Rupert Grint

REVIEW: Harry Potter and the Goblet of Fire (2005)

The Triwizard Tournament, a competition between three champions, each from a different school, has come to Hogwarts. From the Goblet of Fire Viktor Krum (Stanislav Yanevski) from Durmstrang, Fleur Delacour (Clémence Poésy) from Beauxbatons and Cedric Diggory (Robert Pattinson) from Hogwarts are all chosen to compete. But when Harry Potter’s (Daniel Radcliffe) name is also pulled out of the Goblet of Fire, he must join the champions in braving three dangerous tasks.

The Goblet of Fire starts with a bang and the pace never really slows down. This film expects you to know about Quidditch, magic and who these characters are. It does flesh out the world a bit as it takes the time to introduce you to the unforgivable curses and show why they are so unforgivable, but besides from that it’s a very fast paced film that fully immerses you into the magical world.

Like it’s predecessor, The Goblet of Fire is darker and more grown up. Our teenage heroes are definitely teenagers as there’s angst, miscommunication and hints of romance. When Harry’s name comes out of the Goblet of Fire, Ron (Rupert Grint) is hurt, jealous and moody about it all as he’s sick of being what he feels to be Harry’s sidekick. I know all this from reading the book but due to it being an adaptation, in the film Ron unfortunately comes across more of an unlikable and petty guy.

The Triwizard Tournament itself is very exciting. The three tasks are very different, and they show off different magical creatures we haven’t really seen before, and spells and potions. The special effects are fantastic too which definitely help make creatures like dragons and merpeople threatening, and in some cases, pretty scary.

I’ve always found the ending of Goblet of Fire pretty jarring. Something incredibly tragic happens leading to Dumbledore giving a solemn speech that’s really affecting but in the next scene, all the school kids are smiling and laughing, and the film ends on a light-hearted note. You almost get whiplash from it all.

Harry Potter and the Goblet of Fire is a little uneven in terms of tone but it’s a fun, exciting time. It’s a film with a final act that changes just about everything for Harry, his friends, and the wizarding world as a whole, and that builds the anticipation for the next instalment. 4/5.

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REVIEW: Harry Potter and the Prisoner of Azkaban (2004)

It’s Harry’s (Daniel Radcliffe) third year at Hogwarts and it brings a new Defense Against the Dark Arts teacher, Professor Lupin (David Thewlis). But there’s danger for Harry as convicted murderer Sirius Black (Gary Oldman) has escaped from Azkaban prison and is coming after Harry.

I will preface this review by saying that not only is Harry Potter and the Prisoner of Azkaban my favourite book in the series, it is also my favourite film. So potentially this “review” is a little biased.

There’s a lot of new, and important characters introduced in Prisoner of Azkaban. Both Lupin and Black have history with Harry’s parents, giving him an emotional connection to them both. The Dementors are also introduced and they are some scary creatures that from the outset you can see the affect they have on people. They can suck the soul out of someone and with their black cloaks and hooded figures, they are very much like the grim reaper.

Directed by Alfonso Cuarón, there’s some dark and scary imagery in this film. In one of the first scenes where Harry is near a park, the creaking sounds of the swings and the roundabout moving in the wind instantly shows what sort of tone the film’s going to have. There’s some beautiful imagery in Prisoner of Azkaban too, the scene where Harry’s flying on Buckbeak the Hippogriff is stunning and the scenes with the Dementors circling Hogwarts as plants wither and die as they pass over them is incredibly eerie yet beautiful.

Everything about Prisoner of Azkaban is more mature. The young cast have grown up a bit since the last film and are more assured in their performances. The tone of the film is darker, gone are the bright colours of the previous two films, instead the landscapes are more muted and Quidditch is played in the rain.

There’s a lot of little things that I love about Prisoner of Azkaban. Like there’s a few scenes of Harry, Ron (Rupert Grint), Neville (Matthew Lewis), Seamus (Devon Murray), and Dean Thomas (Alfred Enoch) hanging out and having fun which makes them all feel like actual friends who’ve known each other for a few years now. I like how when the kids are wearing their uniforms, they aren’t all neat and tidy anymore, instead ties are loose, shirts are untucked, and sleeves are rolled up, making each character feel like a real teenager at school. Everyone’s hair is perfect book-hair too.

Harry Potter and the Prisoner of Azkaban is brilliant as it has both a sense of wonder and an underlying layer of threat. It’s funny, the characters are becoming more well-rounded and the performances are getting better and better. It’s such a great film, and while there are changes from the book, it’s a great adaptation as it keeps the heart of it. 5/5.

REVIEW: Harry Potter and the Chamber of Secrets (2002)

Harry (Daniel Radcliffe) ignores warnings from Dobby the House Elf (voiced by Toby Jones) not to return to Hogwarts, but there he finds the school is plagued by something attacking students and Harry starts hearing a voice that no one else can hear.

The Chamber of Secrets is darker in tone compared to its predecessor, but it still has a lot of childlike wonder about it. Just when you think you know everything about Hogwarts, there’s hidden dangers and rooms waiting to be discovered. Some of those dangers include giant animals that no one would want to meet in real life.

The scenes at The Burrow, the Weasley’s home, are wonderful. It’s the first chance for both Harry and the audience to see a proper wizarding family’s home and there’s a lot to see; dishes washing themselves and a fascinating clock are just the tip of the iceberg. It’s lovely to see more of the Weasley’s, especially Mrs Weasley (Julie Walters) who is a force of nature but it’s clear she loves her children, and Harry, very much.

The young cast have improved since their first outing, though aren’t as good as they grow up to be, but Rupert Grint shows the beginnings of some great comedic timing. They’re still surrounded by some great acting talent and there’s some new faces in the form of Kenneth Branagh as Professor Gilderoy Lockhart. His ego makes him hilarious! Also joining the cast is Jason Isaacs as Lucius Malfoy, Draco’s (Tom Felton) father. He’s an imposing presence, and is both slimy and charming in equal measure.

The Chamber of Secrets is probably the most faithful of the adaptations but that does mean it can get a little bogged down with scenes and characters that don’t particularly further the plot. Anything with Dobby though is brilliant. For a computer-generated creature, he’s so emotive and easily likeable, his scenes with Harry are often funny.

Harry Potter and the Chamber of Secrets starts to raise the stakes as you learn more about Lord Voldemort, but it still feels like there’s a safety net around our young heroes. But that is all about to change very soon. 3/5.

REVIEW: Harry Potter and the Philosopher’s Stone (2001)

On the run up the release of Fantastic Beasts: The Crimes of Grindelwald I’m rewatching and reviewing all the Harry Potter films, including Fantastic Beasts and Where to Find Them, as they’re films that made up a big part of my childhood but I’ve never reviewed them before.

Orphaned Harry Potter (Daniel Radcliffe) discovers he’s a wizard and joins the Hogwarts School of Witchcraft and Wizardry where he makes new friends and rivals and learns that there’s an evil that haunts the magical world.

It’s hard to talk about the Harry Potter films individually when you’ve seen the entire series and have read the books. You know where all these characters end up and The Philosopher’s Stone sets up so many character arcs and mentions so many people or items that will become more important later on in the grand scheme of things, and it does it all so well. With hindsight I appreciate The Philosopher’s Stone a lot, it’s a perfect introduction to this whole new magical world, taking the time to explain things while still having a compelling mystery at its core.

While he’s learning magic and potions, Harry meets Ron (Rupert Grint) and Hermione (Emma Watson) who soon become his best friends. When they’re not in classes the three of them stumble across a massive three-headed dog and soon get involved in a secret hidden in their school. Harry Potter and the Philosopher’s Stone works so well because one of its main story elements is the adults don’t or won’t believe the children, so they are the ones who have to go on a potentially dangerous adventure to save the day. Everyone has been a child so it’s a situation we can all relate to.

The main young trio Radcliffe, Grint and Hermione Watson give fine performances but it’s the adult cast that’s built around them that manages to be great but at the same time never overshadows their child co-stars. Richard Harris as Dumbledore is brilliant, he’s wise and calm but it’s clear he’s powerful and respected. Maggie Smith and Robbie Coltrane, as Professor McGonagall and Hagrid respectively, both bring warmth and humour to their roles. It’s Alan Rickman as Professor Snape that really stands out though. He plays Snape with such nuance that he’s an intriguing character from the outset.

Harry Potter and the Philosopher’s Stone is so bright and colourful which you appreciate more when you think about how dark, both in tone and colour palette, the latter films get. While some of the special effects have not aged so well, the Quidditch match is still thrilling to watch. The score is beautiful, and it’s funny going back to the beginning because these musical cues have become so iconic, and who knew this music would be here to stay.

Harry Potter and the Philosopher’s Stone is a great family film. It’s funny, exciting and has a compelling mystery at its heart. It’s a great starting point for adapting the books. 5/5.

Review: Mojo

Yesterday I went to see Mojo with a friend in London. It was a great day out as the friend I saw it with I hadn’t seen since September so it was a great to have a catch up and go see a play with a great cast that we both ended up really enjoying.

Mojo is set in a Soho bar and club in the 1950’s and it all takes place across two days. One night Silver Johnny (Tom Rhys Harries) is with the club’s boss Ezra talking to Sam Ross who comes across a bit of a gangster (or at least all the other character’s react to him as if he is). The next morning Ezra is dead, Silver Johnny is missing and the clubs staff Mickey (Brendan Coyle) Ezra’s second-in-command, Baby (Ben Whishaw) Ezra’s son who is clearly at least a bit crazy, Skinny (Colin Morgan) who’s slightly dim-witted and always manages to rub Baby up the wrong way, and the double act of Sweets (Rupert Grint) and Potts (Daniel Mays) are struggling to figure out what to do and if or when Ross is going to come and murder them all.

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