Robert Ford (Casey Affleck), who’s idolised Jesse James (Brad Pitt) since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.
The way this film unfolds is interesting. It’s narrated by Hugh Ross and with his dulcet tones and the way this film is beautifully shot by Roger Deakins, it almost feels unreal. Like this tale of the legendary outlaw is a myth or legend and even as you get to know more of the man, everyone’s reactions to him and the aura he has makes him seem like he’s more than just a man.
The cinematography in The Assassination of Jesse James by the Coward Robert Ford really is gorgeous. Couple it with a score that’s often haunting, it makes the wide-open plains of the Midwest beautiful and lonely.
The cast is great, with the likes of Jeremy Renner and Sam Rockwell give strong performances throughout. However, naturally there are few female characters here, but Mary-Louise Parker does what she can with what she’s given as James’ wife. Casey Affleck plays the many sides to Robert Ford very well. The jealousy, the bitterness, the idealisation, the nativity – he’s unsettling to watch due to his obsession with James and by the end of it, you find you may have more sympathy for him than a lot of the people who surround him do. Affleck is great but it’s Brad Pitt who is truly mesmerising. He is fantastic as Jesse James. There’s an underlying tension nearly every time he’s on screen due to his intensity that’s simmering beneath a calm exterior. It’s because James is so smart and paranoid that even when characters don’t have something to hide, they act as if they do.
While there are gunfights and a train robbery, The Assassination of Jesse James by the Coward Robert Ford is more of a slow character study of the two titular roles. That means it can be a bit hard to get into to begin with, but it’s well worth sticking with it and fully immersing yourself into this snapshot in time.
The Assassination of Jesse James by the Coward Robert Ford is a slow but thoughtful take on a legendary outlaw and the man who killed him. 4/5.