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REVIEW: Ocean’s 8 (2018)

Debbie Ocean (Sandra Bullock) gathers a crew to pull off the impossible, stealing a $150 million necklace from around actress Daphne Kluger’s (Anne Hathaway) neck at New York City’s Met Gala.

Ocean’s 8 is a spin-off from the George Clooney-starring Ocean’s movies from the 2000’s. Besides from a small cameo near the beginning of the film, which is a nice touch rather than feeling desperate, Ocean’s 8 is its own thing and stands on its own merit.

There’s something immensely satisfying watching women who are good at what they do, go and get the job done. There’s all the usual types of characters when it comes to a heist film. Lou (Cate Blanchett) is Debbie’s right-hand woman, Tammy (Sarah Paulson), is a fence, Rose (Helena Bonham Carter) is the one who has to stick close to their target, Amita (Mindy Kaling) is the forger, Nine Ball (Rihanna) is the hacker, and Constance (Awkwafina) is a pick-pocket. They are all so great in their roles and the chemistry between them all is wonderful too. I have to say Hathaway is the standout when it comes to the cast’s performances. She’s the epitome of a diva here, funny, outlandish and deceptively smart too.

The heist itself is clever and manages to fool the target and the audience though Ocean’s 8 lacks the style seen in previous Ocean’s movies. That being said, the costumes more than make up for that – all these women look fabulous. The soundtrack is also pretty great too.

Ocean’s 8 is an entertaining heist film with characters you root for. I really hope there’s a sequel because I’d love to see these women steal more amazing and priceless stuff. 4/5.

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REVIEW: Valerian and the City of a Thousand Planets (2017)

When a dark force threatens Alpha, a vast structure home to thousands of different species, Special agents Valerian (Dane DeHaan) and Laureline (Cara Delevingne) must race to find those responsible to not just safeguard Alpha, but the future of the entire universe.

Valerian and the City of a Thousand Planets is a wonderful example of adventurous sci-fi. The opening credit sequence is so full of hope, wonder, as people from all corners of the galaxy coming together to share technology and knowledge and that is really the epitome of what sci-fi should be. It’s a weird and vibrant film, the costumes, the sets, everything just pops from the screen. The special effects and creature designs in this film are gorgeous. Honestly, it’s like a feast for the eyes, so much so that it can be a bit overwhelming at times. For instance, there’s so much to see as a spaceship manoeuvres around Alpha that everything can seem like a blur. That being said, when things are more static and you can appreciate how good the CGI is and how there’s so many different creatures, it’s truly wonderful. The sequence in the market, which is like a miniature heist, is an inventive and standout moment.

The human characters are pretty much your typical clichés and while you don’t really get to learn a lot about the alien creatures, besides shapeshifter Bubble (Rihanna), they tend to be more interesting than the humans. In the first scene between them, there’s some clunky exposition where you learn everything you need to know about Valerian and Laureline from a conversation where they point out each other’s flaws and backstories. Exposition continues to often be on the heavy-handed side but when there’s so much to see and appreciate about the environment this story is set in, that it doesn’t really matter too much.

Valerian and the City of a Thousand Planets is a fast-paced, visual extravaganza that’s a lot of fun. It has its faults but overall, it’s kind of delightful in how much it loves being big and bold. 3/5.