Kaya Scodelario

REVIEW: Crawl (2019)

When Haley (Kaya Scodelario) goes to check on her father (Barry Pepper) during a category 5 hurricane, she finds herself trapped in a flooding house with deadly alligators.

Crawl is a combination of creature feature and disaster movie and with that it has a lot of the usual tropes, but it uses them well. There is a fair few jump scares, but they feel earnt as the film knows how to crank up the tension, leaving you almost constantly on edge. The jumps care’s release the tension just for a moment but then you realise something truly horrifying is happening and it’s hard not to look away.

One thing about Crawl that makes it feel extra tense is how something like this could happen. Not the deadly alligators going on a rampage in a hurricane, but the hurricane and the dangers it brings. Characters must rely on wide-up torches and radios as the water levels rise and the threat of flood defences failing and making everything worse is a real problem. It’s not just the alligators Haley and her dad have to survive, it’s the elements as well.

Crawl tells a simple story well – it’s runtime is under 90 minutes and the pacing is so incredibly tight that you encounter the alligators much quicker than you’d think. Scodelario and Pepper both give great performances as Hayley and her dad’s interactions feel believable as they fight to survive together. Also, the script is great as through their short conversations throughout the film you learn about their history which helps flesh out their characters without it ever feeling like a big exposition dump.

Crawl has all the makings of becoming a classic creature-feature. It’s tense, scary, claustrophobic and suitably gory and knows how to give the audience a brief reprise through humour every now and then too. The song that plays over the credits is so unexpected but also ridiculously perfect. 5/5.

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REVIEW: Pirates of the Caribbean: Salazar’s Revenge (2017)

Captain Jack Sparrow (Johnny Depp) past catches up with him when undead Captain Salazar (Javier Bardem) and his crew are out for revenge. Jack sets out to find the trident of Poseidon as it might be the only thing to save him.

The Jack Sparrow you meet in this film is not like the one seen in the previous films, especially the first three. Those films he acts a bit drunk and is weird but he’s still a crazy kind of smart that he can see the moves ahead and surprise people. In Salazar’s Revenge he’s a bit past his prime, is very drunk and if he does achieve something it’s more by accident than any type of skill. Unfortunately, it makes Sparrow annoying as the film focuses more on the slapstick humour of the character than his wit and it’s kind of sad to see him like that.

Joining Sparrow on his adventure is Henry Turner (Brenton Thwaites) and Carina Smyth (Kaya Scodelario) who each have their own agendas for searching for the trident. Both are fun additions to the franchise and each do things to further the plot and seem to have their own character arcs. I did like Henry a lot, he’s his own person but you can see both of his parent’s attributes in him which is nice.

This film has a messy plot with a lot of characters and motivations. There’s a witch (Golshifteh Farahani) that serves no real point than delivering information to other characters in two scenes and then is never seen again, and there’s the British Navy once again but that plot thread is almost an afterthought.

One of the problems with this film is there’s a fair few times that the plot and character backstory contradicts what you’ve already learnt in the previous four films. This might not be as noticeable if you haven’t seen them in a while but watching this film less than a week after concluding my rewatch, I noticed multiple things that didn’t add up.

On the most part, the action looks good and is fun, the guillotine sequence is a bright point in the film but it gets very CGI heavy as the film progresses. Salazar is a menacing villain, though admittedly he’s a bit hard to understand sometimes, and the scenes between him and Barbossa (Geoffrey Rush) are pretty tense.

Salazar’s Revenge lacks the charm of the first film and while it brings back some old characters which helps add to the emotional impact of the film, it’s not that memorable. 2/5.