Vincent D’Onofrio

REVIEW: The Eyes of Tammy Faye (2021)

In the 1970s and ‘80s, Tammy Faye Bakker (Jessica Chastain) and her husband Jim (Andrew Garfield), rise from humble beginnings to create the world’s largest religious broadcasting network and theme park. However, financial improprieties, scheming rivals and a scandal soon threaten to topple their carefully constructed empire.

Personally, I had never heard of evangelicals Tammy Faye and Jim Bakker before hearing about this film. It is about people and events that were before my time and I’m pretty sure we didn’t have any kind of religious broadcasting channels here in the UK – personally my family didn’t get Sky and therefore more than the standard four channels until I was about fourteen and that was in the mid-2000s. But I like Jessica Chastain a lot and got the chance to see The Eyes of Tammy Faye at a local film festival months before it’s released in the UK so thought why not.

I’m very glad I gave this film ago. It is a bit unsure at times whether it wants to be a standard biopic or lean into the over-the-top almost satire of these people’s situation but Chastain’s performance guides you through any shaky moments. It also works best when it leans into the absurdity.

The costumes are stunning and are so very ‘80s and it’s hard not to get swept up in the glamour of it all. The religious songs Chastain sings are also super catchy as well and the whole package that Tammy Faye presents to their audience is bold and energetic. How this then contrasts to her at home, when she feels neglected by her husband makes events even more affecting.

Truly Chastain is fantastic in The Eyes of Tammy Faye. Often, she’s unrecognisable thanks to the hair, makeup and prosthetic work she has going on but equally her performance is stunning too. Over the course of the film, she goes from being bubbly and full of life to disconnected and close to depressed as all her hopes and dreams come crashing down around her. She plays all the aspects of Tammy’s personality so well and it’s kind of sad sometimes because Tammy appears to be a woman who loves people, loves God, and to her detriment, loves her husband. She is full of love and is far more accepting than any other evangelical preacher seen in The Eyes of Tammy Faye – Vincent D’Onofrio plays Pastor Jerry Falwell who is the most pious of the religious figures that surround her.

While Chastain and Garfield are both great, Cherry Jones who plays Tammy’s mother Rachel steals just about every scene she’s in. Her scathing line delivery is hilarious and her presence is felt even when she’s not on screen. She’s the one person Tammy wants to impress and be proud of her, while Rachel is more suspicious of her daughter and son-in-law’s careers. Rachel is a religious woman but doesn’t see how people sending their money to the network is something God would condone.

Honestly Andrew Garfield is great as the weaselly Jim Bakker. He can be both cruel and charismatic and as the viewer you can see the things that Tammy is oblivious to and how while she did things with often the best intentions, he did them to further his life. Like honestly, the man was awful and both Garfield and Chastain did such good jobs in their roles that I was mad at him for hurting her – even though if she’d been a little more present in the running of the network, she wouldn’t have been so blindsided by her husband’s lies.

Speaking of Garfield, at the beginning in the 1960s when Jim and Tammy meet at college there is some weirdness going on with Andrew Garfield’s face. I’m not sure if it is the de-aging CGI that we’re often seeing in films nowadays, the makeup or a combination of the two but I’ve never seen a man with such a smooth face. He looked like a Ken doll in those scenes. Once the narrative had moved on so he was playing a Jim that was closer to his age (Garfield is 38) this stopped and he looked a lot more normal.

The Eyes of Tammy Faye is a funny and at times almost surreal biopic. The performances are all fantastic and it’s hard not to feel sympathy for Tammy Faye as it really does seem like she was an enthusiastic and caring woman. But, due to her trusting nature and her faith she was easily led and betrayed. 4/5.

REIVEW: The Magnificent Seven (2016)

magnificent-seven-2016-posterWhen the tycoon Bogue (Peter Sarsgaard) takes over a town and terrorises its people, seven men lead by bounty hunter Sam Chisolm (Denzel Washington) come together to take on his army and save the townspeople.

The Magnificent Seven is a lot of fun and a lot of that is thanks to the cast. The seven men have a lot of chemistry and each bring something different to the group. Josh Faraday (Chris Pratt) is the joker and gambler of the group who enjoys annoying Vasquez (Manuel Garcia-Rulfo) a Mexican outlaw a lot. Goodnight Robicheaux (Ethan Hawke) and ex-soldier and Billy Rocks (Byung-hun Lee) a knife fighter come as a pair, while Jack Horne (Vincent D’Onofrio) is a tracker and Red Harvest (Martin Sensmeier) is a Comanche warrior. They are all very different people and it’s the moments where they are all sitting around a campfire or are in a saloon talking that are real highlights of the film. And while she is the only prominent female character in the film, Emma Cullen (Haley Bennett) is a force to be reckoned with as it’s she who goes out to find men to fight for her town and she has the respect of the men she employs.

The cinematography in The Magnificent Seven is gorgeous, there are often extreme wide shots of the town and the battles and they all look wonderful. The fights themselves are also well-shot and the action is very clear to follow and you have a good idea of where everyone is in relation to each other. There’s only a few shootouts in the movie but when they happen there is a good pay off and the one at the start of the second act has a good standoff between the good guys and the bad.

There are some clichés and tropes in The Magnificent Seven, but the characters and action are so well put together that it doesn’t really matter that much. Some characters do things that you can see coming a mile off but that’s mostly because the formula for The Magnificent Seven is a classic and even if you haven’t seen the 1960 original, you’ll know what will probably happen as the basics of the story has been seen in many different genres of films over the years.

The Magnificent Seven is a lot of fun. It has everything you want from a Western and the final battle even offers some surprises. 5/5.