When Julia (Maika Monroe) wakes up in a house controlled by an Artificial Intelligence system called Tau (Gary Oldman), she must figure out what its creator (Ed Skrein) wants with her and find a way to escape.
Having 99% of the film set in one location, scientist Alex’s home, gives it a claustrophobic feel as Julia begins to converse with Tau and the two of them form an unlikely connection as they learn from one another. The lighting has an influence on each scene as when Alex is home, everything is in shades of blue but when he leaves, and Julia and Tau are alone, the lighting is in shades of red. It contrasts the differences between Alex and Julia, Alex is logical and strives for control, while Julia is quick-thinking and strives for freedom.
Both Monroe and Skrein are great in their roles and when the two of them are caught in almost a battle of wits, the tension is at its peak. Julia is a memorable “final girl” who combines grim determination with hopefulness and a caring side.
Tau is a creepy horror-sci-fi hybrid that offers another take on the man verses AI dilemma we’ve seen in countless films over the years. However, Tau doesn’t really offer anything new in terms of commentary on AI’s and how as they become smarter, people may abuse them. There’s parallels made between the trauma Julia faced at the hands of her parents and the restrictions Alex puts on Tau, but it lacks any real depth. Still, with its 90-minute runtime, Tau is an engaging small-scale sci-fi flick. 3/5.
Top bodyguard Michael Bryce (Ryan Reynolds) is called in to protect hit man Darius Kincaid (Samuel L. Jackson) who must testify at the International Court of Justice to put away war criminal Vladislav Dukhovich (Gary Oldman). With Dukhovich’s men on their tail, they have to work together to get there on time, if they don’t kill each other first.
The Hitman’s Bodyguard is a lot of fun. There’s fewer laughs in the first 15mins compared to the rest of the film so I was a bit uncertain to start with but once it had set up who’s who the film sped along at almost breakneck speed.
For a film that’s two hours long, it really doesn’t feel it. It goes from one action sequence to the next, and while there are moments when there’s a lull in the action, it allows for funny conversations between Bryce and Kincaid. These sometimes aim to be touching, with Kincaid talking about how much he loves his wife Sonia (Salma Hayek), but they verge on being cringey sometimes though they’re nearly always funny. The conversations and banter between the two really show how good their chemistry is between Reynolds and Jackson. Them two being an unlikely team is what really works in this film. Bryce and Kincaid push each other’s buttons and they both grow while still both being good with their fists and a gun. They’re the kind of characters that are polar opposites and who like to think they don’t need any help, but they really do and that’s where the humour comes.
My initial Twitter review of The Hitman’s Bodyguard was “it’s ridiculously fun and stupidly funny” and to be honest that’s the best way to describe it. It’s over the top and ridiculous, with a lot of laugh out loud moments and some great shootouts, fights and car chases. All this stuff mixed together and with great chemistry between the unlikely duo makes for a good time at the cinema (or in front of the TV if you wait for the DVD). 4/5.