Jeffrey Dahmer (Ross Lynch) struggles with a difficult family life with a manic mother (Anne Heche) and a father (Dallas Roberts) who doesn’t understand him. As he tries to navigate high school and his teenage years, it solely becomes clear he doesn’t fit in with his peers.
My Friend Dahmer is a study of the teenage Jeffrey Dahmer, before he became one of America’s most notorious serial killers. Lynch gives a great performance as the shy yet unnerving young Dahmer. From his mannerisms to how he moves, everything about him seems not quite right. Add his fascination with disintegrating roadkill with acid and poor social skills it’s a captivating yet unsettling performance.
Dahmer is a loner and doesn’t have any friends until Derf (Alex Wolff), Mike (Harrison Holzer) and Neil (Tommy Nelson) start to include him and make a Jeffrey Dahmer Fan Club. Though can they really be called friends when they seem to manipulate him and like the infamy of being associated with him brings rather than who he is? With his so called friends and his parents who don’t take a real interest in him, the film offers a kind of nature vs nurture debate.
My Friend Dahmer blends the weird, creepy and darkly comedic incredibly well. It’s unsettling as you see Dahmer become more and more distant and angry as he tries to deal with his life, but then there’s sudden moments of humour, with situations that you probably really shouldn’t be laughing at.
My Friend Dahmer is a chilling insight into the life of a young killer. Lynch gives a captivating performance and with its blend of dark humour and suspense, it is definitely worth watching. 4/5.
When game tracker Cory Lambert (Jeremy Renner) finds the dead body of a young Native American girl (Kelsey Asbille) frozen in the snow, FBI agent Jane Banner (Elizabeth Olsen) is called in to investigate the murder.
Wind River is an atmospheric and haunting film. It’s beautifully shot and has a wonderfully melancholy score. The setting is a character itself and the beautiful yet often desolate snowy landscapes adds to the isolation the characters feel. All these elements bring an extra level of harshness to the story. This is an environment where only the strong survive and the characters you meet are made from the environment they live in.
Jeremy Renner is fantastic and his performance here is one of his best to date. Gil Birmingham plays Martin, the father of murdered Natalie and he is brilliant. There’s a scene when he opens the door to Renner’s Cory and the emotions that play across his face is like an acting masterclass. Olsen’s Jane Banner is a pleasant surprise as while she’s not used to the environment she’s thrust into, she’s competent and smart and can more than hold her own.
The mystery may not be the most complex, nor the most original, but it is the characters that pull you into this film as they fight to discover the truth. Wind River is gripping and eerie and it’s almost uncomfortably gritty and realistic. The final act is heart-pumping stuff but it never becomes outlandish. Wind River is a chilling film and one that will stick with you for a while. 4/5.
Amidst the chaos of the Detroit Rebellion in the summer of 1967, gunshots are heard from the direction of the Algiers Motel. When the police and the National Guard arrive, tensions rise and three young African American men are murdered.
Detroit is based on true events and, as the film states at the end, has been put together from first-hand accounts and what limited official documents there are from the time meaning that some of the events depicted are dramatized. Detroit uses archive news footage and photos to help show what the violence and chaos on the city streets was really like and makes it all feel more real.
The whole cast gives phenomenal performances. Will Poulter as racist police officer Krauss is equal parts terrifying and mesmerising. You end up feeling you can’t take your eyes off him for a second as you don’t know what he’ll do next. John Boyega as security guard Dismukes feels underused at times but that’s mainly because he’s almost like a spectator to these events. That being said, when there’s moments for him to show more than restrained horror and the fear begins to register, Boyega nails it.
The violence the police officers inflict on this group of young people is tough to watch. The psychological torture tactics they use is sickening and the camera never really wavers from it either so you as the viewer, like men like Larry (Algee Smith) and Fred (Jacob Latimore) are forced to watch what others are going through.
At almost two and half hours Detroit is a long film and you can start to feel that towards the end of it. the last third is really quite drawn out as you don’t just get the usually text on screen, telling you what happened to these people next, instead you get to see it. This makes their grief and anger hard to take but in a way, it makes it feel like the film is prolonging the people’s pain and the viewers.
Detroit is a tense and powerful film that often makes for uncomfortable viewing. It’s shocking that not only did these events take place 50 years ago, but that no one with any real power to change things has learnt from them as events of police brutality is still prevalent today. 4/5.
With nothing left for her in Ireland, Aisling travels to the Gulf to live out the Arabian Dream. There she meets fellow expats living the dream including debonair Brian who has heaps of charm and champagne, though is perhaps not all he seems. She also gets to know locals like Laila, her translator, and activist Hisham and finds herself in between the sleazy world of expats and wanting to learn more about her new home. As the Arab Spring erupts, Aisling is faced with a world of violence and fear and she’s left not knowing who she can really trust.
Set in an unnamed country in the Gulf, though I presume it to be Saudi Arabia based on a throwaway comment that the book Girls of Riyadh by Rajaa Alsanea is banned, Electric Souk doesn’t always paint the city and its people in the best light. The divide between the Western expats and the locals is starkly obvious and the way characters act about the rules of the country they’re currently living in made me uncomfortable. Some of the expats talk in quite a derogatory manner about how the locals live and the rules of their society, and it’s a pet peeve of mine when people don’t accept other people’s way of life so that part of the book really grated on me.
Electric Souk is a bit slow to start but there’s an air of suspense and uncertainty throughout the second half of the book that made it much more compelling. With people disappearing, hints of corporate espionage and civil unrest edging ever closer, it becomes more of a thriller than the story of a woman trying to make a success of her new life. When Aisling starts to hear conflicting accounts of events, some of which she was involved in, she’s unsure of who to trust and starts to doubt everything she knows about the people she’s come to count as friends and the place she’s starting to call home.
I really liked how Aisling and Laila’s friendship grew. Aisling surprised me by being an expat that was actually interested in the culture and people she was now living with, instead of just being into the alcohol and partying like the majority of Western characters seen. She doesn’t want to be a part of the “us vs them” mentality but doesn’t always get a say in the matter which makes an interesting dilemma.
Aisling is often a character who a lot of stuff happens to, and she’s not always proactive in her own story. However, while I found that a bit frustrating at times, I realise that Aisling is a victim of circumstance and there is so much out of her control. Electric Souk ends up being a compelling and fast paced book with a real air of threat and danger. 3/5.
South African Jacob King (Chadwick Boseman) arrives in Los Angeles to find his missing sister who appears to have gotten involved with the criminal underworld.
Boseman gives a solid performance as a guy who’s more than capable to take on anyone and anything thrown at him on his mission for justice. King is a smart man and has an aura of control that brings him to the attention of pretty much anyone he encounters.
The plot moves slowly in this film as there’s a lot of layers to this criminal underworld King dives into. With a lot of layers comes a lot of characters including major players Wentworth (Luke Evans) and Preston (Alfred Molina). Wentworth is more interesting of the two as he’s the middle man who knows everyone and attempts to deal with any potential problems.
The fight sequences are brutal and on the most part they are well-shot and easy to follow. They are also rather bloody and King is not afraid to be violent to get the information he wants.
Message from the King is an average crime thriller that’s only real notable achievement is having a great lead in Chadwick Boseman. 3/5.
Prim and proper elementary school teacher Miss Meadows (Katie Holmes) moonlights as a vigilante, but her quest for justice gets put in danger when she becomes involved with the local Sheriff (James Badge Dale).
Miss Meadows looks more like a 1950’s housewife than a killer and the two juxtaposed together can be shocking and unsettling. Miss Meadows has old-fashioned values and all the children in her class seem to love her but knowing what she’s really like makes her interactions with the children feel a bit weird. She’s lovely and kind but through her there’s a steely core.
Katie Holmes gives a good performance here. Throughout the film you start to see the different layers of Miss Meadows, why she does what she does with little to no remorse and how she can be so smiley but deadly. The romance between Miss Meadows and the Sheriff works really well, these two people who are technically on opposites sides of the law come together and Holmes and Dale have good chemistry.
Miss Meadows is a bit of an odd film. It’s sweet yet bloody, and Miss Meadows is an interesting character. There’s often a dark sense of humour about it all which doesn’t always work but it does make for a weirdly captivating film. 3/5.
An international crew of astronauts set off on a mission to see if there is any life on Jupiter’s fourth largest moon, Europa.
Europa Report is a tense and claustrophobic film. This is in part to how 99% of the film is set on the space craft heading to Europa and all of this was filmed using cameras that were a part of the ship and the crews gear. In many ways it feels like you’re spying on the crew and it makes their lives seem very confined and limited. The reason there’s all these cameras on the craft is because the footage is being monitored and sent straight back to Earth so the whole world knows how the mission is going. So when there’s a probably with the uplink, the cameras are still recording but the footage isn’t being beamed back to Earth.
The surface of Europa looks beautiful and the whole film is well-shot. The found footage style filming, which sometimes includes some shaky-cam when taken from an astronaut’s helmet, is never hard to follow.
Europa Report is an intelligent science-fiction film. The way the characters deliver the technical jargon and the way the space craft looks makes the whole mission feel more real and plausible. This in turn makes any dangers the crew faces more threatening and unsettling.
The whole cast is great and all feel like intrepid explorers who want to achieve their mission to find life outside of Earth. However they also feel like real people who have become close after such a long time in confinement with one another.
Europa Report is a great film. It slowly racks up the tension as you learn what the crew has gone through in order to try and achieve their mission. It’s a film that’s an almost perfect blend of science-fiction, horror and thriller – an underappreciated gem. 4/5.