romance

REVIEW: Christmas with the Coopers (2015)

The intertwined stories of four generations of the Cooper family as they come together for their annual gathering on Christmas Eve.

Christmas with the Coopers is one of those perfectly fine Christmas films. As with many films set around the holidays where a large, extended family get together, there’s arguments, secrets and misunderstandings.

There’s a lot of plot threads about the different characters, potentially a few too many but on the whole, it works and that’s due to the cast all giving good performances. My favourite plot was Eleanor (Olivia Wilde) finding a fake boyfriend at the airport so she doesn’t have to go home single. Her relationship with Joe is lovely as she slowly starts to open up to him, and they end up being a couple you root for. The friendship between Ruby (Amanda Seyfried) and Bucky (Alan Arkin) is sweet and does a good job at not veering into being uncomfortable.

I have to mention the ages of the various actors and how as a fictional family, they make no sense. I’m not usually that fussed about actors ages, but in Christmas with the Coopers I did find it difficult to realise who was related to who and how because some people looked too similar our different in age. For instance, Diane Keaton and Marisa Tomei are supposed to be sisters with not much more than a five-year age difference. When Tomei’s character was mentioning a sister, I could not figure out which character out of the rest of the cast she could mean until the very end of the film.

Christmas with the Coopers is sweet, funny and it’s an easy watch kind of Christmas film that’s all about the highs and lows of a big family. 3/5.

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REVIEW: Disobedience (2017)

When Ronit (Rachel Weisz) learns her father, an Orthodox Jewish rabbi, has died she returns home to a hostile environment from the tightknit community. While she’s home her feelings for her childhood best friend Esti (Rachel McAdams) are rekindled, but Esti is now married to Ronit’s cousin Dovid (Alessandro Nivola).

Disobedience is a love story about two women and how their community and and sense of duty has kept them a part for years. From the moment Ronit arrives back in her old neighbourhood, it’s clear that she is seen as an outsider. With her tendency to speak her mind and refusal to conform to the typical path for an Orthodox Jewish woman, she doesn’t fit in with her family or their friends and neighbours.

Esti has followed that more traditional path and while she might be content in her marriage and wifely duties, it doesn’t give her the same feelings she had when she was younger and with Ronit. Weisz and McAdams’s scenes are electric. Ronit and Esti’s silent, lingering glances are just as affecting as when they do kiss or have sex. They are two characters that are lost in different ways; Ronit has been cut adrift from her community for so long, while Esti has almost been smothered by it.

Dovid could quite easily have been the big bad guy, standing in the way of Esti and Ronit’s feelings for one another. He’s Esti’s husband and they do have a seemingly good relationship, but it’s clear that it’s nothing like what her relationship with Ronit could be. Thanks to a thoughtful script and Nivola’s performance, Dovid is a layered character that is kind and caring, and he himself struggles with the outside pressures that are put on him and his relationship by the community he is a part of.

Disobedience is a beautiful film that allows the characters room to breathe, making their relationships and conflicts so much more richer than one might expect going into this film. It’s a film that’s about love and choices and being brave enough to do what’s right for yourself. Disobedience is a film that lingers in your mind long after you’ve seen it. 4/5.

REVIEW: 5 to 7 (2014)

Twenty-four-year-old aspiring writer Brian Bloom (Anton Yelchin) embarks on a relationship with thirty-three-year-old Arielle (Bérénice Marlohe), the only catch is she is married with two young children and they can only meet between the hours of 5 to 7 each evening.

5 to 7 is a sweet romantic film that is elevated by the performances and chemistry between the leads. Brian could easily be an annoying would-be writer, putting off going to law school in order to “follow his dream”, but Yelchin has this effortless charm that makes Brian an idealistic romantic. Arielle is the more complex and interesting of the two of them, she’s up front with what she wants and the rules of their relationship. Seeing Brian and Arielle’s relationship grow is surprisingly beautiful.

Glenn Close and Frank Langella are Brain’s parents and while they aren’t in the film much, when they do make an appearance, they are hilarious, Langella especially. Their reactions to Brian and Arielle’s relationship is very realistic as they care about their son and don’t want him to get hurt, but can also see that he’s happy.

The directing, cinematography and music is all top notch and the film shows New York City at its most picturesque.

5 to 7 is unexpectedly lovely. The way the story unfolds as these two people fall more and more in love is both touching and wistful. 5 to 7 is an intriguing take on love, and how there can be so many different types of it and you can encounter it when you least expect it. 4/5.

REVIEW: Life Partners (2014)

Sasha (Leighton Meester) and Paige (Gilliam Jacobs) are best friends who are just a little co-dependent. Their relationship is tested when Paige meets Tim (Adam Brody) and has a serious boyfriend for the first time.

Life Partners is a great take on female friendship and the ups and downs of a friendship as you go through different life events. While the same age, Sasha and Paige are at different stages of their lives. When Paige meets Tim and starts to think about settling down, Sasha is still going out and dating girls who are younger than her and, more often than not, still live with their parents. And it’s not even their relationships that are different, it’s the career paths – Paige is a lawyer while Sasha has been a receptionist for years, so she can focus on her music. These are two very real and relatable women and their friendship is relatable too.

Both Sasha and Paige have their flaws and seeing them begin to recognise them and try to change or apologise, was lovely to see. The script is funny and heartfelt and allows these two female characters to be layered and their friendship is never stereotypical.

Meester and Jacobs have great chemistry, as do Jacobs and Brody, meaning that when Tim comes into the picture, you root for him because he makes Paige happy but can see how insecure he’s making Sasha at the same time. Life Partners has a great balance of romance, humour and drama that makes it feel very true to life.

Life Partners is a character-driven film about two young women and the pitfalls and confusion they encounter when trying to be adults. Their friendship is at the heart of this film and thanks to a great script and cast it’s a friendship and a story that just works. 5/5.

READ THE WORLD – Pakistan: Kartography by Kamila Shamsie

Karim and Raheen have grown up together, they finish each other’s sentences and speak in anagrams. They are irrevocably bound together and to Karachi, Pakistan, a city that’s violent, vibrant, corrupt and magical but is also their home. Time and distance bring a barrier of silence between them until they are brought together in Karachi during a summer of strikes and ethnic violence. Their relationship stands poised between strained friendship and fated love – one wrong action, or reaction, can tip the scales.

Kartography is a book I picked up over a year ago but didn’t get further than the first few chapters. I am so pleased I gave it another go as this time a sped through it.

This time I was almost instantly submerged into the vivid city Raheem and Karim grew up in. The city, and to a lesser extent the country of Pakistan, is a character in its own right. Karachi is a part of Raheem and Karim and while Karim attempts to distance himself from the place after looking for and finding all of its darkness, Raheem purposely avoids thinking too much of the violence and corruption that’s rife in her city.

Kartography shows that while history doesn’t necessarily repeat itself, present events do tend to parallel the past. There’s definitely an element of “the sins of our fathers” here, though the children are often unaware of what those sins actually are which leads to misunderstandings and more hurt than if people had been honest with them from the start.

Kartography takes place across several years. There’s Karim and Raheem’s early teenage years in the 1980’s and when they are young adults reconnecting in the mid-90s. But events that transpired before they were even born, most notably 1971 and the civil unrest that affected their parents when Bangladesh became independent from Pakistan, had a knock-on effect on to the people they grew up to be. This book is a historical novel and while it references many political events, it doesn’t feel it has to explain everything. Shamsie trusts the reader to either have prior knowledge on this period of history, or to go a research it as they’re reading if they want to. That being said, if like me you have limited knowledge of that time period you can still follow what’s happen really easily.

Kartography is about barriers. Religious, ethnic, gender and class – all these barriers come into play and some are easier for characters to cross or accept than others. The writing in Kartaography is beautiful, the characters are flawed and sometimes frustrating, but they are still people that you enjoy reading about. Kartography is a wonderful story and one I enjoyed far more than I thought I would. 5/5.

REVIEW: Love, Simon (2018)

Simon Spier (Nick Robinson) has a huge secret, he’s not told his friends, family, or anyone at school: he’s gay. Simon finds someone to talk to through anonymous emails, but when someone discovers his secret and threatens to expose him, Simon must face everyone and come to terms with how he feels.

Nick Robinson is great as Simon, he’s charming and likeable and you feel his heartache. Simon’s friends are all pretty great too and they all feel like a real group of friends. They fall-out and are sometimes selfish, but they also care about one another.

Not only are the teen cast brilliant, so are the adults in supporting roles. Ms Albright (Natasha Rothwell), the drama teacher, is hilarious and steals every scene she’s in, while Vice-Principal Mr Worth (Tony Hale) is equal parts funny and cringey. Jennifer Garner and Josh Duhamel play Simon’s parents and they are some of the best parents in a teen movie in a long time. They feel like normal parents and their relationship with Simon is wonderful.

Love, Simon has all the makings of a classic, teen rom-com. It’s very funny, it’s touching, and it’s has so many great characters. It’s a coming of age story that pulls you in and you can fully empathise with Simon and his friends, no matter how old you or how long it’s been since you were a high school student yourself. Love, Simon manages to be persistently funny, even when it’s handling the more dramatic and sad moments. It balances all these emotions perfectly and the soundtrack’s fantastic too.

Love, Simon is brilliant. I laughed, I cried, and I can’t wait to see it again. 5/5.

READ THE WORLD – The Gambia: Reading the Ceiling by Dayo Forster

On her eighteenth birthday, Ayodele has decided it is time to lose her virginity, but who will be the man she chooses? There’s Reuben, the safe option; Yuan, a schoolfriend with the potential for something more; and Frederick Adams, the father of her best friend. What she doesn’t know is that her choice will have a drastic effect on the rest of her life. Three men, three paths, one to Europe, university and heartache, one that will send her travelling around the globe, and the other will see her remain in Africa as a wife and mother in a polygamous marriage. Each will shape her life, but which will she choose?

Reading the Ceiling is told in three parts, each one starting on the night of Ayodele’s birthday and then spanning the next fifty or so years of her life. You get to see how one choice can shape Ayodele’s life but at the same time there are many things that are outside of her control. For instance, things that happen to characters around Ayodele, like tragic accidents or the choice of a university, generally happen no matter who she chose to sleep with.

The interesting thing was that while her choice set Ayodele on three very different paths, she herself was still the same person deep down, no matter where life took her. She’s headstrong with a good work ethic, she’s smart and capable of being both independent and in a relationship. She’s content being by herself or being with friends and she tends to clash with her mother no matter where life takes her.

Seeing Ayodele’s three different lives play out, I find it difficult to choose which one I feel was best for her, or which one showed her to be the happiest. It’s clever because all three lives had highs and lows, joy and sadness – just like anyone’s life.

Reading the Ceiling was a surprisingly quick read, especially as it spanned a woman’s lifetime three times over. I enjoyed seeing how life in The Gambia may or may not change over fifty years and seeing more of the various countries Ayodele lived in during her three lives. I also enjoyed seeing Ayodele grow as a person, and how her experiences shaped her and may have affected those around her.