Jessie Buckley

REVIEW: Misbehaviour (2020)

True story about the 1970 Miss World beauty pageant in London, the women competing and the women who hatch a plan to disrupt it.

Misbehaviour is a feel-good British comedy drama and once you know that, you’ll have a good idea of how things will go but it makes that formula work in a very pleasing way. It’s funny and engaging with a lot of fun characters and it mixes the drama of political tensions with the glamour of a world beauty pageant so well.

Misbehaviour has a wonderful ensemble cast who all give great performances. There’s unfortunately too many to mention here so I’ll just focus on four key women to the story.

Two of the main characters in the Women’s Liberation Movement are Sally (Keira Knightley) and Jo (Jessie Buckley). They both want to bring down the patriarchy, but they come at it from different angles. Sally has a young daughter and is studying at university with the idea that if she has a seat at the metaphorical boys table, she’ll be able to change things there. Jo is more rebellious, graffitiing slogans on walls and is living in a commune with likeminded men and women. It’s interesting to see how the two of them butt heads on their ideas but also learn to listen to one another and work together to make the protest work. Knightley is the queen of period films (no matter the time period) and again it’s clear how good she is, showing her frustration and anger while still keeping it bottled inside as she knows she’d be ridiculed for showing it.

In the pageant the Miss World contestants the story focusses on are Jennifer Hosten (Gugu Mbatha-Raw), the first Miss Grenada, and Pearl Jansen (Loreece Harrison) the first black South African to take part. For them, Miss World presents the chance for new opportunities for them, but they also have frank discussions about their chances of winning because they’re not white.

There are so many interesting discussions that can come from Misbehaviour. What it means to be a woman, what’s their “role” in society and what opportunities are there for one woman may not be there for another based on their looks or background. The intersectionality of feminism isn’t explored that deeply but there are black women and disabled women in the protest, and Sally and her co-conspirators make it clear that they aren’t against the contestants but the prevalent attitude of judging women just based on their looks. While possibly contrived, there is a moment between Sally and Jennifer where Jennifer gets the chance to explain what winning could do for little girls who look like her around the world, and it brings home that not all women’s experiences are equal.

Misbehaviour is a wonderful snapshot at what women’s rights were like fifty years ago, and how in many ways’ things have changed for the better, but in others there’s still a long way to go. The performances are brilliant with Knightley and Mbatha-Raw being the standouts, the soundtrack is ace and it’s just a really fun, feelgood film about sisterhood. 5/5.