Henry “Monty” Montague was born and bred to be a gentleman, but he has too much fun for that. Neither being kicked out of the finest boarding schools in England nor his father’s disapproval can stop him drinking, gambling or waking up in the arms of women or men. As Monty embarks on his Grand Tour of Europe, along with his best friend Percy (who he may be in love with) and his younger sister Felicity, he has one final year of fun until he must return home and to be a part of his father’s business. But things go awry when Monty’s usual recklessness turns their trip abroad into a manhunt across Europe, putting himself and those he cares about in danger.
The Gentleman’s Guide to Vice and Virtue is so much fun. It’s set in the 1700’s which allows for a different kind of travelling adventure. They can’t get money easily, there’s now quick communication to back home if things go wrong so when you encounter highway men or pirates you’re on your own with just your wits.
Monty, Percy and Felicity are a great trio of characters with interesting dynamics. Felicity was the one I loved straight away. She’s a young lady due to go to finishing school when all she really wants to do is go to the school’s her brother has been kicked out of. But due to her gender and the times that’s not possible, no matter how smart and eager she is. Percy is the nephew of a nobleman but he has never really fitted in to high society due to his Barbadian mother. Even though his childhood must’ve been difficult he is warm and kind and cares about Monty a lot. Monty took longer to grow on me as the problems he ends up facing really help him grow and learn more about himself. He’s selfish and only thinks about how other people’s issues affects him, he’s a charmer and doesn’t think before he acts – all qualities that are often simultaneously infuriating and endearing.
Monty’s voice shines through in the writing, making this 500-page novel fly by. Also, the fact that Monty ends up in almost non-stop escapades definitely helps make it a book that’s difficult to put down. From England, to France and beyond their adventures and the mystery they uncover often verges into the absurd but it’s all told with such charm and wit that it ends up being quite brilliant. Along with all the excitement and threat of danger, there’s still quieter moments between the characters that show they aren’t necessarily cut out for this kind of thing but being together makes them stronger and better.
The Gentleman’s Guide to Vice and Virtue is a great historical adventure story with a bisexual main character, an engaging romance and a colourful cast of characters. 5/5.
In Victorian England, independent and headstrong farm owner Bathsheba Everdene (Carey Mulligan) attracts three very different suitors, sheep farmer Gabriel Oak (Matthias Schoenaerts), successful and mature bachelor Mr Boldwood (Michael Sheen), and Sergeant Troy (Tom Sturridge).
Far from the Madding Crowd is a beautiful film, in every sense of the word. The cinematography really shows of the beauty of the British countryside, as well as how beautiful the cast is. The music is gorgeous, emotive and very fitting to the story. The story itself is captivating and for an adaptation of a nineteenth century novel it’s almost surprisingly modern in how Everdene is presented as an independent young woman.
The film never really does what you expect with these characters – unless you’ve read the book of course. You expect there to be strong antagonism between Boldwood and Oak but you see they respect each other and the role they each play in Everdene’s life. The three suitors all have good and bad points and it’s clear to see why Everdene may want to be with one over another, or not be tied to one man at all.
Carey Mulligan is a fantastic lead, often giving a very subtle performance, and the whole cast is brilliant – the chemistry between Mulligan and Schoenaerts is electric. The scenes between them two were by far my favourite as they navigate the roles they play in each other’s lives.
Far from the Madding Crowd is a gorgeous film with compelling and understandable characters. 4/5.
Nineteen-year-old Carrie (Bel Powley) struggles to make sense of the world and be happy as she tries to deal with an absent father (Gabriel Byrne), her higher than average IQ and the fact she doesn’t really like to leave her apartment.
Carrie is super smart and honest and that means she doesn’t always get along with people who she tends to find have the opposite traits. She’s a nineteen-year-old who thinks she knows everything and is pretty confident in who she is, but that doesn’t mean she’s always right. Carrie is a compelling yet sometimes frustrating character because of that – she likes to give the impression she’s all grown up but then she can have a childish attitude to somethings. I liked that about her. She’s the quirky, adorkable lead we’ve seen before but Powley plays her in a way that makes her feel more real.
Her relationship with her psychiatrist Dr. Petrov (Nathan Lane) is great and their scenes are often funny yet touching. Powley and Lane bounce off each other really well.
There’s humour in Carrie’s escapades as she tries to complete a list of goals set by Petrov, some of it doesn’t always land but it’s sweet and fun and it all helps Carrie to grow and be more aware of how lucky her situation is.
While Carrie Pilby is an indie film that’s typical of the rom-com, coming-of-age genre, director Susan Johnson puts together a tracking shot on the streets of Manhattan as Carrie and her neighbour Cy (William Moseley) take a walk on Christmas Eve. It makes their conversation feel so natural as they get to know each other and, as the viewer, you get to see a different side to Carrie.
Carrie Pilby is a fun, coming-of-age drama with a wonderful lead in Bel Powley. 3/5.
Ria Parkar is Bollywood’s favourite Ice Princess until one impulsive act threatens to ruin everything she’s built. Her cousin Nikhil’s wedding in Chicago, with the family, food and extravagant celebrations, is the perfect escape from the impending media storm. But being back in Chicago means facing Vikram Jathar. Ria and Vikram spend their childhood summers together, growing up their friendship turned into love until Ria made an earthshattering decision. Vikram believes she sold her soul for stardom but when they meet again, the passion is still there, no matter what Ria does to evade it.
Ria is an interesting character as while the book is from her point of view so you can see her inner-turmoil, she still often projects this poised and impenetrable persona. She’s not always a likable character but I found myself sympathising with her and understanding why she kept so many secrets and tried to keep people at a distance, even those who cared about her.
With Vikram, on the other hand, it took me a lot longer to warm to him. He’s justifiably angry but he’s also very stubborn and believes he knows everything when he often doesn’t. How he reacts to Ria coming back into his life is hurtful and frustrating for both Ria, and myself as the reader. Eventually you see a softer side to him but he’s a character that takes some time to like.
It was the family aspect of The Bollywood Bride that I really liked. I enjoyed the descriptions of all the things that go into a big, stereotypical Indian wedding and what being a part of such a huge extended is like. I loved all of Ria’s family and how they all come together to look out for each other and know each other so well.
In the last third of The Bollywood Bride there are some short but edging on explicit sex scenes. I don’t have a problem with that in a book but I was caught a bit off-guard by it – I think it’s because when I do read a romance novel it tends to be the more rom-com-esque type of book and if there are any heated moments, they tend to fade to black. Still the sex and romance in The Bollywood Bride was sensual and heated and you definitely could feel the connection between the characters.
The Bollywood Bride is quite a quick read – Ria is a volatile character so I always wanted to see what her reactions would be next. The Bollywood Bride is a romantic story full of love of all kinds and also has a few surprises too.
Newly appointed scriptwriter for propaganda films at the Ministry of Information, Catrin Cole (Gemma Arterton) joins the cast and crew of a major production aimed to bring “authenticity with optimism” to the public while the Blitz rages on.
Their Finest was a surprise in the best possible way. It’s funny, touching and doesn’t go for clichés like I thought it would. It’s got some brilliant performances, Gemma Arterton is fabulous and Bill Nighy (who plays veteran actor Ambrose Hilliard) is wonderful, watching their relationship grow was lovely to watch.
Their Finest is a film about filmmaking and stories. It’s always nice to put the people who make and write films front and centre and seeing how Catrin and Buckley (Sam Claflin) write a film together, working around obstacles like terrible actors and changes in location was great. While those who know next to nothing about filmmaking will not get lost watching it, the small attention to detail when it comes to filmmaking in the 1940’s is delightful.
There’s always the threat of the Blitz hanging over the characters but they still find the best in a bad situation and it is that good old example of British resolve. Their Finest is also quite a feminist film, Catrin and Phyl (Rachael Stirling) are only getting the chances they have because young men are off fighting but they get to show they are good at what they do and deserve the recognition. Also it features a perfect example of my favourite theme; media being able to inspire those who don’t usually see themselves in media.
Their Finest is a wonderful film that balances comedic romance with period drama. I feel this is pretty much a perfect example of the term “crowd pleaser”. 4/5.
*I received a free e-copy of this book in return for an honest review*
When Flora, a post-graduate Uni student, falls unexpectedly pregnant during her final year of studies her plans for her future are thrown into chaos as she now has someone else to look out for. As Flora reads many baby books she must figure out if she will continue with her recent affair with a handsome lecturer or should she chase after the past with her estranged first love?
Letters to Eloise is an example of epistolary fiction as it’s made up of a series of letters from Flora to her unborn child. They start as soon as Flora realises she’s pregnant and follows all the ups and downs of pregnancy. The letters also slowly reveal the circumstances of her baby being conceived, the potential dads (though Flora is always confident in who the father is, it takes a while for her to tell the reader) and the good and bad times Flora has had with friends, family and love interests. Sometimes it can be a bit confusing as Flora’s letters go back and forth from the present to various points in the past but I soon got my head around it.
I’ve never read a book where one of the main themes or storyline is pregnancy (and I’ve never been pregnant myself) so I was unsure how I would connect with a book, and a character, whose pretty much whole life now revolves around being pregnant and being an expectant mother. But I did connect with Flora. Her student life and the friends she has at university, are what pulled me in to start with but she’s a likable and understandable character and I wanted to see her happy.
I loved the dynamic between Flora, her best friend Brooke and their housemate Brian. It felt like the sort of relationship I had with my university friends and flatmates, especially how there’s very few secrets between them.
Letters to Eloise is set during the early and mid-1990’s and I really liked how the lack of mobile phones and the internet was naturally woven into the story. Flora would send letters to people or have to go to a phone box at the end of the street if she needed to call someone as her student house didn’t have a landline. It’s great as this time where people weren’t necessarily so easy to contact allows for some drama and surprises.
Letters to Eloise is a book that sucks you in, it’s a small, almost personal story but it’s a touching one. 4/5.
Six people start a book club to discuss the works of Jane Austen only to find their relationships seem to resemble 21st century versions of her novels.
The group who get together for the book club all have their own problems but they slowly start to find help and comfort from each other. Sylvia’s (Amy Brenneman) husband has just left her so her daughter Allegra (Maggie Grace) has moved in with her, Prudie (Emily Blunt) is a teacher who fancies one of her students, Jocelyn (Maria Bello) has never been in a long-term relationship, Grigg (Hugh Dancy) is the lover of sci-fi and a Jane Austen-virgin, while Bernadette (Kathy Baker) is the most put together out of the whole group. Some of the book group have known each other for years while others are new found friends. It’s the quips and debates between them and the other people in their lives that makes The Jane Austen Book Club enjoyable and funny.
The thing that would probably add another layer of enjoyment to The Jane Austen Book Club is if you have read the six books by Jane Austen that are studied and talked about in the film. Not only would you have your own opinions on what the characters interpret from the books, but you’d probably be able to see how the six protagonist’s relationships mirror the novels a lot more easily. I have only read Pride & Prejudice so while I did enjoy The Jane Austen Book Club, and feel I didn’t miss that much from the overall story, if I’d known the Austen novels there might be some in-jokes and references I would’ve gotten.
The Jane Austen Book Club is a sweet, easy-watch kind of film with some good character dynamics and it’s definitely worth watching if you’re a Jane Austen fan. 3/5.