Set in Tripoli in 1960, Hadachinou is a young, lonely boy who is surrounded by the women in his life. In the sweltering heat he sneaks through the sun-drenched streets, listening in on the whispered stories of the women in his life. He becomes an invisible witness to their repressed desires and solely becomes aware of his own.
Under the Tripoli Sky is a very short book at 104 pages and it’s a very meandering kind of story. It’s made up of little snap shots of Hadachinou’s life and the interactions with the different women in his life. There’s his mother and her friends, his aunts and cousins, and a young girl that helps out around his house. He has a lot of freedom and because he’s a child, he often goes unnoticed by his mother when she has her female friends in the house. As he’s unseen he can watch and listen from the side lines, and through his voyeurism he begins to be aware of women’s desires and his own. Though that doesn’t mean he understands them.
The writing in Under the Tripoli Sky is poetic and immersive. The heat, the sand and the sea are easy to imagine as Hadachinou explores his city. There’s almost a dreamlike quality to Under the Tripoli Sky as Hadachinou has so much freedom and a seemingly idyllic childhood. But it’s a dream that we, as the reader, know must come to an end as it’s set before Gaddafi came to power and so the society in Tripoli in this story is quite different to what one might think of Tripoli and Libya today.
Under the Tripoli Sky is a coming of age tale about an inquisitive child. Hadachinou may be privy to more than the adults in his life are aware but that doesn’t mean he understands it all. There’s some interesting insights into Libyan society in the early 1960s, the troubles and traumas that face women but also how things do seem to be evolving, but overall it’s a book that’s composed of vignettes that don’t leave a lasting impression.
Translated by Lawrence Schimel. Trigger warnings for sexual assault.
Orphaned teenager Okomo lives under the watchful eyes of her grandparents and dreams about finding her father. All she knows is that he’s a “scoundrel” and she’s forbidden to seek him out. She enlists the help of other outcasts; her gay uncle Marcelo and a gang of “indecent” girls. With them she finds comfort, falls in love and rebels against the rigid norms of Fang culture.
La Bastarda is a very short book, it’s only 88 pages so it’s very easy to read it in one sitting, and it’s the first book from Equatorial Guinea to be translated into English which is pretty cool.
La Bastarda is a coming of age story about a girl who is trying to understand the various traditions her people have and what that means for her and her desire to know her father. Okomo is quite a naïve seventeen-year-old which is probably due to the sheltered life she’s led, she’s unsure about so many relationships in her life and is often clueless about the different rules her culture has.
I liked the relationship that forms between Okomo and Dina. It’s interesting as Okomo’s uncle Marcelo is known as a man-woman because he sleeps with men and refuses to “do his duty” and get his infertile brothers’ wife pregnant to make sure the family has a son; however their community doesn’t have a word for lesbian so it’s as if Okomo, Dina and the rest of the girls don’t exist.
I enjoyed La Bastarda. It’s a quick, easy read about a culture that’s complete different to my own. It’s an episodic story and while Okomo is quite a young seventeen-year-old, I did want her to find her own place, whether that was in her society or not, with people who care about her.
Fish Soup is a bind up of two novellas and a short stories collection. Waiting for a Hurricane follows a girl who’s desperate to leave her life and her country. Sexual Education is about a student who tries to keep to the strict doctrine of abstinence taught in her school. Worse Things is a collection of snapshots about different characters who are all in different states of turmoil.
Trigger warning for child abuse in Waiting for a Hurricane. The main character forms an unlikely friendship with an old fisherman from a young age. There’s one moment where it seems like his touching her under her underwear but it’s something she never minds and isn’t really mentioned again, and as it’s from a child’s perspective it takes a while for you to figure out what’s happening. She’s so desperate to leave her home on the Colombian coast that she loses touch with friends and family but never seems to find any real connections.
All the stories in Worse Things, and in the two novellas as well, are about people who are suffering in some way. None of them appear to be happy and nearly all of them are unreliable narrators. This makes it difficult to connect to these characters, especially in Worse Things as each snapshot is a matter of pages so you can never truly understand them. Some snapshots I’d have preferred to be longer as I found the characters and their situations interesting whereas I found others very frustrating.
In both Waiting for a Hurricane and Sexual Education, punctuation around speech isn’t used which can make reading these stories a little difficult to begin with as you get used to the style of them. The way the towns and overall settings of the stories were described was incredibly vivid and I could see the beauty of the country even though so many characters didn’t like their home or saw all the problems with it. Fish Soup is an interesting collection of work from Margarita García Robayo. It’s probably a good place to start but I unfortunately found it difficult to like and connect with the majority of the characters which lessened my enjoyment.
Flush is the semi-fictionalised biography of a spaniel called Flush who belonged to the poet Emily Barrett Browning. Through Flush’s eyes you see his life go from living in the English countryside, to the busy streets of London and finally to Italy.
Flush is an interesting story. It’s sometimes a bit hard to get into and that’s due to the fact it’s a biography so you sometimes have Virginia Woolf explaining something that has yet to happen or go into the history of something. That being said, Woolf’s writing can be really descriptive and beautiful – especially the final act in Italy, the cities of Pisa and Florence are described so vividly you really feel like you’re there.
Then there’s the fact it’s largely from the point of view of a dog. Seeing life from a dog’s perspective is interesting as you don’t really know what is going on a lot of the time, you don’t necessarily know what the people are doing or feeling and what’s their relationships with each other are. Flush loves his owner Emily and doesn’t like it when other people seem to upset her or get close to her, which was a nice touch as anyone who has had a dog knows that they can be very perceptive and protective.
I hadn’t read anything by Virginia Woolf before and I think this was a good way to ease myself into her writing. It’s a short book and has beautiful writing but it’s still sometimes hard to get into and to connect with Flush and the people in his life. 3/5.