J.K. Simmons

REVIEW: Spider-Man 2 (2004)

Spider-Man 2 is truly a fantastic film, never mind a fantastic superhero film. Upon rewatch after seeing so many other MCU and DCEU films (some of which I do generally love) it’s easy to see why Spider-Man 2 is still considered to be one of the best examples of a superhero film. It’s fun, the character work great, the “low stakes” relationship drama is just as compelling as the high stakes battles with the villains.

Spider-Man 2 builds on what was laid out in the first film with great success. Peter Parker (Tobey Maguire) is struggling to juggle life as Spider-Man while also going to college and holding a job. Meanwhile Harry Osborn (James Franco) is now the head of his father’s company and Mary Jane (Kirsten Dunst) has made it as an actor and has a starring role on stage and is dating an astronaut who happens to be J. Jonah Jameson’s (J.K. Simmons) son.

The idea of Peter losing his Spider-Man-abilities because he’s torn between two lives is a really interesting one. This is where this Peter Parker having organic webs shooting from his wrists rather than being something he built really works. He has no control as he’s becoming indecisive over what he wants, if he doesn’t want to be Spider-Man, he can’t be Spider-Man. Likewise, you get to see how good a person Peter Parker is even without the suit and the powers. He runs into a burning building to save a little girl because that’s the right thing to do and he can’t walk away. Side note: the moment where the little girl helps pull him up is one of the sweetest things ever.

Otto Octavius (Alfred Molina) is a brilliant villain because through one small dinner scene with him, his wife (Donna Murphy), and Peter you get to see the man who likes poetry and loves his wife and science. Having the robotic arms have powerful AI be part of the cause of his descent into villainy is a clever idea. He’s smart, perhaps too smart, and comes up with a failsafe to protect himself but when that fails and he sees the love of his life die in front of him, it’s easy to see how he’d be manipulated by AI that’s smarter than him to solely focus on redoing the experiment no matter the cost.

The action sequences in Spider-Man 2 are still some of the best in the superhero movie genre. They are shot so you know exactly where characters are in relation to one another and the majority of them happen in the daytime so that along with not being too heavily edited means you can see what’s happening. The bank sequence is a lot of fun and is a great prelude to Spider-Man and Doc Ock’s next confrontation. The train sequence is still something that stands out even after over 15 years or more superhero movies. It’s exciting and while it’s a fight between Peter and Doc Ock it’s also a fight for Spider-Man to save the passengers on the train. The New Yorker’s standing up for Spider-Man is something that still gets me in the feels. It shows the good of the average person and how while the Daily Bugle and others may hate Spider-Man, there’s still many who feel like he’s a hero.

One thing I didn’t expect to get from this film was how much I empathised with Harry Osborn. He’s constantly in people’s shadows and no wonder it makes him act out. First it was his father, never living up to his expectations and pleasing him, and then Peter, not being as smart as him or being the one that MJ wants out of the two of them. I’m looking forward to seeing what I make of Spider-Man 3 after not seeing it for so long as there’s so much good groundwork laid in this film for Harry’s arc. He feels lost and desperate after suddenly being thrust into the role of head of Oscorp and then finding out that his best friend is who is (supposedly) to blame for his father’s death. It’s a lot for him and while Harry’s plot is a minor part of Spider-Man 2, James Franco does a great job with what he’s given.

Spider-Man 2 is truly a brilliant film. Even after all this time it’s still the film other Spider-Man films aspire to be as great as. It’s the combination of Peter’s struggles with responsibility and the various relationships in his life, it’s the villain that can be very creepy and almost horrifying at times, and it’s just how there is still humour to be found even though Peter’s life really does suck the majority of the time. 5/5.

REVIEW: Spider-Man (2002)

As Spider-Man: No Way Home is being released next month and there’s talk of it including multiple universes and characters we’ve seen from past Spider-Man franchises (I watched the first trailer when it was released in August and have done by best to avoid everything Spider-Man-related ever since) I thought it was about time to revisit some of the previous iterations of Spider-Man. I’ve reviewed Spider-Man: Homecoming and Spider-Man: Far From Home but I’m pretty sure I’ve never reviewed the Tobey Maguire and Andrew Garfield films. Plus, I’ve not even seen many of those films in their entirety for years, or in some cases, since the cinema.

As these films are older and are rewatches there may be some vague spoilers in these reviews.

So to kick it off we go back to the beginning and to the Summer of 2002. I was 10 years old when Spider-Man came out and I distinctly remember seeing it in the cinema with my dad, my (much older) sister and her then-boyfriend. I know I enjoyed it then and on rewatch nearly 20 years later I still really enjoy it.

What director Sam Raimi did with Spider-Man is really help lay the blueprint of how brilliant a superhero movie could be. There are a lot of elements at play in this film with the different characters and relationships and Peter Parker (Tobey Maguire) doesn’t even get into his Spider-Man suit until practically half way through the film. But that doesn’t bother me because the things going on in Peter’s life are just as compelling as any Spidey-related adventure.

Spider-Man sets up the relationship/potential love triangle between Peter, his best friend Harry Osborn (James Franco) and the girl he’s been in love with forever Mary Jane Watson (Kirsten Dunst) so well. You get why Peter and Harry are friends even though they come from completely different worlds and you get why Mary Jane would be attracted to both Peter and Harry. All three of them have believable relationships with one another.

Willem Dafoe as Norman Osborn/Green Goblin is one of those instances of perfect casting. Ever since I saw him in Speed 2: Cruise Control Dafoe has been able to freak me out with just his eyes – he can put so much intensity/craziness in his eyes it’s almost concerning. How the Green Goblin toys with Peter is so good. He believes he knows what makes Spider-Man tick and once he figures out who Spider-Man is he’s even more certain of it. The scenes where it’s just Norman Osborn talking to the Green Goblin, either via the mask or a mirror are just captivating. They’re unsettling and show so much of the two sides of this character. Because really, while Norman Osborn may have pushed his son and his staff, he was also someone who wanted to succeed in their business ventures and wasn’t necessarily an inherently cruel person until he became the Green Goblin.

Some of the CGI may now look a bit dated but on the whole the action set pieces really hold up. The attack on the parade is fun with how Spider-Man bounces on the giant balloons and how he goes between fighting Green Goblin to rescuing bystanders shows what kind of a hero he is. The hand-to-hand fights with Green Goblin are pretty brutal and Peter Parker sure goes through a lot in this film. All the fight and action sequences are well shot and choregraphed and you know exactly where characters are in relation to one another.

I have to mention J.K. Simmons as J. Jonah Jameson – an actor who made the role his own that there was no way he could be played by anyone else in any of the other Spider-Man franchises. J. Jonah Jameson is loud and brash but he’s also quick-witted and all the scenes at the Daily Bugle are funny because of him and his various underlings. What really stood out to me (because I’d completely forgotten about it) is that that when he’s being threatened by the Green Goblin who wants to know who takes Spider-Man’s picture, James lies. He says he doesn’t know and they’re sent in the mail. He might be a mean and rude boss but it shows he does care about Peter Parker and the rest of his staff. He has a moral backbone and won’t sell out his staff. It’s little moments like that in Spider-Man that make a lot of the character work stand out.

Spider-Man is a very entertaining superhero film and is truly one of the great origin stories. It’s filled with drama and action and so many believable characters. Seeing Spider-Man swing through New York still looks fantastic and when that Spider-Man theme by Danny Elfman kicks in it’s hard not to get goosebumps. 5/5.

REVIEW: Klaus (2019)

When Smeerensburg’s new postman, Jesper (Jason Schwartzman), befriends toymaker Klaus (J.K. Simmons), their gifts melt an age-old feud and deliver a sleigh full of holiday traditions.

Klaus is wonderful! Everything about it is so beautiful. The animation, the story, the characters, the music and the songs; it all comes together into one of those truly special films. It’s funny, sweet and charming with such a timely yet timeless message at its centre.

Jesper doesn’t want to be in Smeerensburg. He’s used to putting in minimum effort and relying on his family’s money for everything, so when he’s shipped off to Smeerensburg and the risk of being cut off looming over his head, he has to think on his feet to get this town that never sends any letters, using the post office.

Jesper’s work is cut out for him as the town is home to an ancient feud between the Ellingboe’s and the Krum’s led by Mr Ellingboe (Will Sasso) and Mrs Krum (Joan Cusack). What Klaus really captures is how children are children and don’t tend to pick up the illogical reasons to hate someone without influence from the adults around them. The children of Smeerensburg want to play together even though there’s a violent feud that has been going on for generations.

Besides from being funny and heart-warming, Klaus can tug at your heartstrings too. From seeing the huge smiles on the happy children’s faces (honestly the animation is gorgeous) to learning more about Klaus’s past, it’s enough to bring a tear to anyone’s eye. The score is magical and the original song Invisible by Zara Larsson is brilliant too and echoes the core theme of the film.

The main message of Klaus is that a simple act of kindness always sparks another. It’s a wonderful message to have in any movie, but for a Christmas movie which has a take on the origin of Santa Claus, somehow makes that message even more impactful. It’s a lovely thought to live by, and one that highlights that deep down, people are (on the whole) inherently good. 5/5.