Now a detective in her own right, Enola Holmes’ (Mille Bobby Brown) detective agency is struggling as she tries to make it out of her older brother Sherlock’s (Henry Cavill) shadow. That is until she gets asked to find a missing girl by her little sister, and soon Enola is entangled in a dangerous conspiracy and her case may even be related to Sherlock’s case and they both will need all the help they can get.
I was a big fan of the first Enola Holmes film and I’m very happy to say the sequel is just as fun and delightful as the original and expands on the characters in an engaging way. In many ways Enola Holmes 2 is incredibly similar to the first film as it may be a different mystery but there’s still the undercurrent of political/feminist themes and the same fourth wall breaking with a wink from Mille Bobby Brown but what this sequel does well is not make these elements seem tired or boring. Look sometimes it’s nice for a sequel to do something vastly different, while other times it’s nice for a sequel to embrace what made the original so entertaining and just do that again. With a lot of Netflix’s action output being stoic, it’s nice that they’re investing in the fun adventures of a plucky young girl in Victorian London.
Mille Bobby Brown continues to shine in Enola Holmes 2 and the referential humour could become grating in lesser hands but with Brown as our lead, she plays Enola as charming and resourceful as ever. Though it is the moments when she is out of her depth, like attending a ball and having to ask young Lord Tewkesbury (Louis Partridge) to teach her to dance, that are really interesting as while Enola comes across as self-assured, her independence doesn’t fit into what society deems fit for women and there are some things that she is clueless about.
The mystery itself loses its way a bit in the middle and all the loose ends aren’t tied up particularly neatly but the inclusion of new adversaries – David Thewlis’ Superintendent Grail is fun as it appears that every Holmes has a problem with him, including the matriarch of the family Eudoria (Helena Bonham Carter) – old friends, and some young romance and rebellion makes it an enjoyable ride.
Having Sherlock involved more in this mystery works without him taking control and pushing Enola out of her own story. He has his own case and while he does help Enola, she helps him too and their awkward personal relationship is more compelling than their working one. Also Cavill’s dry sense of humour as Sherlock while still being very protective of his little sister is brilliant.
I honestly would happily watch Enola and her friends and allies go on many more adventures. A casting choice in a mid-credits scene makes me hopeful that there will be a third film as I need to see more from that person than a cameo. Plus, these films are just fun, lightly feminist, teen girl power escapism and are really enjoyable to watch and we all can use some light, charming fun these days. 4/5.