I have a Letterboxd account and it’s pretty great. Letterboxd is the movie version of Goodreads so you can log what you watch, write reviews, make lists and follow different users. If you get a Pro account (which is only $19 a year which is about £15 and I think that’s pretty good value to be honest) you get to see what your various movie-related stats are each year you log films and overall on all the films you’ve ever marked as watched.
I’ve been looking at which actors I’ve watched the most overall and there’s some interesting things there but it does make me want to try and change some of my viewing habits.
Out of my top twenty most watched actors, just two of them are women – Rachel Weisz and Scarlett Johansson. Scarlett Johansson was someone I was surprised to be there as she’s not one of my favourite actors nor someone who I’d go to see a film just because they’re in it. Her being in the Marvel Cinematic Universe certainly helped give her a boost and for a younger actor (she’s 32) she’s been in the business for a while and has an eclectic filmography. Rachel Weisz is a new addition because I have been watching more of her filmography recently, trying to get her (and more women in general) into my top twenty. In comparison to Johansson, Weisz is an actor who I love and will seek out films just because she’s in them but she usually stars in dramas or films that aren’t so mainstream hence while she is someone I do really like, her filmography isn’t always to my taste. (more…)
The true story of how journalists at the Boston Globe exposed the massive scandal of child molestation and cover-up within the local Catholic Archdiocese.
When the Boston Globe’s new editor Marty Baron (Live Schreiber) takes over, he tasks the papers investigative team Spotlight to look into claims that the Catholic Church knew about child abuse by priests and had covered it up for decades. This starts a somewhat hesitant investigation to begin with – Boston has a large Catholic populace and the Church is a powerful entity – but as they begin meeting victims of abuse and a lawyer (Stanley Tucci) who will keep fighting for the victims, they realise that they have discovered something huge.
Spotlight is truly an ensemble film. There is no real lead as these journalists are a team, fighting for the same cause. You believe that these people have been working with each other for years and understand how each other tick. Walter ‘Robby’ Robinson (Michael Keaton) is the head of the team who knows some of the top dogs that might have been involved with the cover-up while Sacha Pfeiffer (Rachel McAdams) looks out for the victims and wants them to know how important their stories are. Mike Rezendes (Mark Ruffalo) gets increasingly more passionate about justice as the case progresses and Matt Carroll (Brian d’Arcy James) is the guy who looks for minute details to make sure the story is water-tight. They all give great performances as people who are often shocked and dismayed by what they uncover.
The way Spotlight is shot and the lack of showy performances makes it sometimes feel like a documentary, that you are watching these real people struggle with their findings and their desire to expose the truth. The script should be commended as well, there’s no quips and there’s only one real loud argument but that doesn’t stop the film from being captivating.
Spotlight does a great job of not sensationalising this chilling story. It shows that the legwork of investigative journalism often takes months of research and interviews but that doesn’t make it any less tense and thrilling. It also doesn’t talk down to the audience, it expects you to keep track of all these people they’re investigating and talking to and to make the connections yourself.
Spotlight is a gripping and important true story that everyone should see. 5/5.
When the Earth’s core stops spinning, the only way to save the planet is for a team to drill down to the core and set it spinning again.
The Core starts with an ominous scene and from there the pace never really lets up. You’re introduced to our heroes and they figure out how to save the world with a ridiculous and dangerous plan. The action and special effects are pretty good, though some haven’t stood the test of time, the destruction of the Golden Gate Bridge is certainly memorable.
The Core has all the usual characters seen in disaster films. The team sent to jumpstart the Earth are comprised of the seasoned pilot (Bruce Greenwood), the young protégé who seems unbeatable (Hilary Swank), the nice guy scientist (Aaron Eckhart), the Government scientist who you’re not sure if you can trust (Stanley Tucci), the mad scientist who was once betrayed by someone else in the team (Delroy Lindo) and the nice guy scientists best friend (Tchéky Karyo). Back on top of the Earth you have the helpful hacker (DJ Qualls) and the General who doesn’t like to be told he’s wrong (Richard Jenkins). They might be what we’re used to seeing but one thing in The Core’s favour is that a lot of these characters have good chemistry and bounce off each other really well. Quite often you find yourself caring about them which often leads to heartache considering the film’s genre.
Besides the cheesy moments, The Core’s main problem is that it ends up being quite formulaic – there’s a problem, the crew have to figure it out, they fix it, someone may or may not die, and repeat. That being said, often you do actually feel something when one of the team ends up dead, there’s self-sacrificing moments and unlucky accidents and they both add drama to the film.
The Core isn’t necessarily a good film, but it is quite fun most of the time and has all the usual tropes for a disaster film. 3/5.