“Spice” is the most valuable yet rarest element in the universe, it’s a drug that can be used in many different ways, and it can only be found on the inhospitable desert planet of Arrakis. When the Emperor transfers stewardship of Arrakis from the House Harkonnen to House Atreides, the Harkonnens plot to take back the planet, putting Duke Leto and his family in danger. Duke Leto’s fourteen year old son Paul and his mother Lady Jessica, escape into the desert there they meet the Fremen, the native people of Arrakis, and fight to survive and take back what has been taken from them.
I listened to the audiobook narrated by Scott Brick, Orlagh Cassidy, Euan Morton, Simon Vance, Ilyana Kadushin. It was a pretty good audiobook though some of the characters voices weren’t always consistent through the story so it was sometimes a little jarring at times. I definitely don’t think I would’ve read the physical book (as it’s so large and intimidating) so listening to it on audio made it more accessible for me.
Dune is about so many things, politics, religion, family, technology, and all these things are so well-developed that you end up with a vivid world this space society takes place in. that’s not to say it can’t be a bit confusing or overwhelming at times, it definitely can, but it does pose some interesting multi-layered ideas about politics and religion and how they interact.
This interstellar society that’s formed of many important families who control individual planets, though you only really follow the Harkonnens and the Atreides, is fascinating in a way as it’s full of weird contradictions. They have technology like force fields, but they fight with swords and daggers. They have space travel but they also have a belief in magic. It’s an odd combination that makes Dune seem like a historical story sent in a science-fiction world – especially with all the political backstabbing and the royal titles.
The descriptions of the planet Arrakis, its people and its creatures (there’s humongous worms with many teeth that roam the sand dunes looking for food) makes this hostile planet Paul and his mother find themselves stranded on a truly unsettling and dangerous place.
Paul is a compelling character. He’s had a lot of training in various forms of combat and politics, plus his mother has taught him the ways of persuasion and other skills that seem like magic to many people. He’s smart and capable for a teenager, but he’s pushed to the limit when his life, and the lives of everyone he knows, is threatened. I really liked his relationship with his mother Jessica. Their relationship was constantly shifting, sometimes they were like mother and son, other times they were like equals, and then at other times Paul seemed the more mature and self-assured as he seemed to be able to see possible futures.
Throughout the book there’s little experts of books from within the universe this story is set. As the story progresses, I came to realise these exerts were theoretically written after the events that Paul and Jessica were involved in. As they were often a history of Arrakis and its people, they gave you a hint as to whether or not Paul would succeed in his aims and what would become of the characters you’re already following.
I’m pleased I’ve read Dune, though it did end somewhat suddenly. A couple of the main plots were completed but there’s still a lot more to explore with this intergalactic political system. I didn’t know before going into Dune that there’s a number of sequels. I don’t think I’ll be reading them though as while I liked the story as I was reading it, I didn’t love the characters and I’m not desperate to know what happens to them next. 3/5.