The trouble with Harry is that he is dead and, while no one really minds, everyone feels responsible. After Harry’s body is found in the woods, several locals must determine not only how and why he was killed but what to do with the body.
Because some of Alfred Hitchcock’s most well know films like Psycho, The Birds, and Rear Window (only one of which I’ve seen but their reputations precede them) are horror or thriller films, I always get a bit surprised when I watch one of his films and find it’s a comedy. There’s still a dead body and the mystery of who killed him, but The Trouble with Harry is a much more light hearted film than I expected.
While everything does revolve around a murder the dialogue is often quite witty. As the characters try and figure out what happened to Harry and who was really to blame, the situation surrounding Harry’s body gets more absurd as by trying to save themselves, they might actually be making themselves look more and more guilty.
The Trouble with Harry is Shirley MacLaine’s first feature film and it’s so interesting to see her in a role like this when all the films I’ve previously seen her in she’s been a cranky and/of humorous older lady, granting wisdom or causing mischief. It’s clear she had her comic timing from the beginning and she has good chemistry with John Forsythe – even if their characters romance seemed a bit rushed. Though that’s probably because the events of The Trouble with Harry all take place across just a couple of days, meaning any reveals or blossoming romance between characters does feel a bit quick.
Even though there’s a corpse at the centre of The Trouble with Harry, thanks to where it’s set and all the scenes outside, it feels like a very autumnal film. It has a charm to it that I wasn’t expecting and is a very family friendly murder mystery. 3/5.
In this retelling of A Christmas Carol, Frank Cross (Bill Murray), a selfish, cynical television executive, is haunted by three spirits bearing lessons on Christmas Eve.
This is one of those classic Christmas films that I had never seen before so watching it as an adult without the nostalgia factor is probably a different experience to those who’ve watched it for years. I will say, if I had watched Scrooged as a child, it would have really freaked me out and scared me at some points.
There’s the ghost of Frank’s former boss Lew Hayward (John Forsythe) who warns Frank that he’s about to be visited by three ghosts. The make up and prosthetics are great as he really does look like a rotting corpse, with a mouse in his head and everything. Then there’s the Ghost of Christmas Future which was dressed like the Grim Reaper but again had freaky prosthetics going on. The future it shows Frank is also kind of horrifying and one scene would definitely have given child-me nightmares.
I think that’s one of the things I found so odd about Scrooged. It’s supposed to be a comedy and with Bill Murray in the lead there is certainly a lot of funny moments, but the tone when it comes to some of the ghosts and what one of Frank’s fired employees goes through is a lot darker. It really pushes some characters to their limit and the humour is also often dark and weird and the whole thing just feels a bit disconcerting. That’s not to say Scrooged is bad or this hybrid of tone doesn’t work, strangely it does and how chaotic it is works in its favour.
Having Bill Murray as the lead and in the Ebeneezer Scrooge role works as he has a dry sense of humour but still manages to play Frank as someone you might not hate to be around due to his offbeat vibe, even when Frank is at his cruellest.
I can see why Scrooged is a Christmas film that people routinely watch. It has the happy ever after and is based off of a classic Christmas story, but it’s also weird and has a darker undertone that doesn’t make it cheesy. 3/5.