Rosamund Pike

REVIEW: A United Kingdom (2016)

a-united-kingdom-posterWhen Seretse Khama (David Oyelowo), the heir to the throne of Botswana, falls in love with and marries Ruth Williams (Rosamund Pike), a white woman from London it causes an international stir. Together they have to fight for their love and for Seretse’s right to be King of his country.

A film like A United Kingdom sinks or swims on its lead performers and their chemistry but luckily Pike and Oyelowo feel like such a believable couple. From the first moment they meet, you can believe they’re falling in love and their relationship grows stronger throughout the film as they each encounter bigotry from both their families.

Alistair Canning (Jack Davenport) and Rufus Lancaster (Tom Felton) are the British bureaucrats who have interests in Botswana and who rules it. They are the faces of British politics in A United Kingdom and are as smarmy and conniving as you’d expect them to be. They believe they know all and know better than the people of Botswana and it’s a pleasure to see them proven wrong.

Naledi Khama’s (Terry Pheto) relationship with her brother and her sister-in-law Ruth is an unexpected delight. Naledi is as against their marriage, and Ruth in particular, just like anyone else to begin with but as their story progresses, Naledi and Ruth learn to work together and gain an understanding of one another. Seeing female characters put aside their differences and work together is always a delight. They become strong allies and each use their power and status to try and do the best for the people of Botswana.

A United Kingdom is an incredible true story that really should be more common knowledge. Not only is it a wonderful love story about love conquering all, but it’s about politics and international relations and racial tensions in Britain and around the world. It is also a beautiful film and the cinematography of both London and Botswana is stunning. It is seriously a very nice-looking film, and the contrasts between England and Botswana work so well together but it never makes one inferior to the other.

A United Kingdom is a wonderful film with some brilliant performances. It might make such a true and powerful story more like a fairy tale but that almost adds to the romance. 4/5.

REVIEW: Gone Girl

MV5BMTk0MDQ3MzAzOV5BMl5BanBnXkFtZTgwNzU1NzE3MjE@._V1_SX640_SY720_Nick Dunne (Ben Affleck) is (sort of) happily married to Amy (Rosamund Pike) but then on their five year anniversary he comes home to find the house trashed and Amy gone. Soon he along with family and the police are trying to find out what has happened to Amy, however it’s not long before the media’s suspicion falls onto Nick – as it is always the husband that kills the wife.

Gone Girl is directed by David Fincher and its screenplay is by Gillian Flynn, the author of the source novel. It is a very faithful adaptation and fans of the novel will be happy as the rumours of the ending of the film being different to the book are not true – or at least I didn’t notice a difference and I only read the book a few months ago. Flynn has successfully slimmed down her chunky novel to two and a half hours, cutting out scenes and characters that aren’t vital. However that two and a half hours run time can still feel a bit long and some parts do drag a bit.

The film is told in two perspectives. Nick’s perspective is in the present during the police investigation and media hoopla surrounding Amy’s disappearance, while Amy’s is in the past when she and Nick first met, leading up to the months before her disappearance. The jumps between the two perspectives are a bit jarring to start with but you soon get used to it and seeing how Nick and Amy’s relationship progresses adds to the tension and the suspicion of the present day investigation.

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