Paul Rudd

REVIEW: I Could Never Be Your Woman (2007)

Forty-year-old single mum Rosie (Michelle Pfeiffer) produces doomed TV show until she casts twenty-nine-year-old Adam (Paul Rudd). As the show gets a new lease of life, so does she as they start to date but her insecurities about their age difference threatens to compromise their relationship.

I have a soft spot for films/shows that are about films/shows being made (Singin’ in the Rain and Hail, Caesar! for example) so for me, Rosie’s job was just as interesting as the family and romance stuff she has going on in her life. She’s a writer and producer of “You Go Girl” – a teen comedy show where all the teenagers are played by twenty-somethings – and there’s some great referential humour in that concept with interfering network heads, censors, and trying to make the cast look younger. Even though I Could Never Be Your Woman is fifteen years old, many of the problems Rosie faces in trying to put together the best show she can on a tiny budget are still applicable to TV shows nowadays.

Something else I very much enjoyed in I Could Never Be Your Woman is all the random British and Irish actors that are in this. Saoirse Ronan plays Izzie, Rosie’s thirteen-year-old daughter, Yasmin Paige (of The Sarah Jane Adventures fame plays Melanie, Izzie’s best friend, while Sarah Alexander plays Rosie’s catty assistant. Then there’s Graham Norton who works in the “You Go Girl” costume department, David Mitchell is a co-writer on the show, Tracey Ullman plays Mother Nature (that’s a bit of a weird one), and Mackenzie Crook and Steve Pemberton also make brief appearances. I’d be somewhat fascinated to learn how all these people ended up on this film as it really is an eclectic bunch.

But I Could Never Be Your Woman has more going for it than just a cool job for the female lead and a load of British and Irish comedy actors making brief appearances, it is actually pretty funny and is a sweet romance. Rudd and Pfeiffer have great chemistry and while Rosie’s worries about their age difference is understandable, they do actually work well together. It probably helps that Paul Rudd looks ageless so me watching this for the first time now didn’t really see much difference between the two of the age-wise.

Rosie and Izzie’s relationship was also great. While Rosie is obviously the adult and her mum, she talks to Izzie in a mature way and they both give each other advice on their love lives with mixed results. I also liked Rosie’s relationship with her ex-husband and Izzie’s father Nathan (Jon Lovitz). They clearly are great co-parents and I always like to see examples of the non-“traditional” family done well.

I Could Never Be Your Woman is a good fun, 90-minute romcom. In some ways it feels a bit dated and very 2000s with the fashion and slang but it’s still a fun story and the various relationship dynamics really make the film work. 4/5.

REVIEW: Avengers: Endgame (2019)

After the events of Avengers: Infinity War the universe is in chaos as half of all life has been wiped out. Those that are left behind struggle to move on and assemble once more to try and undo Thanos’ (Josh Brolin) actions and bring back those they’ve lost.

Avengers: Endgame is incredible. This film is so impressive in terms of plot, character and spectacle. There are so many surprises in Endgame. There’s twists and turns and what you could call fan service moments, but the way the film never manages to lose its way is admirable. It is three hours long, but you don’t notice that runtime at all. There are quieter moments in the film but that’s when it’s more character-focused and they are no less compelling than when these characters are trying to save the universe.

Compared to Infinity War which, while there were stakes it was also a lot more jovial film, Endgame is definitely more character focused. That’s not to say there isn’t action sequences or jokes or exciting moments, but after the events of Infinity War, the characters who survived are not who they once were. They have all experienced loss, they are all hurting, and they are all going through the various stages of grief – with some getting stuck on certain stages longer than others. The characters don’t just brush off what happened and that makes the catastrophic loss of life even more affecting.

The entire cast are amazing. The relationships these actors have made in real life, make the character relationships even more poignant and every character gets their moment in the spotlight. Hawkeye (Jeremy Renner) gets more screen time and character development compared to previous films, and Renner really gets to show not only what a great actor he is, but also what a layered character Clint Barton is. Captain America (Chris Evans) is more central to the story compared to Infinity War and Paul Rudd gets to show off his dramatic skills as Ant-Man while still never losing who that character is.

Avengers: Endgame is the finale to an eleven-year, twenty-two-movie saga. It’s the culmination of all the films that have come before it and it manages to pay homage to them while still being a satisfying conclusion – the third act really is indescribable and is unlike anything we’ve seen before in a film of this scale.

Really Avengers: Endgame does mark the end of an era. While the MCU will no doubt continue, Endgame is the finale to this story arc and what a finale it is. 5/5.

FYI I will post a probably very long spoiler-filled review of Avengers: Endgame in the next week or so. I have a lots of thoughts and feelings to get out.

REVIEW: Ant-Man and the Wasp (2018)

Scott Lang (Paul Rudd) is under house arrest after the events of Captain America: Civil War but soon he’s roped into helping Hope Van Dyne (Evangeline Lily) and her father Hank (Michael Douglas) who are attempting to travel to the Quantum realm in the hope to find her mother still alive.

Ant-Man and the Wasp is a visually dynamic film. It has fun with the whole concept of people shrinking and growing, and to make things different compared to the first film, it also has cars and even buildings shrinking to tiny sizes. The fights are innovative, and having Hope become the Wasp is great as she has wings and blasters, making her fights just that bit different to Ant-Man’s.

After the intensity of Infinity War, Ant-Man and the Wasp is just a good action-comedy. Like the first Ant-Man film, Ant-Man and the Wasp has small-scale and personal stakes. Hope and Hank are desperate to find their lost mother and wife, Scott just wants to be a good dad to his daughter Cassie (Abby Ryder Fortson), and even the main villain Ghost (Hannah John-Kamen) doesn’t have world-domination intentions, and instead has a personal stake in the Quantum realm technology Hank Pym has created.

It’s the brilliant chemistry from its cast that makes Ant-Man and the Wasp so much fun and enjoyable. The banter between Scott, Hope and Hank is great and the way they all work together, however reluctantly to begin with, is fun to watch. Scott’s ex-criminal friends Luis (Michael Peña), Kurt (David Dastmalchian) and Dave (T.I.) bring the jokes, with Peña stealing just about every scene he’s in. There is almost an abundance of characters. FBI Agent Jimmy Woo (Randall Park) is almost constantly watching Scott, and businessman Sonny Burch (Walton Goggins) want the technology Hope and Hank have been building. There’s a lot of people after our main trio and one has to think that the film could’ve probably lost one antagonist and not lost much in the way of the actual plot.

Ant-Man and the Wasp isn’t ground-breaking but it’s fun. The many different types of familial relationships are what is at the films core and the action sequences are always entertaining. It’s just the sort of easy-watch summer superhero film you need after Infinity War. 4/5.

REVIEW: Ant-Man (2015)

I didn’t write a review for Ant-Man when it was first released but it did make my Top Ten Films of 2015.

Recently released from prison, former-thief Scot Lang (Paul Rudd) wants to go straight so he can see his daughter Cassie (Abby Ryder Fortson) but those plans go awry when he meets Dr. Hany Pym (Michael Douglas) who needs Scott to pull off a heist to stop scientist Darren Cross (Corey Stoll) from endangering the world.

Ant-Man is a great heist film. It follows a lot of the usual tropes seen in heist stories, training montage, a crew, plans going wrong, but it also has a super-suit that can shrink the wearer and give them a disproportionate amount of strength compared to their size. The special effects and sequences when Scott is the size of an insect are innovative and a lot of fun. The scenes where Scott’s going from big to small in a blink of an eye while fighting bad guys are well-shot and exciting.

While Ant-Man’s villain isn’t particularly menacing nor memorable, it’s nice to have a superhero film where the story is on the smaller scale and the climax of the film isn’t a potential world-ending catastrophe. At this films core are a group of characters who are trying to do the right thing, even if a lot of them are former criminals.

Speaking of former-criminals Luis played by Michael Peña is a great character. His stories are hilarious and every time he’s on screen he steals the spotlight because you can’t help but smile at his antics and mannerisms. Scott’s other friends are computer-hacker Kurt (David Dastmalchian) and wheelman Dave (T.I.) while these two have less to do than Luis, they still get their odd moments and are both fun characters.

A core theme of Ant-Man is the relationship between fathers and daughters. There’s Scott wanting to be the hero his young daughter Cassie already sees in him, and there’s Hank and his strained relationship with his daughter Hope (Evangeline Lilly). How Hank and Hope’s relationship evolves over the course of the film is great because they are forced to begin to understand one another.

Ant-Man is a funny, clever heist film with superhero elements. Scott’s a great down to earth lead and the way the story uses a miniaturised hero and a lot of ants makes for a very enjoyable film. 4/5.