Ryan Reynolds

REVIEW: X-Men Origins: Wolverine (2009)

A prequel to the original X-Men trilogy, X-Men Origins: Wolverine shows the early years of James Logan (Hugh Jackman) who would one day become the Wolverine.

X-Men Origins: Wolverine tries to cram a lot in and very little of it works. A big part of this film is the relationship between Logan and his brother, Victor Creed (Live Schreiber). How they are each other’s only family until Victor’s violent streak gets too much for Logan and they go on different paths. Schreiber, and his creepy/gross nails, does look like he’s having a good time playing a villain that’s one step away from moustache-twirling. But the film never really delves into the hows and whys of the character instead having it pretty black and white – Logan = good while Victor = bad.

There are a lot of new mutants as a part of the team, led by Stryker (Danny Huston), and I couldn’t tell you any of their names – except Wade Wilson (Ryan Reynolds). X-Men Origins: Wolverine is possibly the most derided X-Men film and a big part of that is because of its treatment of that character and what it turned Deadpool into. God bless Ryan Reynolds for sticking with it and getting a Deadpool movie made seven years after this one made the character unrecognisable. The other members of the team aren’t given much more than the barebones of a personality and most are quicky killed off.

Gambit (Taylor Kitsch) makes his one and only appearance in the entire X-Men franchise
(so far) and he really is a bright spark in this otherwise dull film. He’s probably got less than 10 minutes of screen time, and he doesn’t appear until an hour into the film, but Kitsch still manages to bring more charm and charisma in that time than Hugh Jackman does in the whole film.

Speaking of Jackman, considering how layered his performance as Logan in previous films was and how it looked like he was giving a good performance even if the script wasn’t great (looking at you X-Men: The Last Stand) here he looks like he’s checked out of it and doesn’t really care anymore. That may be down to the poor script or the fact he’s supposed to be playing a slightly different Logan than the one we’ve seen before, one who remembers the 100+ years of his life so is more weary due to the things he’s seen or done. Either way, it’s not a great performance.

There’s a lot of X-Men Origins: Wolverine that feels contrived because it’s a prequel. There are things like where Logan gained the moniker Wolverine and even where he got his cool, brown leather jacket – were we really desperate to know that? – and often it seems unnatural as the film screeches to a holt so you pick up this obvious reference. Then there’s a problem that prequels often fall into – you have a good idea of how the story is going to end. If you’ve seen the original trilogy (which you probably have) then you know Logan is “experimented on” and he must lose his memory by the end of the film. If the stuff leading up to that was more compelling maybe Logan’s amnesia would then be bittersweet as a viewer as then what he’d lost would be more affecting but it’s not.

The CGI in X-Men Origins: Wolverine is so bad. I’m one to forgive some shoddy CGI if it’s just in one scene or the rest of the film in terms of plot and characters is good and entertaining, but as X-Men Origins: Wolverine doesn’t meet those requirements it’s worth mentioning. The most noticeable thing is Wolverine’s claws. Obviously, they aren’t real but they look so fake and far worse than they did in X-Men which was released nine years earlier. They look stuck on Logan’s hands rather than a part of the characters body.

X-Men Origins: Wolverine is pretty much one fight/action scene after another, and it gets boring pretty quickly as none of the characters Logan goes up against (besides Gambit) have much of a personality or a compelling story arc – and the actual plot of the film isn’t that entertaining either. 1/5.

REVIEW: Deadpool 2 (2018)

Wade Wilson aka Deadpool (Ryan Reynolds) is living life to its fullest by killing a load of bad guys and being in love with his girlfriend Vanessa (Morena Baccarin). But when time traveller Cable (Josh Brolin) arrives with one aim – kill young mutant Russell (Julian Dennison) – Deadpool must bring together a superpowered team to stop him.

Deadpool 2 is the anticipated sequel of the surprise hit of 2016, and this sequel is just as fun, outrageous and violent as the first film. There’s a bigger scope (and budget) here and for the most part it pulls it off. The special effects do get a little ropey towards the end of the film, it’s almost as if they filmmakers had bigger aspirations than their budget, but the action sequences and fights are still well-shot and exciting. The surprising thing about Deadpool 2 is that it has a lot of heart and, for the most part, knows when to have those serious moments.

The new characters in this film are great. While it takes a while for Cable to make his entrance (and once he does he goes away again for a little while) he is captivating every time he’s on screen. He’s a total, almost unstoppable badass and his interactions with Deadpool are great. The fight sequence in a prison is brutal.

Probably the stand-out new character in Deadpool 2 is Domino (Zazie Beetz). Her superpower is being lucky and the sequences that show off that power are incredible. It’s not just herself who is lucky, her luck affects things around her so watching her fight is so much fun.

It’s the interactions between Deadpool and all these new, and old, characters that stand out to me. While the first film was great, it was naturally solely focused on Deadpool, but this time having him surrounded by a team leads to many great character moments that are often hilarious. This is still very much Deadpool’s film, he’s just got some great back up.

Deadpool 2 is most definitely still a comedy and there’s jokes and fourth-wall breaks flying almost constantly. Personal my favourite jokes are the self-referential ones to the X-Men films and superhero films and characters in general – there’s a Hawkeye-related one-liner that I found myself laughing at very loudly even though Hawkeye is my favourite Marvel character.

Deadpool 2 is bigger than the first film, and possibly even better (though it’s been a while since I’ve seen it). It’s funny, action-packed and introduces some great characters that I’d love to see more of. I’m planning to get my hands on as many comics featuring Domino as possible. Oh, and there’s a couple of mid-credits scenes too that are brilliant so make sure you stick around for them! 4/5.

REVIEW: The Hitman’s Bodyguard (2017)

Top bodyguard Michael Bryce (Ryan Reynolds) is called in to protect hit man Darius Kincaid (Samuel L. Jackson) who must testify at the International Court of Justice to put away war criminal Vladislav Dukhovich (Gary Oldman). With Dukhovich’s men on their tail, they have to work together to get there on time, if they don’t kill each other first.

The Hitman’s Bodyguard is a lot of fun. There’s fewer laughs in the first 15mins compared to the rest of the film so I was a bit uncertain to start with but once it had set up who’s who the film sped along at almost breakneck speed.

For a film that’s two hours long, it really doesn’t feel it. It goes from one action sequence to the next, and while there are moments when there’s a lull in the action, it allows for funny conversations between Bryce and Kincaid. These sometimes aim to be touching, with Kincaid talking about how much he loves his wife Sonia (Salma Hayek), but they verge on being cringey sometimes though they’re nearly always funny. The conversations and banter between the two really show how good their chemistry is between Reynolds and Jackson. Them two being an unlikely team is what really works in this film. Bryce and Kincaid push each other’s buttons and they both grow while still both being good with their fists and a gun. They’re the kind of characters that are polar opposites and who like to think they don’t need any help, but they really do and that’s where the humour comes.

My initial Twitter review of The Hitman’s Bodyguard was “it’s ridiculously fun and stupidly funny” and to be honest that’s the best way to describe it. It’s over the top and ridiculous, with a lot of laugh out loud moments and some great shootouts, fights and car chases. All this stuff mixed together and with great chemistry between the unlikely duo makes for a good time at the cinema (or in front of the TV if you wait for the DVD). 4/5.

REVIEW: Deadpool (2016)

deadpool posterAfter discovering he has cancer, mercenary Wade Wilson (Ryan Reynolds) submits himself for experimental treatment. The treatment gives him accelerated healing but it also severely disfigures him so Wade’s soon out for revenge on the people who experimented on him.

Deadpool was always going to be a strange film. It’s based on a Marvel superhero (or should that be anti-hero) who commits bloody murder, swears and breaks the fourth wall. It’s not the typical superhero film we’ve become accustomed to and it revels in that. Deadpool deserves its 15 certificate – there’s nudity, profanity, very bloody violence and sex – it’s really what you’d expect or want from a film about Deadpool.

The way this film deals with the typical origin story we see time and time again in superhero films is great. It isn’t exactly linear and that works great for this character. It makes it feel different and you don’t have to wait for an hour to see the guy start wearing a costume. (more…)

REVIEW: The Voices (2014)

thevoicesposterlargeJerry (Ryan Reynolds) works in a bathtub factory in a small town and just wants to fit in – though hearing his pets talk to him doesn’t really help him much. He becomes interested in his colleague Fiona (Gemma Arterton) but his interest takes a deadly turn and his life spirals out of control as he struggles to deal with the consequences of his actions. His dog Bosco tries to be the voice of reason while his cat Mr. Whiskers encourages Jerry to do evil deeds.

The Voices is a tough film to talk about as it doesn’t really fit any typical genres, it’s a dark comedy but it’s also a horror film and it deals with mental illness too and its tone shifts from one aspect to another within a blink of an eye. Some people will hate that, some will love it – I was one of the later. It’s also a hard film to talk about as it’s hard not to go into spoiler territory – if anything it’s best going into The Voices knowing as little as possible.

Ryan Reynolds is brilliant as Jerry as he manages to balance his dark side with his earnestly wanting to be good. He manages to make a guy who is a killer somewhat sympathetic, which is definitely a weird thing to feel when watching a film about a murderer. I think this is one of Reynold’s best performances to date (I haven’t seen Buried) and it’s something that definitely shows his range.

The Voices also stars Anna Kendrick as Lisa, one of Jerry’s work colleagues who fancies him and she’s incredibly sweet and naïve. Her scenes with Arterton and Reynolds are great and really all three off the main cast bounce off each other really well but this is Reynolds movie.

I can’t not talk about Mr. Whiskers and Bosco – they are both incredibly funny and in the case of Mr. Whiskers enjoys to swear a lot. Their interactions with Jerry are some of the highpoints of the film.

The Voices is funny, dark, weird and stylised. Some will love it, others will hate it. The allusions to mental illness and schizophrenia may rub some people the wrong way but I think it was handled pretty well. The sudden shifts in tone were sometimes jarring but did add to the overall feel of the film. 5/5.

I’ve put the trailer in my review because that’s what I normally do but I’d really recommend not watching it as it does give some surprises away.