Naomi Scott

REVIEW: Charlie’s Angels (2019)

When systems engineer Elena (Naomi Scott) blows the whistle on her employer misusing a dangerous technology, Charlie’s Angels Sabina (Kristen Stewart) and Jane (Ella Balinska) are called into action to save Elena and to stop the technology from getting into the wrong hands.

It seems that Charlie’s Angels has been predominately slated before it was even released here in the UK and, after seeing it, it definitely doesn’t deserve all the hate. That being said, while Charlie’s Angels is more entertaining than you might’ve heard, it’s not without its problems.

For almost every fast-paced and exciting action sequence, there’s one that is just a little dull. The same can be said for the comedy, some one-liners really work, while others really don’t. But, it’s the cast, who all look like they’re having a lot of fun, that make this film.

Kristen Stewart gets the chance to show off her comedic chops and steals just about every scene she’s in as the sarcastic and motormouth Sabina. Naomi Scott does well as the fish out of water Elena while still almost seamlessly finding a place amongst the super spies, while Ella Balinska gives a star-making turn as the serious Jane. All three of them have their “hero moments” and they are all really satisfying.

The supporting cast are all good too. The title of Bosley is now what all the Angels’ handlers are known as and Djimon Hounsou, Patrick Stewart and Elizabeth Banks all put their own spin on what a mentor-type character should be like. Sam Claflin plays Elena’s power-hungry boss and while he’s no in the film a lot, his scenes when he’s scared for his life are hilarious thanks to the expressions on his face.

The third and final act of Charlie’s Angels is when the film really comes into its own. Once the trio of heroines are more of a cohesive unit and all the motives and bad guys have been revealed, that’s when everything comes together. This is when you truly see what a Charlie’s Angels film with these three characters could be like and it’s so fun and entertaining that you wish the film had found its groove sooner. Seeing Elena, Sabina and Jane be proper action/spy heroines makes me hope that this film somehow gets a sequel because now this trio is a solid team, I want to see them save the world again.

Charlie’s Angels is fun. The humour doesn’t always land but the charm of the three leads pulls it through. The final thing I have to quickly mention is the costuming in Charlie’s Angels as it is brilliant. It’s so nice to see female characters in outfits that are practical but look good and show off each character’s personality. 3/5.

REVIEW: Aladdin (2019)

When kind-hearted street urchin Aladdin (Mena Massoud) discovers a magic lamp, he befriends the Genie (Will Smith) inside and gets the chance to make a better life for himself and impress the Princess Jasmine (Naomi Scott). But the Sultan’s trusted yet power-hungry adviser Jafar (Marwan Kenzari) will do anything to get his hands on the lamp.

There seems to be a live-action remake of Disney’s classic animated features every few months and the trend doesn’t look like it’s stopping any time soon. While it’s hard to forget about the original animated Disney film when watching or reviewing the new version, I will try to keep the comparisons to the minimum and judge this version of Aladdin on its own merit. Really, with all the Disney remakes heading our way, I think that’s the best way consume these films.

Guy Ritchie is an unusual choice of director for a Disney musical when he’s best known for the Sherlock Holmes films and stylised action films. Some of the musical numbers lack energy with the camera moving a lot in amongst all the characters dancing, instead having a lot of wide shots. You can see exactly what’s happening, but it’s the songs rather than the action on screen that pulls you in.

That being said, when Jasmine gets to shine with new song “Speechless” the simple camera movements allow you to really feel the emotion behind Scott’s performance. Jasmine is a well-rounded character as even though her father has kept her sheltered in the palace for years, she’s keen to learn about her people and be a good ruler. She’s headstrong and confident and Scott is brilliant as Jasmine.

The whole cast are pretty great. Massoud is a charming Aladdin and has chemistry with both Scott and Smith making those trio of characters and their relationships feel so real. Will Smith is good as the Gennie and he’s very funny at times, but he never tries to imitate what Robin Williams did in the animation.

Aladdin is a lot of fun. The cast are charming, and the final act is thrilling. Aladdin is the best kind of remake, it follows the same plot beats, but adds some new moments and gives some characters more to do, making it its own thing. There’s magic and spectacle and fights and romance and, almost surprisingly, it all works. 4/5.