the general awkwardness of becoming more than friends with your best mate. Having the two leads have great chemistry and give great performances makes you feel for both of them in this scenario.

Sasha has become a celebrity chef, travelling across the country to open restaurants in different cities. It’s as she returns to her hometown of San Francisco to open her latest restaurant that she runs into Marcus. Marcus is almost the complete opposite of Sasha. He’s stayed in San Francisco, he works for his dad’s business and he still performs in the same band but never tries to take the band to the next level. It’s equal parts awkward and endearing, seeing the two of the reconnect and try to find some middle ground after so long a part and lives that have gone in different directions.

The supporting cast are great too. Michelle Buteau plays Veronica, Sasha’s friend and PA, and she probably has all the best lines, while there is Keanu Reeves playing an over the top version of Keanu Reeves – or at least what we think Keanu Reeves would be like – who steals every scene he’s in.

As a romantic comedy Always Be My Maybe is sometimes uniquely Asian-American. For instance, Sasha cooks Asian cuisine, and there’s lots of discussions of different dishes and her and Marcus’s parents encompass Asian stereotypes without them becoming one-dimensional characters. But Always Be My Maybe proves that love, fear, and aspirations are all universal while still being very funny.

Always Be My Maybe doesn’t reinvent the rom-com wheel but it’s sweet, funny and with its charming leads it’s near perfect. 4/5.

REVIEW: Bright (2017)

In an alternate present-day where magical creatures live among us, two L.A. cops, human Daryl Ward (Will Smith) and orc Nick Jakoby (Joel Edgerton) become embroiled in a prophesied turf battle as they try to protect elf Tikka (Lucy Fry) and her magic wand.

As a concept, Bright is interesting but unfortunately that doesn’t make the finished product interesting. Though it doesn’t go into detail, it’s clear that magical creatures have been a part of the world for centuries and humans, orcs, elves, fairies and presumably any other magical creature we don’t see in the film, have been coexisting that long. That means then that really the present-day world in the film should be at least a bit different to what we know in our world so references to things like Shrek just felt out of place.

Bright uses the differences between magical and human races to talk about racism, segregation and racial profiling but it’s very heavy handed which makes it both cringey and kind of insulting to the real-life situations it’s mirroring.

The conflict between Ward and Jakoby as they both don’t really trust or like one another which is typical to the buddy cop genre but unfortunately Smith and Edgerton don’t really have any chemistry. Normally when this kind of odd couple is clashing it’s entertaining but not here as Ward and Jakoby’s arguments seem to go on forever and the humour that’s supposed to be found in those scenes is nowhere to be found.

Once Ward and Jakoby discover Tikka, the plot of Bright basically becomes them going from A to B, trying to stay alive and keep Tikka safe as a variety of different people try to catch them and get the wand in Tikka’s possession. There’s orc gangs, human gangs, evil elves, corrupt cops and this world’s magical version of the FBI, on their trail. The plot could’ve been a bit tighter if one of those aspects was removed because at times it seemed like there was far too much going on, and the numerous shootouts didn’t leave a lot of time to flesh out the characters – especially Tikka who was mostly silently a lot of the time.

The action sequences in Bright are good, as is the make up on the various magical creatures, but unfortunately the characters aren’t interesting enough to make this film consistently entertaining. 2/5.

REVIEW: The Reluctant Fundamentalist (2012)

In 2011 Changez (Riz Ahmed), a young Pakistani man, tells his story to journalist Bobby Lincoln (Liev Schreiber). How as he chased corporate success on Wall Street, he found himself caught up in the conflict and tension in a post-9/11 world.

The Reluctant Fundamentalist is told through flashbacks. In the present Bobby tries to figure out whether or not Changez had anything to do with the kidnapping of an American academic as tensions rise between Pakistani students and police and the CIA are never far away. And in the flashbacks Changez is living the American Dream, he has a lucrative job on Wall Street and he is dating photography artist Erica (Kate Hudson), until that dream starts to crumble after the 9/11 terrorist attacks.

The harassment that Changez goes through in New York just because of the colour of his skin is tough to watch and is a harsh reminder that little has changed in the world today. It highlights how people are so quick to judge and make assumptions and how dangerous those assumptions can be – not just for the target of those assumptions, but the people around them too.

Riz Ahmed is brilliant as a young man, struggling to consolidate the different sides of him. He has such a strong presence and nearly every single shot of the film has him in it. You find yourself hanging off his every word as he tries to explain himself and find what makes him happy.

The story of The Reluctant Fundamentalist is all about ambiguity, but the execution can be a little heavy-handed especially in the beginning. Still, The Reluctant Fundamentalist is a gripping drama with a great central performance from Ahmed and supporting turns from Schreiber and Kiefer Sutherland who plays Changez’s Wall Street boss. 4/5.

REVIEW: In the Line of Fire (1993)

Veteran Secret Service agent Frank Horrigan (Clint Eastwood) is haunted by the fact he couldn’t save Kennedy in Dallas, and now thirty years later a man who calls himself “Booth” (John Malkovich) threatens the life of the current President and Frank is determined not to fail a President again.

In the Line of Fire is a film where it wastes no time setting up the characters and getting straight into the main plot. You learn as much about the characters as they share with each other, and when Booth starts to make his presence known, it takes the time to tease the character with extreme closeups on his eyes or mouth.

Eastwood’s Frank is a veteran of the Service. He’s a good agent but not the man he was, something he and everyone else knows, but he’s not willing to accept that yet. Eastwood’s performance is full of charm, but he also presents an uncompromising figure especially when others start to believe he’s not fit for the Presidents protection detail and should leave the case alone.

While Eastwood is certainly the lead of In the Line of Fire, it’s Malkovich who steals every scene he’s in. Booth is an incredibly cunning man and knows exactly what buttons to press to make Frank go off his game. The phone conversations between Booth and Frank are the epitome of cat and mouse as they each try to learn things from one another, though Booth always seems to be one step ahead. Malkovich give a performance that’s cool and calculating one moment, and then full of fury the next. As Frank digs deeper into who Booth is or was, he starts to become an almost tragic character.

In the Line of Fire is a smart thriller. While there are a few chase sequences and scuffles, it’s how Frank and the other Secret Service agents work through the limited information they have to catch a potential killer that’s so gripping. The score, the editing, and the cinematography all work together to rack up the tension as Booth gets closer to his goal of killing the President, and Frank gets pushed closer to the edge.

In the Line of Fire is a tense thriller with gripping performances. It’s only shortcoming is the romance between Frank and fellow Secret Service agent Lilly Raines (Rene Russo) which feels awkward, rushed and just unnecessary. 4/5.