political

READ THE WORLD – Pakistan: Kartography by Kamila Shamsie

Karim and Raheen have grown up together, they finish each other’s sentences and speak in anagrams. They are irrevocably bound together and to Karachi, Pakistan, a city that’s violent, vibrant, corrupt and magical but is also their home. Time and distance bring a barrier of silence between them until they are brought together in Karachi during a summer of strikes and ethnic violence. Their relationship stands poised between strained friendship and fated love – one wrong action, or reaction, can tip the scales.

Kartography is a book I picked up over a year ago but didn’t get further than the first few chapters. I am so pleased I gave it another go as this time a sped through it.

This time I was almost instantly submerged into the vivid city Raheem and Karim grew up in. The city, and to a lesser extent the country of Pakistan, is a character in its own right. Karachi is a part of Raheem and Karim and while Karim attempts to distance himself from the place after looking for and finding all of its darkness, Raheem purposely avoids thinking too much of the violence and corruption that’s rife in her city.

Kartography shows that while history doesn’t necessarily repeat itself, present events do tend to parallel the past. There’s definitely an element of “the sins of our fathers” here, though the children are often unaware of what those sins actually are which leads to misunderstandings and more hurt than if people had been honest with them from the start.

Kartography takes place across several years. There’s Karim and Raheem’s early teenage years in the 1980’s and when they are young adults reconnecting in the mid-90s. But events that transpired before they were even born, most notably 1971 and the civil unrest that affected their parents when Bangladesh became independent from Pakistan, had a knock-on effect on to the people they grew up to be. This book is a historical novel and while it references many political events, it doesn’t feel it has to explain everything. Shamsie trusts the reader to either have prior knowledge on this period of history, or to go a research it as they’re reading if they want to. That being said, if like me you have limited knowledge of that time period you can still follow what’s happen really easily.

Kartography is about barriers. Religious, ethnic, gender and class – all these barriers come into play and some are easier for characters to cross or accept than others. The writing in Kartaography is beautiful, the characters are flawed and sometimes frustrating, but they are still people that you enjoy reading about. Kartography is a wonderful story and one I enjoyed far more than I thought I would. 5/5.

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REVIEW: Black Panther (2018)

Still reeling after his father’s death, T’Challa (Chadwicke Boseman) returns to the secretive country of Wakanda to take up the mantle of King. Soon his judgement and resolve are tested when old enemy Ulysses Klaue (Andy Serkis) resurfaces and brings with him a perhaps even deadly foe – Erik Killmonger (Michael B. Jordan).

Black Panther is a lot of firsts – first film in the MCU with a black superhero as the titular character, first film in the MCU not directed by a white guy, and first big budget superhero film in general that brings this many talented black actors into a place in our world that’s never been colonised nor had any outside influence throughout its history.

Wakanda is a vivid and fleshed-out country – so much so it’s like it’s its own character. The buildings, the vehicles, the technology and the clothes are all a mixture of the future and the traditional. Merging the real and the imaginary helps make Wakanda feel like a real, lived-in place and overall special effects in Black Panther are incredibly well-done. Subsequently when there are those moments where the CGI isn’t to the same level as the rest of the film, it’s more jarring which is unfortunate. Wakanda is a place that has been left to thrive by the rest of the world and thanks to its many scientists and inventors, including T’Challa’s younger sister Shuri (Letitia Wright). Shuri is a character who steals just about every scene she’s in with her humour and relatability. She and T’Challa feel like proper siblings, and with their mother Ramonda (Angela Bassett) are a strong family unit.

In some ways Black Panther feels like more of an ensemble film because there are so many great, fleshed-out characters surrounding T’Challa. There’s Okoye (Danai Guria) the head of the Dora Milaje, Wakanda’s all female security force, who is such a badass, Nakia (Lupita Nyong’o) a spy for Wakanda, and M’Baku (Winston Duke) leader of the Jabari Tribe who is a surprisingly layered character. Every single one of them have their moments to shine but T’Challa is rarely upstaged thanks to Boseman’s stoic yet compelling performance as a man trying to be both a king and a superhero. Killmonger is a great villain and a worthy adversary for T’Challa. He’s a fascinating villain because while it’s clear he’s the bad guy, the way he states his reasoning makes you get where he’s coming from. His actions are in no way condonable but the reasons for his actions are understandable.

The pacing in Black Panther is a little uneven at times. There is a lot to set up in showing Wakanda and introducing this society and its people which is great and very enjoyable, but there’s something’s that could either have had more detail or have been briefer and have still gotten across the same information.

Black Panther is a great film. It’s exciting and surprisingly funny – it perfectly balances the humour, which is mostly character-driven, and its serious moments. Black Panther covers a lot of genres, it’s political, it’s like an espionage thriller in some ways, it’s about family and legacy, as well as being an action-packed superhero movie. 4/5.